The second stanza starts saying that her beauty is perfect because it is in the right proportion. There is nothing that must be eliminated and nothing that must be added: she is perfect. Moreover, we can see the contrast between dark and light again, and it is explained because her beauty is perfect due to the proportion between dark and light, and in that sense, Byron explained that she is the nameless grace: her beauty is so perfect that it cannot have name. Then, in lines 11, 12, 13 and 14 (third, fourth, fifth and sixth lines of the second stanza), Byron writes some characteristic of the woman’s beauty: “Which waves in every raven tress,/ Or softly lightens o'er her face;/ Where thoughts serenely sweet express/ How pure, how dear their dwelling place.”. Byron states that her raven tress and her face are softly illuminated (light). Furthermore, Byron express that her thoughts are serene, pure and sweet, and it is normal if we think that her thoughts are in relation with her beauty (it is pure, sweet, calm, perfect). In that point Byron is arguing that the external beauty is related to the internal one. She is beautiful into herself as much as she is outwardly.
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