Satire is a term applied to any work of literature or art whose objective is ridicule. It has significant functions in social and political criticism. Satirical literature exposes foolishness in all its forms, such as vanity, hypocrisy, sentimentality etc. It also attempts to effect reform through such exposure.
Satirists, therefore, design a work of literature focusing on human or individual vices, follies, abuses, or shortcomings. They use satire as a literary technique to combat these vices and shortcomings, and "to censure by means of ridicule, derision, burlesque, irony or other methods" (New
Encyclopedia Britannica, 1993, 10, 467). Satirical works are commonly critical. Hawthorn (2005:197) states, "Satire attacks alleged vices and stupidities either of individuals or of whole communities or groups - and its tools are ridicule, exaggeration and contempt." However, Sutherland (1958:2) points out that not all satirical works are equally critical. He argues that: 12
Some works are satirical throughout; in others the satire is only intermittent, one element in a more complex effect. The lines that separate the satirical from the unsatirical are often hard to define, either because the writer shifts easily and rapidly from one mood to another, or because the satirical tone is so rarefied as to be almost imperceptible. In addition to being critical, many satirical texts are humorous. To put it in
Feinberg's words, "criticism and humor have to be present in a literary work to be called satiric (1967:60)." Thus, it is the nature of satire to be humorous and critical in order to expose follies and vices of individuals and society, and if possible, to do justice to such erroneous practices. Several literary critics state that