The passage I have chosen is from Chapter 5, book 1, which takes place at a wine shop. Dickens is using this passage to explain the recent event that has taken place; crowds of people gather in front of the wine shop, and actually scoop up the wine for themselves from the broken cask. That shows the readers that these peasants are in physical hunger and are that desperate for food, showing that France isn’t in good shape. Once all the wine is gone all that is left over is the stains of the red wine on the street, the peoples hands, faces and feet. Dickens is foreshadowing the blood that will be left there in later years during the revolution. Like I stated before Dickens is showing the peasants hunger, but I think he is showing the physical hunger and the hunger the peasants have for justice and that they want freedom from the misery they’re in, therefore I feel he is also foreshadowing that the peasants are going to revolt and that they’re will be some kind of revolution. When Dickens says “the wine was red wine”, it is symbolic in a way of showing the sense of revolution, because the peasants dressed themselves in the color red while revolting, but also the fact that red is symbolic by symbolizing the blood of all the peasants and people of France that will die in the fight for what they believe in. I also believe when Dickens closes this passage with the words wine-lees blood he is trying to say that although at that moment its just wine, eventually lives are taken and it turns into real blood, and that the blood will stain the streets of France, leaving a reminder of this terrible…
However, the motivation behind their deceit differs in each text. In Othello, the opening scene shows Iago talking lengthily with Roderigo about his dislike for Othello. He reveals his intentions to falsely appear loyal to him in order to gain his trust and manipulate him without being suspected. It should be noted that he also fails to use Othello by his name, referring to him as ‘he’, ‘the Moor’, ‘his Moorship’ and as a ‘Barbary horse, which show his disrespect for Othello and the grand magnitude of his malevolence.…
Throughout the entirety of Shakespeare’s “Othello”, there are many scenes of conflict between the characters and Shakespeare presents these conflicts in a number of different ways. The most notable conflicts are between the main characters: Othello, Iago and Desdemona, among others like Roderigo, Cassio, Brabantio, Emilia and Bianca.…
Roderigo is unknowingly exploited for money and manipulated during Iago’s personal quest of vengeance against Othello. Many times Roderigo and Iago both reference to the prominent fact that Roderigo is Iago’s beneficiary, his money bag, but what Roderigo does not realise is that he is in fact continuing to provide for non-existent results and is being misused by Iago. Roderigo is honest in his lust for Desdemona and Iago deceives him with it. Upon Roderigo’s acceptance of defeat and surrender it is Iago that persuades him to keep on, and to “put money in thy purse” - Act 1: Scene 3. He repeats and reuses this phrase to emphasise their meaning throughout his debate for Roderigo to persist in the pursuit of Desdemona (i.e. money for Iago). Roderigo is but a trust fund and dupe in Iago’s grand scheme against Othello.…
Many characters in the Shakespearian play, Othello, are deceived by the clever and flattering Iago. Early on in the play, Iago is trying to get his plans against Othello into motion. He meticulously chooses vulnerable characters to help carry out his vengeful scheme. Roderigo is one of the many susceptible characters who fall for Iago’s tricks. Iago catches Roderigo in a very vulnerable state and carefully plants his own scheme into Roderigo’s mind. Iago wants Roderigo to keep fighting for Desdemona despite her marriage to Othello. He tells him “Seek thou rather be hazed in compassing thy joy then to be drowned without her” (1.3 353-355). Iago flatters Roderigo by making him believe he has a chance with Desdemona and to fight for her using…
Discuss this statement, showing how composers of texts represent their ideas in relation to identity. In your response you must refer to Othello and one other related text.…
Roderigo was a very gullible man and he is jealous for what wasn’t his. He believes whatever Iago told him. Roderigo loves Desdemona so when he heard the news from Iago he was heartbroken. “What a full fortune does the Thick-lips owe If he can carry’t thus” (1.1.68)! Roderigo was jealous of Othello for getting marry to Desdemona. Iago used this time to tell Roderigo that they can break Othello and Desdemona up by calling for her father. “Call up her father. Rouse him. Make after…
