In The Cask of Amontillado, Montresor and Fortunato explore the cramped, death filled catacombs in search for Amontillado, creating a claustrophobic mood. In order to accomplish the unity of effect, Poe incorporates confined spaces and lack of oxygen, which ties into claustrophobia, one of the world's biggest fears. Montresor states, “we passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.” The catacombs had very constricted air flow resulting in a glowing torch rather than a flame and in some parts of the catacombs, the ceiling were very low. While reading this, the reader may experience fear of small confined spaces because of how well Poe used the setting of the catacombs to create a feeling of
In The Cask of Amontillado, Montresor and Fortunato explore the cramped, death filled catacombs in search for Amontillado, creating a claustrophobic mood. In order to accomplish the unity of effect, Poe incorporates confined spaces and lack of oxygen, which ties into claustrophobia, one of the world's biggest fears. Montresor states, “we passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.” The catacombs had very constricted air flow resulting in a glowing torch rather than a flame and in some parts of the catacombs, the ceiling were very low. While reading this, the reader may experience fear of small confined spaces because of how well Poe used the setting of the catacombs to create a feeling of