Shigeo Fukuda Analysis

The standards and movements of graphic design changes like the weather. The design industry is very widespread, every designer competes with millions of others to earn their place in the trade.
Therefore, it is fairly tough to become a designer who is well accomplished and acclaimed by many in the frenzied world of design. However, an individual whose name has been carved into the design industry is Shigeo Fukuda. He was a successful and internationally known japanese sculptor and graphic designer. He has made a name for himself with his individualistic style of works.

Shigeo Fukuda was born on february 14th, 1932 in Tokyo, Japan. His family specialised in toy making and he began creating origami pieces as a young boy. His interest in design began after the World War II, he
The World War II came to an end on September 2nd 1945 when the Japanese surrendered, resulting in both celebration and mourning. Since then, September 2nd was commemorated as victory in some countries, while it is a mourning day in Japan for the war dead and praying for peace. In the United States of America, it is known as Victory over Japan Day, thus the title of his work. However, Shigeo’s intention behind “Victory 1945” was not to celebrate nor to mourn, but instead was a visual statement represent shigeo’s pro anti-war beliefs and to mock the foolishness of war. “Victory 1945” features a bold illustration of a barrel of a canon and artillery shell in black, with a singular shade of yellow filled as the background. The artillery shell is seen to be directed to the canon where it was shot, implicating how war is mindless. The World War II caused much anguish and sufferings, resulting in peace and anti-war movements uprising in the 1970’s. Therefore, “Victory 1945” immediately drew much attention when once it was made