Kara Walker’s work has received international attention since the early 1990’s for utilizing an iconic, but mostly forgotten, form of portraiture – the cutout silhouette. It has been a target of violent controversy, due in part to the obscenity of the portraits and to the reviving of deep-seated racial stereotypes. This controversy is, I argue, only partly a response to her body of work and more to her medium of choice: life size black cut-paper figures.…
The goal of this essay is to create an effective development plan that will determine the characteristics of “Learning Team A” to including myself as the team manager. During the first week of class all of the members of the learning team took the DISC Platinum rule; a behavioral style assessment that breaks down the individuals predominant behavioral styles; dominance, interactive, steadiness, and cautious. There are sixteen sub-styles that further attempt to explain the results. My learning team is comprised of five members including myself. Our team includes three of the four behavioral styles previously listed. The plan…
Cindy Sherman was one of the well known and most respected photographers in the late twentieth century. Rather than doing self portraits for her photographs, Sherman depicted herself in the roles of B- movie actresses. On one level, Sherman’s work appears to be subversively linked to ‘low’ art characterized by ‘b-grade’ film and photography, on another level, her work is regarded as the modernist ideal of the ‘high' art object. Sherman has raised challenging and important questions about the role and representation of women in society, the media and the nature of the creation of art. Sherman has been acclaimed as the subversive feminist that has boldly confronted issues concerning the female body. Even though some critics look at Cindy’s works as demining the women and exposing the women into low standards through her photographs, Cindy had a strong message for the viewers. In 1992 Sherman embarked on a series of photographs now referred to as "Sex Pictures." Sherman is not in any of these photographs for the first time in her career as an artist, yet she uses dolls and prosthetic body parts posed in highly sexual poses. She chose to often photograph up close and in color both female and male body parts which were purposely meant to shock the viewers. Sherman continued to work on these photographs for some time and continued to experiment with the use of dolls and other replacements for what had previously been herself. Critiques imply that the viewer is guilty for the negative readings of Sherman’s images. In a way Sherman’s constructed image of woman is innocent, and the way we interpret it is based on our social and cultural knowledge. Referring to the reaction of a gallery visitor who criticized Sherman for presenting women as sex objects, I would say that the visitor’s anger comes from a sense of his own involvement because the images speak not only to him but from him. Critiques depicted Sherman as a whore for producing such photographs but…
Law enforcement is one of the most dynamic social fields in the world. Police tactics and strategies are constantly changing to meet the needs of the communities that they serve, large and small alike. New strategies are implemented in hopes of improving the efficiency and effectiveness of police. The majority of new strategies aim to help law enforcement agencies and protocols become more systematic, and eliminate any redundancy. One such strategy was introduced in 1979 by Herman Goldstein (Clark, 2003). Goldstein’s idea revolved around identifying a specific problem, implementing case specific solutions to that issue, and analyzing the effect that the interventions had on the original problem.…
Who are you? Are you a unique individual? Does your appearance really reflect you? Deborah Tannen’s “There Is No Unmarked Woman” exemplifies how normal it is in this society for women to be superficially judged and “marked” on the basis of appearance. This is in contrast to men, who are given the social option to remain incomparably “unmarked” by attire. Tannen uses two specific term throughout her entire essay, marked and unmarked. Tannen analyzes our society’s peculiarity of judging women based on their appearance but not judging men based on the same circumstances throughout her essay. Tannen points out, everything a woman wear and her appearance “marks” her about while in contrast, men, can remain “unmarked” by choosing the standard regulation of dress and appearance. The appearances of these individuals are presented through the use of tone, diction, imagery, characterization and allusion.…
In this story, such transformation is visible within the main character – Elisa Allen. In the beginning, she is presented to the reader as a physically strong, masculine persona. “Her face was lean and strong and her eyes were clear as water…Her figure looked blocked and heavy” (Steinbeck 513). Elisa is wearing an androgynous gardening outfit, complete with heavy shoes and an apron filled with sharp, phallic implements. Steinbeck purposely describes her character as “mature” and “handsome”, suggesting her image to be manlike, strong and powerful. By contrast, the author mentions Elisa’s eyes…
What can be said of the menacing literary masterpiece that is A Portrait of the Artist as a Young Man is that the gender issues Joyce so surreptitiously weaves into Stephan Dedalus’s character create sizable obstacles for the reader to overcome. Joyce expertly composes a feminine backdrop in which he can mold Stephan to inexplicably become innately homosexual. As Laurie Teal points out “… Joyce plays with gender inversion as a uniquely powerful tool of characterization.”(63) Stephan’s constant conflict with himself and what he wants generate a need for validation that he tries to simulate through day dreams and fantasies but is ultimately unable to resolve. Through exploring the tones of characterization and the character development of Stephan himself, I will argue that Stephan Dedalus rejects his heterosexuality in favor of homosexuality so that he may eventually find himself. Dedalus’s character must inherently be homosexual in able for his story to progress believably. Joyce conceives his character, a hero in fact, in a moment of genius. A hero must have a fatal flaw. I wish to clarify Joyce’s work and explain how homosexuality IS present in Portrait and does work in creating a hero.…
