Robert Wilson Theatre Lighting

Abstract

Theatre requires several key elements, including performers, audience, director, theatre space and design. These aspects incorporate scenery, costume, lighting and sound. An audience is believed to be the most important element in theatre as they are the receptors of the stage. The physical presence of an audience can change a performance, inspire actors and create a memorable experience for both the actors and the audience. Theatrical performances rely greatly on sound in order to create mood or atmosphere. Lighting is also one of the most crucial design aspects which theatrical performances depend on. The primary function of lighting in the theatre is to make the stage picture more visible. The way in which the stage is lit has
Wilson (1941) is an American stage director from Waco, Texas. He is also well known as a lighting designer, performer, painter, sculptor and is respected for his many other artistic occupations. He suffered from a speech impediment that was cured when he was 17 by a local teacher of dance, Byrd Hoffman. Wilson remembers her as the first artist he had ever met. He claims that he had a relatively lonely childhood and was to leave its mark on his work in the theatre (is this necessary?). Wilson originally majored in business administration at the University of Texas but discontinued his studies in 1962 and spent some months studying painting with George McNeil, an American abstract expressionist painter in Paris. He then returned to the United States and studied in New York City to pursue his interests in the arts. It was clear that Wilson was attracted by the work’s non-determined status, which was essential to the creative attempt that continued his unique approach. In 1968, Wilson created an experimental performance company called the Byrd Hoffman School of Byrds in honour of his old teacher. He began preparations for The King of Spain which is one of his several major works today and was performed at the Anderson Theatre in 1969. He began to work in opera in the early 1970s, creating Einstein on the Beach with Philip Glass. Wilson is also famous for pushing boundaries in theatre. His works
He is internationally recognised for his imaginative and original theatre work and film productions which often engaged contrasting cultural references and unconventional media together. Lepage’s relationship with the stage starting from his years as a teenager was said to have been a result of his solitary adolescence. He studied at the Collège des médecins du Québec (CMQ) where one of his teachers was Marc Doré who himself had trained under the renowned French mime Jacques Lecoq. After studying in Paris, he established his first professional position with Théâtre Repère in Quebec in 1982. This theatre company was well known for the works of Robert Lepage and focused on the active involvement of actors to discover the key object or pattern necessary to develop the production. Lepage drew influences from the work of Denys Arcand and Claude Jutra and from his experiences. After a period of time, Lepage left Théâtre Repère to become head of the French theatre section of the National Arts Centre in Ottawa. Lepage’s company, Ex Machina, which was created in 1994, displayed an innovation combining the arts with technology and assimilating new approaches that he did not want to be limited because it was called a theatre company. Many of the plays staged by Ex Machina were written and directed by Lepage.

should comment here how they both have extensive experience and knowledge