Thesis: I am analyzing two paintings, “Rachel Weeping” by Charles Willson Peale, and “Virgin and Child” by Hugo Van Der Goes. I will be concentrating on the differences between the two paintings which were created in two very different time periods, in two very different worlds, during two very different points in their creators respective lives; making these paintings that seem similar as first glance, almost polar opposites.…
While the theories on the artist intent are of plenty, there is no mistaking that this piece provokes deeper contemplation on the depiction of beauty and the power of “ugly” imagery in this painting. One can argue that over vast time periods and amongst culture the defined interpretation of beauty has seen many profound depictions and interpretations displayed in infinite works of “beautiful” art. We must ask ourselves, can only works of “beauty” be aesthetically pleasing to the eye or can we find it in a variety of work through…
Metaphorically, Henson described art was "a force of nature", sometimes disturbing and often irrational. By also referring to the symbolism of ‘nature’ and how it associates with its moral to be not meddled with, Henson is implying that same convention, should be implanted upon his own works as well. He again conveys his irritation with an emotive, extended metaphor, wherein art is like a “basket case at the bottom of the entertainment industry food…
“There was only one way to possess beauty properly, and that was by understanding it, by making oneself conscious of the factors (psychological and visual) responsible for it” (de Botton 216). In The Art of Travel, Alain de Botton encourages the reader to view the world through an artistic eye, one which is attuned to detail. By doing so, one can comprehend beauty by becoming ardently interested in the minutiae of life. In the literal sense, beauty is an adjective attributed to the aesthetically pleasing, however de Botton alludes to a more complex sense of beauty by using it as a metaphor for happiness. Although it seems as if de Botton’s overarching theme is to recognize beauty through detail, it becomes more apparent that he feels seeing beauty requires not only attention to detail, but also delving even deeper into our consciousness and recognizing that beauty is heavily dependent on darkness. De Botton says, “The twin purposes of art: to make sense of pain and fathom the sources of beauty” (de Botton 233), suggesting that one must see the dark in order to see the light.…
The author suggest that we ask ourselves: “What is the purpose of this work of art (and what is the purpose of art in general)? What does it mean? What is my reaction to the work and why do I feel this way? How do the formal qualities of the work-such as color, its organization, its size and scale-affect my reaction? What do I value in works of art?”…
Unlike the previous High Renaissance artists would idealize their artwork to go beyond human potentials, The Harvesters which was one of Bruegel’s most famous paintings, showed a lot of abstraction by the figures being distorted and simplified especially when it came down to his peasant subjects to possibly show how poor and uneducated they were. Based on the type of art technique he used, Bruegel must have also been originally influenced by Hieronymus Bosch’s alchemist paintings since many art historians would compare his artwork to Bosch’s imagery paintings and would eventually call him the Second Bosch of the Northern Renaissance. Examples of Bosch’s influence on his earlier drawings for the Four Winds publishing house were The Seven Deadly Vices. Bruegel integrated the fantastic imagery of Bosch into the series by having every figure dominated by each sin which was in a form of a woman. He also had his seven female sins follow the traditional standards of iconography. In contrast to the pleasant landscapes that Bruegel painted later on in his career, he created hellish landscapes that surrounded the figures in order to show each sin and its consequence since Bosch was also a religious man who warned his viewers about the consequences of their sinful actions. Out of all of the deadly sins, the Allegory of Lust was the most heavily Bosch inspired artwork since it was possible that Bruegel could have studied more in detail of Bosch’s hell panel of the Garden of Earthly…
It is important, before looking at the painting, to first understand the purpose and direction modern art usually has. “The entire gamut of modern art can be viewed from the vantage point of the artist’s attitude towards the object, an examination which should throw some light on the larger problem of how the modern artist chooses to interweave art and reality and, ultimately, of what constitutes reality for him (Johnson 11).” A major part of interpreting modern art lies within determining that reality. Viewers search for their own meaning in the painting since the simplicity of most modern works leaves much room for imagination. When the modernism phase of artwork began it was not exactly obvious to the public, but over time there “came about a general awareness that there was such thing as a modern sensibility, and that that sensibility had the key to modern life (Russell 126)”. It was thought that if one was modern they had to easily be able to notice changes of life and be accommodating of “the unconscious and the irrational” side of humans (Russell 126). These aspects will later influence the works of Walt Kuhn in his various oil…
