Before analysing Norwegian black metal, the role of music in the development of social communities will be discussed. Music’s ability to affect human emotions is unique among the arts; Morris (2013:113) posits that music permits bodily perception to be activated on a primal level and Adorno (1999:9) proposes that “all music, however individual or particular it may be stylistically, possesses an inalienable collective essence”. Music can connect people to one another, and it can also connect people to that which they hold sacred. Durkheim (1965:52) divided the world into the sacred and the profane, and said that the two are wholly separate. McDannell (2012:137), on the other hand, argues that the sacred may be present in the profane, in the form of religious mediation. Meyer (2012:166) states
Before analysing Norwegian black metal, the role of music in the development of social communities will be discussed. Music’s ability to affect human emotions is unique among the arts; Morris (2013:113) posits that music permits bodily perception to be activated on a primal level and Adorno (1999:9) proposes that “all music, however individual or particular it may be stylistically, possesses an inalienable collective essence”. Music can connect people to one another, and it can also connect people to that which they hold sacred. Durkheim (1965:52) divided the world into the sacred and the profane, and said that the two are wholly separate. McDannell (2012:137), on the other hand, argues that the sacred may be present in the profane, in the form of religious mediation. Meyer (2012:166) states