Preview

Saint George Killing the Dragon

Good Essays
Open Document
Open Document
769 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Saint George Killing the Dragon
"Saint George Killing the Dragon" by Bernat Martorell

Bernat Martorell, a Catalan painter, painted the elegant photo of “Saint George Killing the Dragon” in 1434. A theme behind the amazing legend of Saint George and the Dragon says that there are few friends who will make extreme sacrifices. Martorell uses different elements of art such as space, lining, and color, and different principles of design, such as movement, to take us through the vivid painting. The legend is said to start off to take place in a small city in Libya named Silene. He met a hermit who told him that the town was being ravaged by a dragon with a tail that is as long as fifty feet. To satisfy the dragon, the people of Silene would sacrifice two sheep a day. If the sheep failed to please him, they would feed the dragon the children of the town, which was done by lottery. One-day the king’s daughter, Sabra was chose to be sacrificed, so she was taken to the cave where the dragon stayed in the town of Silene. Shortly after Princess Sabra arrived, Saint George came rushing through the village to save her. He stroked his spear at the dragon, but the dragon’s scales were so hard that it broke his weapon into a thousand pieces and Saint George fell from his horse. He pulled out his sword and charged the dragon under his wings where he had no scales and the dragon was slayed. The town of Silene was free from the horrific dragon sabotaging them and their poor children thanks to Saint George. The elements of art used in the painting are space, lines, and color. These three elements guide the viewer through the painting. Space is used to show depth. The top of the picture is a small castle, which shows that is it distant. The bottom of the picture shows a large dragon, which shows that it is closer than the castle. Lines are one of the main guides of the painting and it appears indirectly. There is one line in the photo and it cuts it diagonally in half. Martorell did not just indirectly
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Art Analysis: Midsummer Night in Harlem, by Palmer Hayden
    • 824 Words
    • 4 Pages

    Art Analysis: Midsummer Night in Harlem, by Palmer Hayden

    The most prominent line in this art work would be vertical, because it leads the eye up /down and down/up and conveys the activity in the picture. Upon first inspection of this work, my eyes are drawn to the church as focal point, mainly because of the positioning of the church and the use of the vertical line from the moon to the kid at the fire hydrant. This identifies the viewers’ point of view and also shows how the moon is used as the light source, as well as the street light positioned just in front of the church. The illusion of space around the church leading up to the moon in the sky is utilized to draw your eye upward as if to signify that it is nighttime. The illusion of depth is utilized here in many ways by the appearance of distance created from the people by the church in back to the increase of people by the apartment steps in front. Aerial perspective is used in this…

    • 824 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Examine Adelaide Labille-Guiard's Self-portrait with Two Pupils, 1785.
    • 279 Words
    • 1 Page

    Examine Adelaide Labille-Guiard's Self-portrait with Two Pupils, 1785.

    Shadows that fell on her pupils face indicate the light source comes from the direction of the pupils' left (the right side of the painting) where there could be a window. The vanishing line is at where the elaborate hat lies to enhance the emphasis on the beauty. In the background lie several statues, including the bust of the father. The bust of the artist father is a darker tone due to being in the background, hidden from the light source. That should also be the deepest point of the painting.…

    • 279 Words
    • 1 Page
    Good Essays
    Read More
  • Good Essays

    Formal Analysis of Durer’s Knight, Death and the Devil
    • 584 Words
    • 3 Pages

    Formal Analysis of Durer’s Knight, Death and the Devil

    This engraving was done on copper; giving it a warm earthy tone. The absence of other colors gives the piece a dark feeling. Durer’s etching uses light very realistically, giving the figure of the horse especially a very convincing sheen. The absence of light behind the figures lends an abyssal element of danger connecting the literal dangers of Death and the Devil in the upper part of the work to the implied dangers in the lower part of the etching. With the abundance of hatching and cross hatching, lines appear from the texture of the objects and figures themselves, while other line work is direct and bold such as along the armor work of the knight. The eye is drawn to the left along the work at first by the implied motion of the knight and his dog. Other directional forces like the knight’s pike and sword as well as the trees in the background and the devils horn and spear draw the eye back across the space.…

    • 584 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Primary Source Analysis: Contact And Conflict
    • 1660 Words
    • 7 Pages

    Primary Source Analysis: Contact And Conflict

    notice. Champlain is in the centre of the painting and arrows are all pointed to him but he looks…

