Rizal

Philippines is affected by many problem of Spain like political instability and by the union of the Church and the State and also include the Philippine representation in Spanish Cortes which is justified and last is the denial of human rights which spurs the Filipino to fight for. About the Political instability, it is one of problem that the Philippines. Then it was follow by Madrid government which change the political administration in the colony. In 1853 to 1898, there were 41 political dictum who held office in the Philippines. In 1885 to 1896, during the regency of Queen Ma. Cristina there were four assign to the colonial government and two acting capacity.
Rizal observes in his Noli Me Tangere that Governor-General was talking to Crisostomo Ibarra about his burdens he weigh in his shoulder. About his hardship of pleasing the King Minister and worst is when he consult the mother country about his proposal which will be accepted or rejected, and worst problem is the official way of ruling the Philippines is weak. Many of them were not prepared to govern the country. Many of them do the illegal work such as: graft and corruption, bribery etc. and it looks like no
The word "filibustero" wrote Rizal to his friend, Ferdinand Blumentritt, is very little known in the Philippines. The masses do not know it yet.

Jose Alejandro, one of the new Filipinos who had been quite intimate with Rizal, said, "in writing the Noli Rizal signed his own death warrant." Subsequent events, after the fate of the Noli was sealed by the Spanish authorities, prompted Rizal to write the continuation of his first novel. He confessed, however, that regretted very much having killed Elias instead of Ibarra, reasoning that when he published the Noli his health was very much broken, and was very unsure of being able to write the continuation and speak of a revolution.

Explaining to Marcelo H. del Pilar his inability to contribute articles to the La Solidaridad, Rizal said that he was haunted by certain sad presentiments, and that he had been dreaming almost every night of dead relatives and friends a few days before his 29th birthday, that is why he wanted to finish the second part of the Noli at all costs.

Consequently, as expected of a determined character, Rizal apparently went in writing, for to his friend, Blumentritt, he wrote on March 29, 1891: "I have finished my book. Ah! I’ve not written

Dr. José P. Rizal (full name: José Protasio Rizal Mercado y Alonso Realonda[1]) (June 19, 1861 – December 30, 1896) was a Filipino polymath, nationalist and the most prominent advocate for reforms in the Philippines during the Spanish colonial era. He is considered the Philippines' national hero and the anniversary of Rizal's death is commemorated as a Philippine holiday called Rizal Day. Rizal's 1896 military trial and execution made him a martyr of the Philippine Revolution.

The seventh of eleven children born to a wealthy family in the town of Calamba, Laguna (province), Rizal attended the Ateneo Municipal de Manila, earning a Bachelor of Arts degree sobresaliente. He enrolled in Medicine and Philosophy and Letters at the University of Santo Tomas and then traveled alone to Madrid, Spain, where he continued his studies at the Universidad Central de Madrid, earning the degree of Licentiate in Medicine. He attended the University of Paris and earned a second doctorate at the University of Heidelberg. Rizal was a polyglot conversant in at least ten languages.[2][3][4][5] He was a prolific poet, essayist, diarist, correspondent, and novelist whose most famous works were his two novels, Noli me Tangere and El Filibusterismo.[6] These are social commentaries on the Philippines that formed the nucleus of literature that inspired dissent among peaceful reformists and spurred the militancy of armed revolutionaries against 333 years of Spanish rule.

He was known as a hero, author, and an eye doctor.

As a political figure, Rizal was the founder of La Liga Filipina, a civic organization that subsequently gave birth to the Katipunan[7] led by Andres Bonifacio and Emilio Aguinaldo. He was a proponent of institutional reforms by peaceful means rather than by violent revolution. The general consensus among Rizal scholars, however, attributed his martyred death as the catalyst that precipitated the Philippine Revolution.
In 1963, James Brown declared, “it’s a man’s world.” Playwright and director David Mamet would suggest that maybe the world is not entirely men’s anymore, but the business world certainly is. Moreover, when women enter the male domain of business, they do not understand the basic rules of this male-dominated area of American existence. As a result, women befoul the ability of business to function correctly. Mamet implies that males and females are opposite sexes and that business is a male endeavor—therefore women are antithetical to business (Greenbaum 33). Women, ignorant of proper business procedure, use their sexuality to trap the man to exert the will of the woman. Once the woman traps the man, the man becomes emasculated—he loses whatever claim he had to continue being seen as a man working in the men’s world of business. In Glengarry Glen Ross, Speed-the-Plow, and Oleanna, Mamet retains a central theme: if men did not have to deal with women, business could operate unhindered.

First, though, one must consider Mamet’s beginnings. David Mamet was born on November 30, 1947, in Chicago, Illinois. His parents were Bernard Morris Mamet, an attorney, and Lenora June Silver, a teacher. Through his life