The character of Shylock plays an important part in The Merchant of Venice. He is a money lender who charges interest (commonly known as usurer) and agreed to a bond with one of his customers called Antonio. Antonio agreed that if he wasn’t able to repay him, then Shylock could receive a pound of his flesh. Unsurprisingly Antonio couldn’t repay him, and so the bond was taken to court. We watched three different portrayals and examined the three different roles of Shylock. The first version we watched was Al pachino’s version. Al pachino is a well known Italian/American actor. This was directed by Michael Radford, and was created for cinema viewing. To follow this we watched Henry Goodman’s version of the scene. This wasn’t intently created for a large audience. It was made by the Royal Shakespeare Company, and seems to appear as more of a stage play. It was set in a dull set, and so was more theatrical. As it was created by the RSC, I think that they were quite dependant on the text, and wanted to stick to what was written, rather than adding their own little twists. The final version we watched was produced by the BBC, and made for TV purposes. This obviously would have had more of a budget than Goodman’s, but both were just as impressive. From just reading the book, I had anticipated Shylock to be a selfish, greedy, and all over quite an unpleasant man, but I think that his true colours shone through him. When reading the book you didn’t seem to get the sense of sadness towards the end of the scene which was projected through the all three film version.…
The main conflicts among the characters in the stories were between Antonio and Shylock, and Abigail and the Proctors. In The Merchant of Venice characters that were impacted by lies, gossip, rumours were Antonio and Shylock. Antonio owes Shylock 3000 ducats by a certain time, or Shylock will be able to cut a pound of Antonio's flesh. In the play Salerio and Solanio discuss about how Antonio’s ships have rumoured to sink at sea.”Why, yet it lives there unchecked that Antonio hath a ship of rich lading wrecked on the narrow seas” .With that rumour Shylock is now able to get the revenge he was destined to receive, which made his and Antonio’s relationship even worse.…
In the play The Merchant of Venice Shylock, a rich Jewish moneylender in Venice agrees to loan Bassanio three thousand ducats on Antonio’s guarantee. Shylock is made to be the villain in the Merchant of Venice because of some of the things he does. But even though he may not have been the only one in the wrong, he is still guilty of the deadly sins of, avarice, envy, and wrath.…
Shylock cannot be considered the most villainous character in this play, for he shoulders much undeserved ridicule for his religion. Nearly every character in Shakespeare’s famous play behaves in malevolent or unjust ways at one point in the story, whether it is predominantly as selfishness, cruelty, or vindictiveness. But does this pronounce them villains? Whilst Shylock is portrayed as a villain in more than one aspect, does this not warrant that Portia, being unjustly biased and unlawful, also be given the title of villain? Should not Shylock’s daughter Jessica be labelled a villain for her deceptive and larcenist actions and Antonio for his bigotry and obstinacy? And what of Bassanio; does he not selfishly and irresponsibly borrow money from Antonio, unable to afford to repay him, in order to further his personal wants? Each of these characters exhibits wanton villainous behaviour, with some performing more acts than others. They execute deceptive and vengeful acts in different forms, with most also being prejudiced in one way or another. Shylock could well be the ‘supposed’ villain of Shakespeare’s play, for he is Antonio’s enemy, and Antonio, being quite obviously the plays most prominent and most famous character, is quite possibly made out to be the main character of the play, rather than Bassanio, or even Shylock himself. The title page of the first quarto of ‘The Merchant of Venice’; ‘the moſt excellent Hiſtorie of the…
Shylock, the hated Jew, makes his living through the practice of usury and uses deception when Antonio asks to borrow money from him. Shylock agrees to lend Antonio three hundred ducats if Antonio is willing to sign a bond that would allow Shylock to have "an equal pound of [his] fair flesh"(I, iii, 145-146). He expresses the bond "in a merry sport"(I, iii, 141) and uses this bond to also show that "[he] would be friends with [Antonio], and have [his] love"(I, iii, 134). Though Shylock's description of the conditions in the bond makes it seem as if Shylock does not mean harm, his intentions are to harm and humiliate Antonio. Antonio says that "[he] neither lend[s] nor borrow[s] by talking nor by giving of excess"(I, iii, 57-58) and is willing to do that for his dear friend, Bassanio. At first, Antonio is not blinded Shylock's friendly pretence, aware that Shylock "is like a villain with a smiling face [and] a goodly apple rotten at the heart"(I, iii, 96-97). However, in the end Antonio accepts the terms of the bond. The cruel use of deception from Shylock is to help fulfill his intention of revenge against Antonio.…
Shylock first appears to the audience in Act I scene III and engages in a heated debate with Bassanio, who is trying to convince Shylock to lend money to Antonio. Throughout the whole conversation, Shylock echoes Bassanio’s words and inserts “well” on to the end. As a result, Shylock initially comes across as a mal-educated, asinine man. By Act III scene I, Shylock proves to the…
Shylock’s villainy began in the early stages of the play. In the first act, one aspect of Shylock's nature was clearly revealed. In act one scene three Shylock exclaims, “I hate him for he is a Christian;/ But more for that in low simplicity/ He lends out money gratis, and brings down/ The rate of usance here with us in Venice.” In this quote he complains that Antonio, by lending out money for free, brings down the interest rate at which he can lend money. Shylock's greed was especially apparent towards the beginning of the play, and statements like these help illustrate of what Shakespeare’s audience would recognize as the stereotypical Jew. Shylock’s tendency for unreasonable and selfish behavior was demonstrated once again in act one scene three when he states, “Be nominated for an equal pound/ Of your fair flesh, to be cut off and taken/ In what part of your body pleaseth me.” This quote shows the epitome of Shylock’s evilness. It can be assumed that Shylock intends to seize Antonio’s life from his addition of “In what part of your body pleaseth me.” The only true victory to…
