Even without reading the play, the irony of the title is obvious, since the "she" in question is lowering herself in order to prove herself superior. In context of the play, the title could be argued to refer both to Kate's plan to trap Marlow and to Goldsmith's purpose of using “low comedy” to convince his audience to embrace it. The former is a good description of the irony of Kate's plan: in order to convince herself she is a worthy match for Marlow, she has to first convince him she is of a low class. However, the title also describes Goldsmith's purpose: he wishes to convince an audience to embrace this “low” or “laughing” comedy, and by indulging in it, he might convince them that it is superior to “sentimental” comedy. Regardless of which description one uses, the irony of the title expresses Goldsmith's view of humanity: while we pretend to be of impeachable high class, we all have a “low,” base side that we should celebrate rather than try to ignore.
How is Kate an example of moderation? Explain how her personality stands as the way of life Goldsmith most recommends.
The play is organized into a series of conflicting philosophies: high-bred aristocrats vs. low-bred common folk; city life vs. country life; wealth vs. poverty, etc. Much of the absurdity that fuels Goldsmith's comedy comes from exploiting the way most people engage in contradictions even when they pretend to be examples of virtue. The best example is Marlow, and his bizarre contradictory attitudes towards women depending on their class. Kate stands at the center of most of these, and as such is the best depiction of Goldsmith's message. As a country girl who has spent time in town, she is an example of what Marlow calls "refined simplicity," and knowing as much as she does about humanity, is able to also enjoy and be amused by the contradictions rather than disgusted by them (as most of the elder characters are).
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