    • 1660 Words
    • 7 Pages
    Good Essays
    Read More
  • Good Essays

    Raising of the Cross Critique Paper
    • 990 Words
    • 4 Pages

    Raising of the Cross Critique Paper

    It may at first glance appear that this painting is all jumbled up but you would be wrong. Reuben precisely placed each item in this painting. This style of painting is called Baroque. Baroque basically means elaborate and extensive detail used in a painting. Reubens avoids stiff lines and boring geometric forms to create life and motion in his painting. His flowing lines create movement in the painting. It is as if…

    • 990 Words
    • 4 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Art 101 Formal Analysis
    • 519 Words
    • 3 Pages

    Art 101 Formal Analysis

    For example, I am observing the above listed painting through a formal analysis of it, and interpretations of my understandings and concluded with the observations. The artist has portrayed an image of girls in the midst. Second, an artists working on a painting that reflects the painting background, while the image on the mirror on the very back wall depicts what appears to be the King and Queen. Just as the mirror used to attract the viewer’s visibility and many illusionistic effects is the formal qualities used by Diego Velasquez; it also portrays reflections of images outside the view. The artist used three primary focal-points including reflected mirrored images, half-length, and self-portrait. However, the depth and dimensions of the painting has been block; this has been achieved through the use of tones, color, layers and shapes to overlap the…

    • 519 Words
    • 3 Pages
    Satisfactory Essays
    Read More
  • Satisfactory Essays

    The Dragon In Beowulf
    • 100 Words
    • 1 Page

    The Dragon In Beowulf

    together. Beowulf got wounded and now his own death is coming soon. He told his faithful…

    • 100 Words
    • 1 Page
    Satisfactory Essays
    Read More
  • Good Essays

    La Moulin Galette
    • 1147 Words
    • 5 Pages

    La Moulin Galette

    The type of line generally employed throughout the painting is primarily expressive and flowing, this is generally type of line impressionist used in their paintings. When Renoir painted this portrait his use of line seemed to soften the overall look of the painting. While there are areas in the painting where the artist’s line are more structured and deliberate the overall feel of the painting is that the line is free flowing and expressive.…

    • 1147 Words
    • 5 Pages
    Good Essays
    Read More
  • Good Essays

    Dragonwings 'Comprehending The Calamity': Summary
    • 532 Words
    • 3 Pages

    Dragonwings 'Comprehending The Calamity': Summary

    Have you ever read, Dragonwings, by Laurence Yep? The main character, Moon Shadow is disappointed with what he witness. In the other hand, the article “Comprehending the Calamity”, by Emma M. Burke. Emma Burke herself sees the outcome of the earthquake as immense destruction. Laurence Yep captivates the reader's feelings by stretching parts in the book. Along with, Emma, she gives us readers data about the earthquake, this gives the readers detail about the scene more than telling readers her emotions.…

    • 532 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    St. George Slaying the Dragon
    • 796 Words
    • 4 Pages

    St. George Slaying the Dragon

    Carlo Crivelli was alive during the Italian Renaissance in the 1400s. He was highly influenced by the Church and all of his works certainly represented that because everything he did was about religion. St. George Slaying the Dragon was completed in 1470 and is arguably his most prominent work. The empty sky makes him the focal point of the art along with his sword and halo allow him to stand out pretty easily from the rest of the objects in the painting. One would assume that someone saving a kingdom from a fierce dragon would be a big strong man, but looking at St. George, he looks like a small little schoolboy that is in desperate need of a haircut. The women on the plateau right above the dragon looks very innocent and was sure to meet her maker when the Dragon started this mayhem until her savior came to the rescue on a white stallion. The white stallion represents purity and is shown because of its genuine fear of being so close to the evil dragon. Also, George’s lance symbolizes the power of the Church over evil because of it being red and white which just so happen to be the Papal colors. It is quite clear that the Church wins over evil because of the lance being stuck through the creature’s mouth and neck. According to answers.com, they claim that evil vampires do not have shadows and coincidentally, neither does the dragon, which shows the evil it truly has because the stallion along with George on top has a shadow. It would be utterly heinous to not make a mention of the bravery exuberated by the stallion’s manhood below the belt, which Sister Wendy would most certainly characterize as strength and honor; while the wimpy dragon does not have the collection shown by the stallion.…