Ana Mendieta, a refugee artist born in Guba and lived in America, was a feminist who had lived under the Castro’s regime before she was 12 years old. In the 1970s, she dedicated to oppose gender discrimination in society and legal system. ‘Facial Hair Transplant’ created a figure with both male and female physical characteristics against gender stereotype. The production attempts to notice people that appearance is not only way describing people’s gender and sexuality. Furthermore, she created the ‘Rape Scan’ appealing to protect women’s right in legal system.…
The feature articles ‘No Time to Stop’ written by Kate Legge and ‘The Ugly Truth about Beauty’ by Julie Hosking, embody a range of generic conventions. Both articles make use of conventions such as a descriptive opening paragraph, graphics and omission, to allow the journalists to present their ideas and opinions effectively to the reader. A common idea evident in both texts relate to children and society; the first article conveniently stating that if only we more willing to help and were less engrossed in our own lives, a young boy would’ve been reluctant to see the next day. The other article deals with a young girl, who has been deprived of a normal childhood through the accessorisation of her falsified childhood. These ideas, together with generic conventions allow the journalists to deploy their stance, and the major ideas in the articles.…
Her second collection, At Twelve: Portraits of Young Women, published in 1988, stimulated minor controversy. The images “captured the confusing emotions and developing identities of adolescent girls expressive printing style lent a dramatic and brooding mood to all of her images.” In the preface to the book, Ann Beattie says “when a girl is twelve years old, she often wants – or says she wants – less involvement with adults. a time in which the girls yearn for freedom and adults feel their own grip on things becoming a little tenuous, as they realize that they have to let their children go.” Beattie says that Mann’s photographs don’t “glamorize the world, but they don’t make it into something more unpleasant than it is, either.” The girls photographed in this series are shown “vulnerable in their youthfulness” but Mann instead focuses on the strength that the girls possess.…
Vásquez, S. (2014). In Her Own Image: Literary and Visual Representations of Girlhood in Toni Morrison 's…
In every day life we are surrounded with imaginative constructs about gender: magazines, billboards, books, games, TV. They teach us what is natural every day. Which tells us how men and women differ in so many different ways. Creating myths like “ You are not normal, if you won’t find anyone”, “You can’t be good without man”, many variations of “Beauty myths”. This essay will focus first on the film The Ugly Truth (Luketic, 2009) arguing about gender issues, furthermore the films The Princess Diaries (Marshall, 2001) and Legally Blond (Luketic, 2001) will be analyzed to support the argument in which the heroines portrayed as pathetic beings, not able to do anything without men, even they work on high positions in law, on television and being Princess. Essay will use Gender perspective and will answer questions like what is to be an woman and what is to be an man.…
The prominent message throughout the piece is that the advertisement targets a specific male audience, and makes reductive references of women that aim to make it memorable and striking. In the piece, I discuss how the suggestive reference to sex is displayed through the graphology of the text. This is broken down to an analysis of how the advertisement is culturally assuming of Caucasian women and uses the archaic stereotype of the roles of men and women in society.…
The advertisement under study successfully drives home the message of making women resist and speak up on such socially tabooed issues but not without some problematic tenants present in the screenplay. The setting of the advertisement in a beauty parlour again manifests the idea of resistance on the shoulders of women with a class privilege, who can afford the risk of speaking up or resisting much contrary to the women who find themselves on lesser privileged social locations. Such a setting alienates the major section of the targeted audience as domestic violence is more palpable in rural households and households with weaker economic status. Furthermore, the tagline “Hair, the pride of woman: let it never be the reason for her weakness” comes with its own set of troublesome connotations. Considering that beauty is socially constructed, hair is one of the conventional parameters on which beauty is assessed. Epitomising a person’s strength and source of agency on dubious symbols of another contested social construct substantiate another problem while trying to address the…
During the 60's the attitude to women totally changed. Inner and outer freedom were explicit, in some ways, sexually explicit. “Prince of the streets” depicted this social transformation better that someone else. Lola Garrido called famous photographer “the maestro of the moment”: “In short, Winogrand catches with his camera every detail by composing and giving natural meaning to the representation.” (Garrido, 2014). But the gifted photograther found the way in which beautiful creatures express their sexuality through their gestures, hairstyles, clothes and some other interesting features, he avoided naked pictures. Richard Woodward writes in his article the following: “Winogrand didn't dress these women in tight sweaters or pant suits, or apply their hair and make-up. Their clothing choices—the deliberate or thoughtless ones all of us make every day—expressed imperfectly who they were and are rendered without judgment.” (Woodward, 2013).…