The sculptures' color is natural granodiorite. The detail level is high, which makes the sculpture appear more realistic. They have carved the details out and worked with them to make them as smooth as possible. It is detailed; you can see the female shapes in the breasts and in the hip area. When you go down to the detail level, especially the face and hands are prominent. The head is a lioness head and the eyes are small and intense. It is easily to spot that there is lionesses’ head, because of the high detail level. You can see all the shapes, from the ears to the mouth. When you the face on profile you can see that it looks very lifelike. Her hand also looks lifelike, together with her feet. The knees are prominent an easily noticeable through the clothes. The artist have made a sculpture that has several female attributes such as her sitting position, with a straight back and narrow shoulders. Whereas her hips are wider than they would have been on a man. Also her torso are seen as thinner than on an average…
By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
Engraved, chased, and etched, the interlacing Celtic-like scrolls and knots wrap delicately and symmetrically around the vessel. Serpentine handles flank the widest and uppermost portion of the vase while twin stylized bird head figures frame the rim. In the center of the vase sits a stylized Viking-like mask or helmet. Symmetrically placed gemstones adorn the vase from the rim to the foot, while contrasting matte lavender, light green, and golden yellow enamels sit just behind the gleaming silver scroll patterns and echo the colors of the gemstones.…
a. reduction in scale b. placing a smaller object in front of a larger object c. a twist at the waist d. depicting a form in perspective Answer: d 11. Which is NOT a feature of the Hospital of the Innocents? a. arcades b. round arches c. Doric columns d. pediments e. bays Answer: c 12.…
This small bronze sculpture is pretty amusing when looking at all the detail that E. Egan has put into this piece of art work. In the Bear with Jug sculpture you see the bear leaning back…
The body of the figure is long and oval shaped. The body of the sculpture is the largest part of the figure. The shoulders are rounded and there is a long oval indentation that resembles a neckline for a dress. Where the neckline is exposed, there is a layer that covers the figures breasts and appears to be similar to an undergarment for the dress that the sculpture is wearing. On the right side of the…
The eyes of this sculpture sink in, to suggest the idea of having eye sockets. The skin under his eyes slightly sink in to show the thinness of his under-eye skin. His nose has a bridge that is well-defined and extrudes. The lips are plump and the corners curl in. There is also a cupid’s bow at the upper lip.…
1. How did the earliest sculptors use the shapes found in natural materials to their advantage? (5.1)…
The second sculpture I viewed was the Olowe of Ise Palace Door. This door is a great sight to see boosting a great amount of detail. With the left side showing different faces along with different expressions is the first…
The form of the Seated Boxer represents the Greek understanding of the human body. The representation of the figure creates a sense of life, the human form is represented with vivid realism with the exception of the stylized facial hair. The facial hair, although three-dimensional, is seen as flat and two-dimensional because of its stylistic rendition. The sculpture utilizes pseudo-geometric shapes with the facial hair. The proportion of the sculpture is derived from Greek understanding of proportions of the human body.…
This sculpture shows an eagle and a man. The bird is sitting upright on the left hand side of the sculpture and the man is crouching to the right of him. The man is facing the eagle and feeding it from a bowl in his left hand. In the man’s right hand there is a pitcher. The man is wearing a pointed hat with flaps, and he has curly hair. The man appears to be young, around 25. Between the man's right arm and his right thigh is a clock like cloth that drapes behind the man. This man is crouching down and his back and shoulders are hunched over. His right knee is touching the ground and his left foot is flat on the floor making his left knee level with his right hand and the bowl. The man’s eyes are looking at the eagle's eyes, but the eagle is looking into the bowl that he is drinking or eating from. The point of the man’s hat is bent forward in a way that mimics the eagles head. The eagle is shown in hieratic scale, almost as large as the man. The man is crouching down in a servant like position, and is performing…
In the relief Ashurbanipal is highly decorated both in appearance and stature; his head is draped with a crown that has a flower design, which also reoccurs on his tunic from his waist down to the first break. His hair is neatly formed under the crown and his beard is neatly formed denoting his status as someone of power due to its size and style. His left hand is out-stretched grabbing the lions throat while his right hand holding a sword thrusting it into the lions abdomen. One would also notice the carved detail in his right hand showing the forearms muscles while holding the hilt of the sword. Also in his left arm he is holding a bow around his shoulders. Ashurbanipal’s upper portion of his tunic is detailed with horizontal and vertical lines which make it look like it is some form of stippling. The lower portion of his tunic is detailed with geometric flower shapes and has seven breaks total. The other six breaks have circular shapes or diagonal lines. His calves are also detailed with some form of hatched texture perhaps some form of chainmail. This figure is wearing some form of footwear that is bound by threads wrapped around his ankle to his calves.…
There we observed the change in the form of statues. Being able to see the statues and painting we’ve studied and saw in our textbook in real life amused me. Being able to go up to them and look at the details rather than staring at the photographs also made me more interested in the art itself. For this assignment I decided to compare “Seated Statue of Gudea” and “Statue of Eros Sleeping”.…
This magnificent painting dates back to Lascaux, France 15,000-13,000 B.C.E. It was found on cave walls and it is said to represent one of the earliest examples of artistic expression. We can see that this piece was created during the Paleolithic period because; they are images walls using paint on limestone. We can see that the primitive people used natural rock contours, which suggested the animal’s volumes and portrayed real representations of a major role in their lives, which were the animals. We can see horses, bulls, deer, cows and more animals on the walls of these caves. Furthermore, the images of the animals are…
5. The society had a centralized government, which suggests an organized central bureaucracy and a stratified set of social classes existed in order to ensure the survival and protection of the group and control of the government…