Dali developed his method over the next few years. He describes his method as 'paranoic-critical, a 'spontaneous method of irrational knowledge based on critical and systematic objectivation of delirious associations and interpretations.' Works he produced at this time include The Lugubrious Game 1929, The Persistence of Memory 1931, and Surrealist Objects, Gauges of Instantaneous Memory 1932.
Salvador Dali was the top Surrealists of this time. Surrealism explored the subconscious, the dream world, and irrational elements of the psyche in the belief that the discoveries to be made from such exploration would be of more fundamental importance to the human condition than any other form of social analysis.
Salvador Dali was very fascinated by the fleeting state of the mind between sleep and consciousness, dream and reality, sanity and insanity, as one in which the mind functioned purely, free from the constraints of logic and social behavior. He read psychological case histories, hoping to represent neuroses in an ultra-realistic style, objectifying the irrational with photographic accuracy.
In 1936, Dali began painting in a classical manner again, switching between Italian, Spanish and pompier styles.
Dali was very politically involved, and had some extreme opinions. He was