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Review of Xinzhong Yao's Book Introduction to Confucianism

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Review of Xinzhong Yao's Book Introduction to Confucianism
In Introduction to Confucianism, Xinzhong Yao strives to convey a balanced understanding of the Chinese / East Asian tradition of Confucius as it has evolved over the last 2500 years from ancient times to contemporary relevance, from the classics into practice and all within a single book. Yao aims to distinguish his presentation of the subject matter from previous introductions that have taken a more historical approach. He writes for a western audience and for students who are assumed new to Confucianism while also appearing to address his peers and anticipated critics. He draws from his experience of teaching Confucianism in a university setting and includes excerpts of academic articles that he has previously published. His arrangement is primarily thematic, with aspects of the religious and philosophical nature of Confucianism and the intellectual creativity of prominent Confucian scholars sprinkled throughout.

Yao's methodology is to conduct a 'double investigation', acting both from the inside as a 'bearer of the values examined' and from the outside as a 'critic of the doctrine presented'. By continually revisiting the underlying question, over what Confucianism was and is from different angles, Yao intends to lead the reader into greater depth and complexity. The effort Yao puts forth is truly admirable, yet he tries to accomplish too much in a single book. In large part, he succeeds at presenting a balanced, academic understanding of Confucianism in light of his five stages or dimensions. In my experience however, many aspects of Yao's organization and methodology interfered with my sincere effort to gain an 'inside' understanding of and appreciation for the spiritual / religious nature of Confucianism, even though this appears to be his ultimate goal.

In the introduction, Yao states his five stages or dimensions of the subject matter. For the remainder of the book, I could sense these dimensions as an undercurrent that remained present

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