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Romantic Period -Williom Wordsworth

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Romantic Period -Williom Wordsworth
Wordsworth’s Romantic Values The Enlightenment, a period of reason, intellectual thought, and science, led some writers to question those values over emotion. Instead, as the Romantic movement gradually developed in response, writers began to look at a different approach to thought. The Romantic period, roughly between the years of 1785 to 1830, was a period when poets turned to nature, their individual emotions, and imagination to create their poetry. Romantic poets such as Wordsworth, Coleridge, Shelley, and Keats rejected conventional literary forms, regular meters, and complex characters and experimented with emotion and nature subjects in their poems which marked a literary renaissance. Besides a response to the Enlightenment, the industrial revolution also influenced the Romantic sentiments. Poets quickly reacted towards the widespread change from a predominantly agricultural society to a modern industrial one. For example, England’s landscape started to emerge of smoky factories and crowded cities. The effects of the industrial revolution fueled the return of basic human emotion found in Romantic poetry. Among the Romantics who were one of the most influential and accomplished was William Wordsworth. Wordsworth’s most famous work is his collaboration with Samuel Taylor Coleridge called Lyrical Ballads published anonymously in 1798. Wordsworth wrote nineteen poems in Lyrical Ballads, and Coleridge wrote four including his famous “The Rime of the Ancient Mariner”. These poems are a collection of their experimental poetry that embarked Romantic literature. At first, the appearance of Lyrical Ballads did not receive positive acclaim from critics due to its controversial technique and subject matter. The Wordsworth and Coleridge executed an unadorned style of writing and basically opposed all conventional poetry standards of the eighteenth century. As a defense to his critics, Wordsworth wrote Preface to the second edition of Lyrical Ballads to


Cited: Blank, Kim G. Wordsworth and Feeling: The Poetry of an Adult Child. Madison: Fairleigh Dickinson University Press. Bloom, Harold. “Myth of Memory and Natural Man.” William Wordsworth: Bloom’s Major Poets. New York: Chelsea House Publishers. 1999. 35-46. Bloom, Harold. “The Scene of Instruction: ‘Tintern Abbey.” Modern Critical Views: William Wordsworth. New York: Chelsea House Publishers. 1985. 113-135. Furr, Derek. “An overview of “Lines Composed a Few Miles above Tintern Abbey.” Poetry for Students, 1997. Literature Resource Center. Gale Group Databases. Baylor University Lib., TX. 16 April 2005. <http:galenet..galegroup.com/servlet/LitRC/H1420007981&ST>. Hazlitt, William. “The Spirit of the Age.” William Wordsworth: Bloom’s Major Poets. New York: Chelsea House Publishers. 1999. 39-40. Kelly, David. “An overview of “Lines Composed a Few Miles above Tintern Abbey.” Poetry for Students, 1997. Literature Resource Center. Gale Group Databases. Baylor University Lib., TX. 16 April 2005. <http:galenet..galegroup.com/servlet/LitRC/H1420008806&ST>. “The Romantic Period.” The Norton Anthology of English Literature. 7th ed. M.H. Abrams. New York: W.W. Norton & Company, Inc., 2001. 1313-1332. Wordsworth, William. “Lines Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798.” The Norton Anthology of English Literature. 7th ed. M.H. Abrams. New York: W.W. Norton & Company, Inc., 2001. 1432-1435. Wordsworth, William. “Preface to Lyrical Ballads.” The Norton Anthology of English Literature. 7th ed. M.H. Abrams. New York: W.W. Norton & Company, Inc., 2001. 1436-1448.

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