Originally Simon evokes an image of compassion and vision; his death at the hands of the boys is used to symbolize Golding's theme of civilization against chaos, and specifically that savageness is the default of man and rules with an iron fist of fear willing to crush all goodness that poses a threat. The novel is a microcosm of Golding's view of the world. Simon, righteous in his heart, is allusive of something greater. This greater good is washed away with Simon, and through this Golding makes his meaning clear: gone is the good and the kind, and it is then replaced by man’s true condition:
Originally Simon evokes an image of compassion and vision; his death at the hands of the boys is used to symbolize Golding's theme of civilization against chaos, and specifically that savageness is the default of man and rules with an iron fist of fear willing to crush all goodness that poses a threat. The novel is a microcosm of Golding's view of the world. Simon, righteous in his heart, is allusive of something greater. This greater good is washed away with Simon, and through this Golding makes his meaning clear: gone is the good and the kind, and it is then replaced by man’s true condition: