When considering cultures in collision a museum is a fine example of a clash of positives and negatives. This can be a troubling idea for the curators and visitors of museums because their collective pursuit of further cultural knowledge is often pure. However, in constructing a museum more often than not items of important significance are transplanted from their original location to be viewed and studied by a foreign people in a foreign land. The concept of the “rightful owners” of history and artifacts is a complicated one that leads to many cultural collisions. This is because multiple cultures often lay claim to the same artifacts leading to conflict among the claimants. With all of these ideas in mind the process of selecting a piece of art from the Cornell Fine Arts Museum for analysis became far more difficult. In examining the thought-provoking piece Lonesome George by Juan Travieso a warning message is telegraphed loud and clear.…
In the article “Who Owns the Past” in passage three, paragraph fifteen, sentence two, states “But these laws rest on a couple of highly debatable assumptions; artifacts should remain in whatever country they were found, and that the best way to protect archaeological sites is to restrict the international trade in antiquities.” This shows that if an artifact is found in a country, it does not leave; whoever finds it will probably keep it or give it to a museum so it can be presented to everyone. In conclusion museums keep artifacts that belong to other people; but the people should get them…
In his essay "The Lovely Stones," Christopher Hitchens elucidates the tumultuous history of the Parthenon, emphasizing its enduring significance amidst centuries of abuse and plunder. Hitchens quotes the esteemed classicist A. W. Lawrence, who lauds the Parthenon as "the one building in the world which may be assessed as absolutely right," highlighting its unparalleled architectural and aesthetic perfection. However, despite its intrinsic beauty, the Parthenon has suffered egregious acts of desecration throughout history, from being repurposed as a garrison and arsenal by Turkish forces to enduring the detonation of a powder magazine in 1687, resulting in extensive damage to its structure. Hitchens employs rhetorical questions to underscore the moral imperative of reuniting the Parthenon Marbles, drawing parallels to hypothetical scenarios such as the dissection of the Mona Lisa. He asks, "If the Mona Lisa had been sawed in two during the Napoleonic Wars...would there not be a general wish to see what they might look like if re-united?"…
The controversy of whether the Elgin or Parthenon Marbles should be kept in Britain, or returned to Greece, has been a frenzied dispute since the early 1800’s. Lord Elgin originally took possession of the Marbles to either salvage them from being further destroyed, or he bought them and re-sold them to the British Museum. Whether Lord Elgin, ambassador to the then ruling Ottoman empire, had the authority to handle the Marbles presents great confusion, “[a]s to whether Elgin had legal authority to remove the marbles, the Ottomans being the ruling power, as the British maintain… “The problem is not legal,” he [Mr. Pandermalis] decided. “It’s ethical and cultural” (Kimmelman).The British can return the Marbles to Greece, where they originally belonged, or Greece can be satisfied with the casts of the Marbles. Despite the casts of the real Marbles in the Acropolis Museum in Greece, there are still requests by the Greek government to return the Marbles from Britain. Lord Elgin’s decision to salvage the Marbles finds a way to appear as vandalism in the eyes of others. Britain has a strong argument as to why they should remain the owners of the Marbles, but because of Greece’s ownership of the Marbles before Britain, and their capability of protecting the Marbles in the new Acropolis Museum, it is perfectly understandable as to why Greece believes the Marbles should be returned.…
* The original construction of the Parthenon was built in 448-432 BCE. The Parthenon was dedicated to the Greek goddess Athena, she was known as the virgin patron from here people in Greece. Parthenon was built for the purpose to store the chryselephantine statue of Athena. The sculptor of Parthenon was Pheidias, it was designed by Iktinos and Kallikrates, the two men were architects for the project.…
The “Elgin Marbles” are Ancient Greek art from The Parthenon in Greece, named this after Lord Elgin. The ancient art was acquired by Britain, initially through Lord Elgin’s removal from the Parthenon during his time as an Ottoman ambassador in Athens, Greece. He somehow convinced the Ottoman emperor to allow him to take the ancient art, beginning in 1805. The British government purchased the ancient artifacts from Lord Elgin and placed them in the British Museum, where they have remained since 1816. Currently, Greece’s government argues that the artifacts should be returned. Britain states that it is a bad idea due to the irreversible damage that…
The laws state that a piece of art that is found belongs to the country from which it was found, so the artwork that is smuggled out is often illegally sold. The evidence provided in this article helps make its argument strong. For example, the article talks about the sculpture of Hercules, and how the upper half was in a museum in Boston while the bottom half was dug up in Turkey, and the upper half of the sculpture was then believed to have belonged to Turkey (Art and The Truth: The Getty Kouros and Provenance). This proves that sometimes art truly does get stolen and smuggled out of its country of…
Museum #2: Ashmolean Museum of Art and Archaeology – University of Oxford (www.ashmolean.org, Oxford, England)…
Upon entering The Parthenon, I scaled the columns and classical architecture. The Acropolis offered one of the world’s dramatic landscapes as setting for the Parthenon, constructed entirely of marble from the diggings at nearby Mt. Pentelicon. The sculptures consisted of elaborate religious and historical events of importance to the Athenian self-image. The East pediment told the story of the birth of Athena from the head of Zeus. The west pediment told the story of the competition between Athena and Poseidon for the lands of Attica.…
Athough from two entirely different cultures and entirely different times, the Pantheon and the Parthenon share similarities, along with a world of differences, in form, function, themes, ideology, and messages about their respective civilizations. By comparing these two structures, it is easy to see why knowledge of context and culture is important to understanding and interpreting art.…
Bernard, Daniel. "Ancient Babylonia - The Ishtar Gate."Ancient Babylonia - The Ishtar Gate. N.p., June-July 2001. Web. 10 July 2013.…
The Parthenon sculptures typically “alluded to the Greeks' struggle against the Persians, for instance, through famous mythological contests...” (Destruction and Memory...) While the metopes of the Parthenon show…
As a representation of the culture of the time period, art enables its audience a sense of history and recollection. The pieces of work are timeless, precious, and irreplaceable, for they hold a significance that amazes all. Therefore, a museum that houses a collection of artifacts have employees who bear the responsibility of accurately securing and displaying works of arts or artifacts. When doing so, it is imperative for the these group of people who have the weight of the artifact’s security in their hands to consider the story behind each piece of work, the enriching values it can provide to education, and the appropriate audience it can be showcased to.…
This author encourages its audience to stay vigilant to the crime of labeling artifacts as art by simply placing them on podiums out for display. For example in the essay, Dean states, “Objects like African masks were often stripped of natural materials.” (Dean 26). Dean brings attention to the fact that today, many ancient artifacts are merely…
When it comes to ancient art, it is immensely difficult to state that antiquities belong to a certain group of people or the world. In a contemporary example, antiquities have been cheaply smuggled by Westerners from Middle Eastern countries such as Egypt, Iraq, and Syria, and sold in the black market for millions of dollars. Due to the lack of international laws protecting the ancient arts, smugglers can hardly be classified as heroic or villainous people, thus raising several attitudes towards the entitlement of the ancient arts.…