Othello is a story of tragedy; a failed marriage between a Moor and the white daughter of a political figure. Through jealousy and deception, Othello and Desdemona’s, his wife, marriage goes from a love story to two tragic and preventable deaths. Othello is a highly respected general in the defense forces of Venice; his charismatic and intelligent demeanor allows him to gain power and status in a majority white atmosphere. Desdemona is the daughter of a high ranking chauvinistic political figure. Desdemona is nothing like her father, she believes in true love which is why she falls in love with Othello even though during the 16th century, interracial relations are frowned upon. The Great…
Iago is furious with Othello for doing so, especially after he proved himself at the battles of Cyprus and Rhodes. Roderigo calls on Iago to quit, which Iago refuses, claiming he will use his position to undermine Othello’s…
Roderigo, a gulled gentleman, is the main character susceptible to Iago's villianess plot. During a personal conversation, Iago learns of Roderigo's lustful nature toward Desdemona, Othello's wife. Immediately, Iago discovers Roderigo's weakness, love, and employs a plan, manipulating him to do his bidding. As Roderigo's only friend, Iago promises him that he can have Desdemona, even though she is married and joining Othello on a trip to Cyprus. Iago and Roderigo's toxic friendship is shown when Iago uses Roderigo's money for his own self, and in keeping with the friendship, Iago will never run out. To ensure the beginning of his plan, Iago reassures Roderigo that his job is easy. All he has to do is assume a disguise, go to Cyprus and "Put money in thy purse" (1.3.351-352). In…
Through extensive critical study of William Shakespeare’s play Othello, taking into account the countless productions of the play over the years, which reaffirms its status as an enduring valued text, it becomes distinctly evident that part of its ability to continually engage readers is drawn from its treatment of themes universal to the human experience , such as verisimilitude and jealousy. Society’s constant struggle with what is real and what is not in our modern world, coupled with our everlasting battle with human emotions such as jealousy, give the play textual integrity, ensuring that the play is reputable of critical study. This can be specifically realised through the close analysis of Act 3 Scene 3, Act 1 Scene 1, and Scene 3 in which Shakespeare utilises his art to replicate life and verisimilitude to confront the audience’s perception of reality and jealousy. Close examination of these pivotal scenes in regards to the key thematic concerns not only accentuates the interpretation of the play as an Aristotelian tragedy, but also draws attention to why Othello continues to engage and enthral contemporary audiences.…
Shakespeare’s play, Othello tells the audience the story of a very successful General of Venice, Othello and how has was deceived by someone he believe to be an honest man, Iago, his ensign. The plot speeds up quickly Othello promotes Cassio instead of Iago. Iago vows revenge and slowly convinces Othello of Desdemona’s infidelity with Cassio, the lieutenant to whom Othello had given the position Iago had sought. Iago also gets Roderigo to help him in his evil plan by telling him that he can have Desdemona if he helps get rid of Cassio. Oblivious to Iago’s master plan Othello is ultimately a victim of his own naïveté.…
As in almost all tragedies, especially those of William Shakespeare, the tragic hero always runs into misfortune. The play Othello is no exception. In this play, every character acquainted with the tragic hero appears to be unfortunate. While these misfortunes are oddly related to Othello, are they his fault or did each character attract them out of their own actions? To answer this daunting question, one must consider the three most unfortunate characters: Othello, Desdamona and Roderigo and analyse their downfall which eventually lead to their deaths. It is known from reading the play that Iago is the one who manipulates all three of them. Examinations of their connection with him before their deaths are necessary to answer this question. After scrutinizing those three characters it is apparent that all of the characters who experience misfortune in Othello bring it on themselves.…
Explore how Shakespeare uses language and dramatic technique to present doubt and uncertainty in the minds of Othello and Macbeth.…
Discuss this statement supporting your answer with the aid of suitable reference to the text.…