The Shoe-Horn Sonata is a play by John Misto that gives an insight into two lives of two female prisoners of war in World War 2. The play explores terrible events associated with prisoners of war and follows the friendship of the two women Bridie and Sheila.
Truth, honestly and candour is the central idea of the play. The idea of truth, telling the truth and recognising the truth is located in the interrelationship between the two women during the war. An example of this is when Sheila reveals her secret of ‘giving herself up to a Jap’ to save Bridie which has been kept hidden since the war. In the scene, Misto uses a combination of techniques such as lighting, music and sound to convey emotions from the audience as Sheila tells her story. The scene concludes with both characters isolating in separate spotlights and the music plays to the audience as the scene ends with tension and suspense. This then shapes the perception and meaning of concerns and experiences to make the audience think of the interrelationship between the two women and the heroic deeds of women during the war.
Another technique which allows the audience to understand the effects of war and how it shapes perception and meaning of concerns and experiences is the use of visuals such as projected images. These projected images are use throughout the play to reinforce the ideas being presented and to convey to the audience a sense of reality. An example would be when projected images of ships burning in Singapore Harbour, the Japanese invasion and the horrors of war for women and civilians. This then highlights the memories of war and the atrocious ways during the war which shapes the