    • 796 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    the knight death and the devil essay
    • 298 Words
    • 1 Page

    the knight death and the devil essay

    Dürer's Knight, Death, and the Devil is one of three large prints of 1513–14 known as his Meisterstiche (master engravings). The other two are Melancholia I and Saint Jerome in His Study. Though not a trilogy in the strict sense, the prints are closely interrelated and complementary, corresponding to the three kinds of virtue in medieval scholasticism—theological, intellectual, and moral. Called simply the Reuter (Rider) by Dürer, Knight, Death, and the Devil embodies the state of moral virtue. The artist may have based his depiction of the "Christian Knight" on an address from Erasmus's Instructions for the Christian Soldier (Enchiridion militis Christiani), published in 1504: "In order that you may not be deterred from the path of virtue because it seems rough and dreary … and because you must constantly fight three unfair enemies—the flesh, the devil, and the world—this third rule shall be proposed to you: all of those spooks and phantoms which come upon you as if you were in the very gorges of Hades must be deemed for naught after the example of Virgil's Aeneas … Look not behind thee." Riding steadfastly through a dark Nordic gorge, Dürer's knight rides past Death on a Pale Horse, who holds out an hourglass as a reminder of life's brevity, and is followed closely behind by a pig-snouted Devil. As the embodiment of moral virtue, the rider—modeled on the tradition of heroic equestrian portraits with which Dürer was familiar from Italy—is undistracted and true to his mission. A haunting expression of the vita activa, or active life, the print is a testament to the way in which Dürer's thought and technique coalesced brilliantly in the "master engravings."…

    • 298 Words
    • 1 Page
    Good Essays
    Read More
  • Good Essays

    The Dragon In Grendel
    • 1085 Words
    • 5 Pages

    The Dragon In Grendel

    The Dragon as a character in John Gardner’s Grendel serves as a mentor for the main character, Grendel. Grendel visits the Dragon in his underground lair in hopes of finding purpose and meaning to his life of killing humans. However, Grendel quickly discovers that the Dragon has a unique viewpoint on life. The Dragon tells Grendel that he has the ability to see into the future, and, as a result of this vast knowledge, life has no real purpose. The river of time can not be slowed or altered. He tells Grendel that his place in the world was already decided long before he was born and that he is doing exactly was is meant for him in this world. The Dragon serves as a vessel in the novel to present the central theme of Grendel, which is the idea…

    • 1085 Words
    • 5 Pages
    Good Essays
    Read More
  • Good Essays

    The Scream Analysis
    • 819 Words
    • 4 Pages

    The Scream Analysis

    The bold curved lines of the sky flow directly into the figure and endure to form the body of the individual. Van Gogh uses long, heavy yet equal brushstrokes to express feelings and motion. Motion is the main element in this painting Vertical lines such as the tree and church tower delicately breaks up the composition without withdrawing from the powerful night sky. Van Gogh's use of white and yellow creates a twisting result and draws attention to the sky. And the usage of color to send emotion. Munch also used colors that were contrast between hot and cold colors, contrast of complimentary. By using artless forms, Munch is able to force his viewers to focus on the emotions that the sight and subject secrete rather than simply viewing an exact picture of one particular scene. The cautious use of balance also helps the viewers understand the indirect consequence of The Scream. Munch placed the unpleasant figure in the focal point and attains a sense of balance by inserting two smaller figures who are walking into the scorching sunset in the distance on the left side and by creating a dominant arch in the upper right hand corner. But the focal point created by Van Gogh is the tree-like structure projecting out on the bottom…

    • 819 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    The Boston Incident: The Murderous Incident
    • 658 Words
    • 3 Pages

    The Boston Incident: The Murderous Incident

    The painting created by the artist best presents the event that took place on the night of March 5 1770. The art exhibits the savagery and ferocity that was exhibited by both parties. Chunks of ice thrown, fist flying, clubs swinging, shots fired, cruel intentions swarm through the night, this painting carries the energy of the total anarchy that boiled over that chaotic…

    • 658 Words
    • 3 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Masaccio Holy Trinity
    • 930 Words
    • 4 Pages

    Masaccio Holy Trinity

    The interior volume of this 'structure' is an tension of the space that the person looking at the work is standing in. The adjustment of the spectator to the pictured space is one of the first steps in the development of illusionistic painting. Illusionistic painting fascinated many artists of the Renaissance and Baroque periods.<br><br>The proportions in this painting are so numerically exact that one can actually calculate the numerical dimensions of the chapel in the background. The span of the painted vault is seven feet, and the depth is nine feet. "Thus, he achieves not only successful illusion, but a rational, metrical coherence that, by maintaining the mathematical proportions of the surface design, is responsible for the unity and harmony of this monumental composition." Two principal interests are summed up by The Holy Trinity: Realism based on observation, and the application of mathematics to pictorial organization.<br><br>All of the figures are fully clothed, except for that of Christ himself. He is, however, wearing a robe around his waist. The figure is "real"; it is a good example of a human body. The rest of the figures, who are clothed, are wearing…

    • 930 Words
    • 4 Pages
    Satisfactory Essays
    Read More

Related Topics