Romanticism In Frankenstein Essay
Mary Shelly exemplifies her command as a literary scholar in her novel, Frankenstein. Her novel represents a combination of influences from the Romantic Era and her own personal dispositions. It is widely commended in the literally world because of the way every scene offers a new perspective, and a new way to interpret the themes that are communicated through the text. Furthermore, Frankenstein is notable for the way it usher in this argument whether Mary Shelly advocated for Romantic ideologies or strayed away from her fellow literary peers from the era. It is evident that there were various occasions where she offered criticism to the ideologies of the Romantic Era. However, after indulging myself into the novel, I found myself in a conflicted
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It exemplifies the characterization a true Romantic had during this era. These qualities are what lead to the creation of the monster. Victor would truly stop at nothing to create the monster because this was the mentality that was carried throughout the Romantic Era. But once again, Mary Shelly contradicts his actions when he failed to tend for the monster. In some manner, this failure represents this notion of a Romantic gone rouge and this title really carried throughout the novel. His desire for death as an “escapement,” from everything that was transpiring around him resembles the incident of Justine who “did not fear to die” (59). But, his reason for death and her reasons for death had an explicit difference. Justine sought out to leave a world that in her eyes was “sad and bitter.” Victor wanted death because he wanted to escape his responsibilities and the repercussions the monster had brought upon. He was in a position where his “renewed torture,” never ended and it was all because of his ambition (130). As a reader, this scene leads to an internal battle. Mary Shelly never outright argued against ambition, but rather she illustrated the consequences that too much ambition can bring upon an individual. Victor was so indulged with this Romantic mentality that he forget to take a step back and take a second to think about what he was doing. As a result, his ambition lead to the copious suffering he underwent throughout the
It exemplifies the characterization a true Romantic had during this era. These qualities are what lead to the creation of the monster. Victor would truly stop at nothing to create the monster because this was the mentality that was carried throughout the Romantic Era. But once again, Mary Shelly contradicts his actions when he failed to tend for the monster. In some manner, this failure represents this notion of a Romantic gone rouge and this title really carried throughout the novel. His desire for death as an “escapement,” from everything that was transpiring around him resembles the incident of Justine who “did not fear to die” (59). But, his reason for death and her reasons for death had an explicit difference. Justine sought out to leave a world that in her eyes was “sad and bitter.” Victor wanted death because he wanted to escape his responsibilities and the repercussions the monster had brought upon. He was in a position where his “renewed torture,” never ended and it was all because of his ambition (130). As a reader, this scene leads to an internal battle. Mary Shelly never outright argued against ambition, but rather she illustrated the consequences that too much ambition can bring upon an individual. Victor was so indulged with this Romantic mentality that he forget to take a step back and take a second to think about what he was doing. As a result, his ambition lead to the copious suffering he underwent throughout the