I will paint theCreation of Man and the Creation of the Universe, I will tie in the already existingfrescos on the walls to the ceiling frescos by painting events that preceded the two epochof Sub lege and Sub gracia. I will include in my masterpiece many dramatic biblicalevents such as: Separation of Light from Darkness; the Creation of the Sun, Moon andhe Stars; Creation of the Waters and the Creation of the Animals; Creation of Adam;Creation of Eve; Fall of Man and the Expulsion from Paradise; Sacrifice of Noah; Flood;and Intoxication of Noah. (Brandes, 260). I sent my assistants back to Florence because I knew that this was my vision andmy responsibility to paint this ceiling. I started today with The Drunkenness of Noah, itis so uncomfortable to paint in this position that I must be in to paint such a ceiling. Itsometimes makes me wonder why I am here. I will paint this ceiling, not for the popeand not for the Romans but for myself, to fell proud of my own work. To show the reality in this painting of Noah I will place him collapsed on theground next to a jug of wine. His sons will be around him giving him support andcomfort as he struggles to understand what God's plan is for him and his family. Noah issuch a peaceful man with a lot on his mind and this is how I will paint him. …show more content…
A great masterpiece such as this cannot beviewed by public eyes before it is finished, just as a pie cannot be eaten half-baked. Itgets worse with every day and every week I may have to give in to Julius and let him seewhat I have created so far. I have just finished what I feel to be one of my most beautiful works of art ever,The Creation of Man. It is such a simple painting filled with great action and meaning. Iwanted to show God as a human figure creating Adam in his own image. Thishumanization of the divine makes people feel closer to their god with a level ofunderstanding for each other. God soars above Adam with his hand outstretchedtouching the tip of Adam's hand to show the connection between man and God. It is myfavorite fresco that I have ever done. (Brandes, 260). Julius insisted once again that I take down my scaffold so that he may see mywork. I refused again and told him that I was not even half finished with the project, andif I was to show off an unfinished piece of art it would not be truly appreciated andunderstood. By this point Julius was enraged and threatened to throw me off thescaffold, so I gave in to the fool and allowed the scaffold to be torn