Rise Up
Rise Up
Tiffany R. Sims
African American Art
Dr. Akua McDaniel
11/20/12
Struggle. Hope. Change. Since the colonial period, and even many years before this time period, African-American people struggled with inequality, lack of rights, and racial injustice. This struggle came to a historical high during The Civil War in the 1860’s. With much effort and persistence, the war ended and slavery was abolished in the nation. The result brought hope to black people in the United States. This newfound faith amongst black people was captured in many different forms, such as propaganda, literature, and most importantly, art. Two black, female artists portrayed this spirit in the forms of sculptures. During the Post-Civil War era, Edmonia Lewis and Meta Warrick Fuller created works that symbolized the struggle for freedom, hope for the future, and a need for change for African-American people. The American Civil War was arguably one of the most deadliest and important events in the nation’s history. Political tensions came to an all-time high and caused a split and war amongst the States from 1861-1865. Slavery was a root cause of the war. The North, also known as the Union, was fighting for the abolishment of slavery while the South, also known as the Confederacy, was fighting to preserve slavery laws in the nation. In the end, the North prevailed and laws were made to end slavery and give black people the rights and privileges they deserved. The end of the war brought about a new attitude for black people. As laws were being passed and slaves were being set free, African-Americans started to believe and know that there was hope for a better future. Black people began to experience a sense of liberation from the bonds of slavery and were ready to embark on the road to freedom that they had so long been deprived of. All these feelings became inspiration for black artists and artisans. The black female artists named above used took
Tiffany R. Sims
African American Art
Dr. Akua McDaniel
11/20/12
Struggle. Hope. Change. Since the colonial period, and even many years before this time period, African-American people struggled with inequality, lack of rights, and racial injustice. This struggle came to a historical high during The Civil War in the 1860’s. With much effort and persistence, the war ended and slavery was abolished in the nation. The result brought hope to black people in the United States. This newfound faith amongst black people was captured in many different forms, such as propaganda, literature, and most importantly, art. Two black, female artists portrayed this spirit in the forms of sculptures. During the Post-Civil War era, Edmonia Lewis and Meta Warrick Fuller created works that symbolized the struggle for freedom, hope for the future, and a need for change for African-American people. The American Civil War was arguably one of the most deadliest and important events in the nation’s history. Political tensions came to an all-time high and caused a split and war amongst the States from 1861-1865. Slavery was a root cause of the war. The North, also known as the Union, was fighting for the abolishment of slavery while the South, also known as the Confederacy, was fighting to preserve slavery laws in the nation. In the end, the North prevailed and laws were made to end slavery and give black people the rights and privileges they deserved. The end of the war brought about a new attitude for black people. As laws were being passed and slaves were being set free, African-Americans started to believe and know that there was hope for a better future. Black people began to experience a sense of liberation from the bonds of slavery and were ready to embark on the road to freedom that they had so long been deprived of. All these feelings became inspiration for black artists and artisans. The black female artists named above used took
Bibliography: 1. American Art. 2nd ed. Vol. 9. N.p.: University of Chicago, 1996. Print. 2. Fine, Elsa Honig. The Afro-American Artist. New York: Holt, Rinehart and Winston, 1973. 3. Oden, Krissi. "Interpreting Space: Ethiopia Awakening and the Rebirth of Meta Warrick Fuller." University of Toronto Art Journal [Online], 2 (2009): n. pag. Web. 13 Nov. 2012 4. Palencar, Danielle. Gender Politics within Art of the Harlem Renaissance. Bethlehem: Lehigh University, 2008. Web. 5. Patton, Sharon F. African-American Art. Oxford: Oxford UP, 1998. Print.