the number of birds practical. Dillard, in contrast, uses similes. "They gathered deep in the distance, flocks shifting into flock, and strayed towards me, transparent and whirling, like smoke The extended like a fluttering banner, an unfurled oriflamme, in either direction, as far as I could see." The exact number is not known, but we are able to discern that there are many birds in he sky. Audubon writes, "I saw, at my leisure, immense legions still going by, with a front reaching far beyond the Ohio on the west, and the beech-wood forests directly on the east of me." He tells us his exact location. Dillard, on the other hand, says the birds extended as far as she could see. They both use similes in describing the noises the birds make. "Like a torrent, and with a noise like thunder," pens Audubon. The birds were loud, like thunder. "I heard a sound of beaten air, like a million shook rugs," records Dillard. We can almost hear the birds when she describes them. We are, like the two writers, filled with wonder. Both, Audubon and Dillard saw magnificence in the soaring of the birds. It left Audubon speechless, "I cannot describe to you the extreme beauty of their aerial evolutions." Dillard was weak with awe. She didn't expect the sight to be so beautiful. Dillard, however, goes more into detail about how she feels. If the birds can go through forests without touching a thing, why not the same with us? She looks at the bigger picture. She feels like anything is possible. John James Audubon and Annie Dillard both had different methods of describing migrating birds and transmitting the emotions and feelings the writers get as onlookers. They use diction and take on practical views. However, they both recognize the beauty that comes with nature. They realize that whether or not the realistic side is viewed, there is still an indescribable beauty to birds, in addition to all creation.
the number of birds practical. Dillard, in contrast, uses similes. "They gathered deep in the distance, flocks shifting into flock, and strayed towards me, transparent and whirling, like smoke The extended like a fluttering banner, an unfurled oriflamme, in either direction, as far as I could see." The exact number is not known, but we are able to discern that there are many birds in he sky. Audubon writes, "I saw, at my leisure, immense legions still going by, with a front reaching far beyond the Ohio on the west, and the beech-wood forests directly on the east of me." He tells us his exact location. Dillard, on the other hand, says the birds extended as far as she could see. They both use similes in describing the noises the birds make. "Like a torrent, and with a noise like thunder," pens Audubon. The birds were loud, like thunder. "I heard a sound of beaten air, like a million shook rugs," records Dillard. We can almost hear the birds when she describes them. We are, like the two writers, filled with wonder. Both, Audubon and Dillard saw magnificence in the soaring of the birds. It left Audubon speechless, "I cannot describe to you the extreme beauty of their aerial evolutions." Dillard was weak with awe. She didn't expect the sight to be so beautiful. Dillard, however, goes more into detail about how she feels. If the birds can go through forests without touching a thing, why not the same with us? She looks at the bigger picture. She feels like anything is possible. John James Audubon and Annie Dillard both had different methods of describing migrating birds and transmitting the emotions and feelings the writers get as onlookers. They use diction and take on practical views. However, they both recognize the beauty that comes with nature. They realize that whether or not the realistic side is viewed, there is still an indescribable beauty to birds, in addition to all creation.