Over the past few centuries, the intellectuals of society have made countless advances in science and the development of technology, which, to different degrees, have all benefitted mankind. These scientific discoveries are a result of man’s thirst for and dedication to acquiring knowledge, information, and power. The innate curiosity and desire for understanding in an individual can grow so immense that his or her moral and ethical boundaries erode, which results in disastrous consequences for all who are involved. The novel Frankenstein, by Mary Shelley, is both a warning and a plea about the dangers of misusing academic prowess and the consequences that result because of the reckless pursuit of scientific progress. Victor Frankenstein is a scientist that, after becoming obsessed with discovering the secret to life, abandons his moral code and tries to play God by attempting to create life where there is none. The potential rewards of this endeavor cause Victor to forgo all prudence when considering the consequences of his actions, which allows the experiment to progress till completion. The novel can be read as a criticism of the perusal of enlightenment science and philosophy. Victor’s failure of allowing his ambitions to blind him is highlighted by the mistakes of the monster.…
Throughout the course of history, innovative people have been subject to rejection in the beginning of their careers, yet later become prominent figures. Pieter Bruegel was a Flemish artist who revolutionize the Northern Renaissance in the 1500’s. He led a life of complexity, especially during the times of religious and political fighting. He made much advancement during his age by painting peasants and landscapes; this was the first time in history in which this had been done. Bruegel’s quiet nature has been described by friends in their writings and is also evident in his artwork. Bruegel’s serene landscapes are a reflection of his character, yet more violent works suggest there is more beneath the surface. Bruegel was thought to be eccentric because he was different, but now he is regarded as one of the superstars of the Renaissance.…
She also argued that the “visual symbols”—the figures and episodes on the vases in this essay—definitely have different meanings to the various viewers who are from diverse cultures or have unique educational backgrounds. Furthermore, the author pointed out that Greek artists, unlike their later Renaissance companions, are almost anonymous. So, in the author’s opinion, what Beazley had done—assign each potter or painter a nickname—is actually leading us to a different way, a way that uses his own modern culture to decipher the ancient Greek culture. In the middle of the “Questions to ask” part, the author suggests that we can shift our minds from the artist’s perspective to the viewer’s perspective.…
Brook started to examined the first painting is called “View of Delft”, Delft is a city located in Northland, “Memories of the seventeenth century are peculiarly present in the two great churches of Delft” (Brook, Timothy. Vermeer’s Hat. New York: Bloomsbury, 2008. Print.) though those two church did not remain, but according the structure of those places and the graves of the inscriptions were indicate most wealthier citizens of seventeenth century hold a view that “People in those days hoped to be buried as close as possible to a holy place, and better than being buried beside a church was to be interred underneath it.” (Brook, Timothy. Vermeer’s Hat. New York: Bloomsbury, 2008. Print.). It also contained many memories on it.…
Hello everyone! My name is Nicole. I have tried to further my education several times in the course of about 11 years. I started with dual enrollment classes during high school, and I even tried an online school, but throughout my life I became easily distracted and fell into several traps. I am a fast learner that had issues like waiting until the last minute to complete assignments and paying for it later, but school is something that I enjoy, after I complete a class I feel like I’m one step closer to becoming successful.…
Humanity continues to be confronted by universal dilemmas, and such, texts will explore the human experience despite differing contexts. Mary Shelley’s Gothic epistolary novel, Frankenstein (1818), written at a time of tension between paradigms of Romantic idealism and Enlightenment rationalism ultimately questions the legitimacy of scientific advance at the cost of human connection. It explores the challenge to normalcy and the tensions between nature and civilisation that promulgate humanity's moral constructs. Furthermore, the text gives insight into the essential ideas of the human experience and the universal nature of questioning the value of life.…
In the novel Frankenstein, both Victor Frankenstein and his monster are engaged in solving the different and unique mysteries of their individual lives. The knowledge that they gain in their investigations are what shape this story. Victor engrossed himself in solving the mystery of the creation of life and its commodities, whereas the monster is trying to learn how to solve the mysteries of life and live life itself by only observing society.…
My paper is about Hieronymus Bosch’s Last Judgement triptych painting. I chose this painting because it’s has an dark interesting theme and its reference to the bible. This painting was done by Dutch artist Hieronymus Bosch on 1482. Bosch was born in 1450 in s-Hergenbotch, Burgundian Netherlands. It’s unknown when he started painting and how learned to paint. There is very little information on his life because he didn’t left any diaries or letters and not much is learned from his records in the city he grew up in, leaving many of his personal information such as real birth date to be unknown. He started his life of painting after a fire started in his town when he was thirteen and later on he became an outstanding artist who often received commissions from abroad schools. In 1488 he joined the brotherhood of our lady, an arch-conservative religious group some of the most influential and respected citizens of s-Hergenbotch. And about 7000 members from all around Europe. He became interested in the bible and became known for his macabre and nightmarish depictions of hell. ``…