For example, his choppy movements (“drew back, came forward again”) is like he plays a game (132); and also has odd child-like syntax (pirate vernacular) in his dialogue: “I’m poor Ben Gunn, I am;” (133). By the late nineteenth century, Britain’s imperial dominance decline alongside attitudes towards adventure stories, as the mid-Victorian “hero” became the Late-Victorian “coward” (Grenby, 179). Stevenson’s criticism of imperialism relates to Ben Gunn as a pirate. As in literature and history, pirates should serve as: “Foreign competition in imperial acquisition” (M. Daphne Kutzer qtd in Noimann, 61), but instead, Ben Gunn begs for a “Christian diet” and bargains with Jim so that he returns home like a lost child (134). Ben Gunn’s character here relates to the declining “Golden Age of Piracy” and the British empire, as what were once influential figures for boys at the time (pirates / colonialists) are now powerless by the twentieth-century. Therefore, Stevenson criticises imperialism through the fragile masculinity it impacts on characters like Jim Hawkins and Ben
For example, his choppy movements (“drew back, came forward again”) is like he plays a game (132); and also has odd child-like syntax (pirate vernacular) in his dialogue: “I’m poor Ben Gunn, I am;” (133). By the late nineteenth century, Britain’s imperial dominance decline alongside attitudes towards adventure stories, as the mid-Victorian “hero” became the Late-Victorian “coward” (Grenby, 179). Stevenson’s criticism of imperialism relates to Ben Gunn as a pirate. As in literature and history, pirates should serve as: “Foreign competition in imperial acquisition” (M. Daphne Kutzer qtd in Noimann, 61), but instead, Ben Gunn begs for a “Christian diet” and bargains with Jim so that he returns home like a lost child (134). Ben Gunn’s character here relates to the declining “Golden Age of Piracy” and the British empire, as what were once influential figures for boys at the time (pirates / colonialists) are now powerless by the twentieth-century. Therefore, Stevenson criticises imperialism through the fragile masculinity it impacts on characters like Jim Hawkins and Ben