Sympathy for Shylock in Michael Radford’s The Merchant of Venice William Shakespeare’s well-known play The Merchant of Venice was brought to the silver screen in 2004 in film adaption directed by Michael Radford. Adapting The Merchant of Venice to film helped make this classic English literature easily accessible to the public, while also making one of Shakespeare’s famous characters a bit more human. Decisions made while filming the adaption of this play changed the lens through which Shylock is viewed, resulting in the audience feeling compassion for the character who had been played many times previously as a heartless villain.…
In William Shakespeare’s “The Merchant of Venice," there are many themes, symbols and words alike which take on a complex and dual nature. Not only can lines in the play be interpreted by the audience in multiple ways, they are meant to have multiple meanings. This duality can be seen in the characters as well. Shylock is portrayed as both a victim and a villain and our sense of him evolves as his character is revealed to us as “The Merchant of Venice.”…
David H. Lawrence famously quoted ‘Never trust the artist, trust the tale’; and indeed, this ha what happened with Shakespeare’s intentions for Shylock and the grim reality. For example, the character of Shylock was used in anti-semetic propaganda by Hitler in Nazi Germany to promote the scapegoating of the Jews; Shylock is held up by a local newspaper in Konigsberg, Germany in 1935 as ‘cowardly and malicious’ when ‘properly understood’, a line that undermines both the intelligence and self-esteem of local people upon reading (in that they did not read enough into the play), and the true meaning of The Merchant of Venice. Upon saying that the deeper meaning is that Shylock is cowardly and malicious, they are mistaking the shallow, surface meaning for a deeper one. As Harold Bloom commented in 1999, ‘It would have been better for the Jewish people had Shakespeare never written this play’; here, Bloom is obviously commenting on the fact that people only took away the shallow meaning, not the deeper, politically-charged (for the times) meaning that Shakespeare is attempting to…
That old Jew got what he deserved! This is the cathartic feeling that William Shakespeare’s The Merchant of Venice inspires as the central character Antonio is released from the perils of his impending death. In American society today, it is wrong to persecute someone for their religious beliefs, as we are all created equal. This sentiment was, indeed, not the case in the 1500’s. Although the events that surround Shylock are interpreted as very tragic in today’s society, in the eyes of the audience, Shylock is a greedy Jew who has it out for a man who has done nothing wrong. The Merchant of Venice is about a popular rich man who, through a turn of unfortunate events, finds himself bankrupt and due to lose his life. In the end he is redeemed by the valiant actions of this friends. William Shakespeare intended the audience to have sympathy for the central character. With the fortunate turn of events surrounding this character, The Merchant of Venice is a classic example of Aristotelian comedy. good…
Ever been in a situation where you do not know whether to be fair or bend the rules a bit? In The Merchant of Venice, mercy and justice are the continuing predominant themes. Situations occur, that doing the just act does not seem to be correct or the right thing to do. Technically, the correct thing to do is to follow and abide by justice and the law. For in this case, justice means the taking of a man’s life for the greed and sick revenge of another man. One of the true morals in this play is to be careful for what you wish for. Just as Shylock asked for justice, and in the end, justice was served. Throughout The Merchant of Venice, the themes of mercy and justice are continuously contradicting when it comes to Shylock’s situation with Antonio, in the court scene.…
The dichotomy between Christianity and Judaism underlies the bond between Shylock and Antonio. Both characters are developed according to their religious affiliations. Beginning in the dramatis personae2 of the text, Shylock is identified as “a rich Jew.” This identification follows him throughout the play, both through descriptions made by other characters and himself. During Solanio and Salerio’s conversation about Jessica’s disappearance with Lorenzo, Solanio refers to Shylock as “the villain Jew” (2.8.4). In Shylock’s infamous monologue, he passionately…
In The Merchant of Venice hate, loyalty, pride and prejudice, love and friendship are just some of the themes investigated with in the play. These themes, although were evident in the time of Shakespeare, are just as significant and universal today. Shylock, the Jew, explores most of these negative themes as in the play he is depicted as being driven by hate. On the other hand though characters such as Bassanio and Antonio are portrayed with the themes of positivity.…
In terms of dramatic structure, "The Merchant of Venice" is undoubtedly a comedy. It follows the typical upward trajectory of comedy (beginning complication to ending resolution}. Act 1 introduces the plays main complication, but it also sets the tone for comic expectation by establishing upward rhythm of comedy in each of its three scenes. Antonio and Portia's melancholy are shortly alleviated by appropriate distractions & hope. Bassanio hopes to thrive, Antonio tries to help his friend, Portia will not have to worry about being chosen by the suitors she has mocked. Bassanio and Antonio get what they mistakenly but happily think is a friendly loan and Shylock mistakenly and happily, he has hit upon a winning scenario. After the opening act has set the rhythm and expectation of comedy, there is increasing fluctuation of the rising and dashing of hopes because of the various characters choices. Raised hopes and satisfaction however outweigh dashed hopes and dissatisfaction. Launcelot, Jessica, Lorenzo, Portia, Nerrisa, Gratiano & Antonio all escape the danger they most fear and realize their aspirations. Morocco, Arragon, Shylock and Antonio all suffer losses. However, Morocco and Arragon receive the strict justice of their penalty that they swore oaths to accept but both Shylock & Antonio are spared death & half of their financial losses are recovered.…