Disney movies have become the new family amusement. This films are made for young children because of what they demonstrate. When children watch Disney movies, especially young girls, it can affect their understanding on how they should act at a young age. Snow White is a tale about a young beautiful girl who lives with her stepmother, the queen. Snow White’s beauty triggers her stepmother to be jealous of her, and the queen orders for the murder of her innocent stepdaughter. Later she discovers that Snow White is still alive and hiding in a cottage with seven friendly little miners. Disguising herself as an old-women, the queen brings a poisoned apple to Snow White, who falls into a death-like sleep that can be broken only by a kiss from the prince. Today's new lifestyle is teaching young girls that their beauty is more valuable than…
Content analysis will be used to see the portrayal of gender role in Disney princess films.The coding procedure that will used for this study is based on (England, Descartes, & Collier-Meek, 2011). In addition, comparative analysis will also be done to observe any differences that are present in the Disney princess films with respect to their color.…
As a contributing writer for the New York Times, Peggy Orenstein stresses in her article, Cinderella and Princess Culture, that the "princess craze" and "girlie-girl" culture is ruining young girls as they feel constantly pressured to be perfect. Orenstein also recognizes the fact that large companies like Disney are responsible for pushing the princess craze.…
I didn’t realized that feminist criticism also fit for Trailer Frozen when I wrote my essay. Throughout reading the first and second body paragraph, I found that feminist criticism might be the one of the best criticism which is matching Frozen. The story which happened in Princess Anna and Princess Elsa shown women had a low social status in the past several centuries, but they never give up to find the true identities.…
Disney is known for producing feel-good films and Frozen is no different. The Honest Trailer looks at it as another repeat of the Disney cookie-cutter film. Society expects a certain type of film out of Disney and that is what is accomplished in Frozen. Though the film takes a different role with the female empowerment dynamic of the film, it has the classic staples that the audience expects – beautiful princesses, handsome men, and the adorable, animal sidekick. This is the sociological critique in the way of it being what society and audiences’ expected. Although it was different from than many of the others, the basis remains the same throughout all the…
Using personal experience, Peggy Orenstein, discusses the impact businesses such as Disney and Mattel have on reinforcing gender roles. The fact that she is a mother discussing her own struggles gives the piece a more casual and personal tone. She is speaking to those like her. Having a conversation with the readers causes the piece to be well-rounded. While she does not address the reader directly the casual nature of the writing allows her to make an argument, bring up questions about the argument and then answer those questions all while simply talking about an experience she had with her own daughter. Also unlike a ‘Scholar of women’s studies’ her main focus is on her daughter. Not political correctness or staying true to her feminist beliefs, but providing the best atmosphere for her daughter.…
“We don’t think of it as a traditional Princess Movie.”, from the producer of Frozen. In fact, Disney Animation Studio hasn’t produced traditional Princess Movie for a long time. After the rise of Pixar and DreamWorks, Disney is always finding its own differences from other animation studios, that what is its unique and simple. They understand more clear that they must “keep moving forward”, not only on the prince & princess story plot, but also on the development of the internal thesis. When politics talk about Disney Princess, they may concern a lot with the feminism, that women has taken half parts of the role on the Earth. Through reviewing different Princess Movies from different eras in the history, audience may notice the influence of…
For the past seventy-eight years, Disney has been creating disney princess movies, a phenomenon that has swept the world, with worldwide gross of up to six hundred million dollars. Little girls from the age of two watch and enjoy these chauvinist movies, spending hundreds on outfits so that they can resemble their most idealized princess. The official disney princess line-up includes Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, Mulan, Tiana, Rapunzel, and Merida. While a single caucasian girl’s dream is blossoming, dreaming about the multiple princesses she could grow up to be, an african american girl’s is falling to pieces, with only a single idealized role model to chose from. While a child yearns for a prince to sweep…
Poniewozik begins by stating that it is a nightmare for the young girls wanting to be princesses today. Society expects every little girl wants to be a princess. Poniewozik blames Hollywood for this. It’s true in recent decades that Hollywood has produced quite a few cinderella stories and also many other fairy-tail type projects. It’s not a bad thing for them to do this because they’re making a large profit off these projects. Princess fairytale stories and movies are surprisingly popular today. Poniewozik claims that we have come a long way from the girls-kick-ass-culture of just a few years ago (Poniewozik 666).…
In the author's article he presents the idea that girls should follow a more independent manner rather than the stereotype of princess who needs saving in modern films. With evidence from movies like Ella Enchanted where the princess is escaping the binds of having to marry her prince, rather than wait to be saved by her prince it is clear the author supports more feminist themes for modern fairytales.…
Over the course of the past 80 years we have seen major growth in the company of Disney and the way it presents itself to the rest of the world. One of the many ways Disney presents itself is by the animated films they produce, more specifically, the princess films, that we all know and love. In this paper, I will explore the role and functions of the Disney princesses over the past 80 years and discuss their differences. In particular, the femme fatales we see when Walt Disney was in charge, and how it is the princess rather than the hero who becomes the central figure in these films. On the other side, I will look at Team Disney and how they turn the princesses from damsels to more democratic.…
2. Cullen's "Interesting to Note" may suggest to some that the release of Walt Disney's version of Cinderella may be him trying to promote feminism in some way. During the time he released his version, which was in the 1950's, women were seen as ideal housewives and mothers and were not needed in the workforce. But, Disney's version suggests that women did not have to put up with that. They are just as capable as anyone else to do the things that they want. Women should be able to go out and have fun and not have to stay home, clean and take care of everything. They should be able to do what they want, and in Disney's version, that is what Cinderella…
Also, Stefan Babich’s article throws more light to the devastating issue of gender gap. She considers the role of female protagonists in animated children’s films. Using Disney and Pixar as a case study, she fairly criticizes Disney films for being sexist and mentions that “A pretty big percentage of the female leads in Disney musicals seem to have only one goal- to get…
The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology.…
In James Poniewozik’s “The Princess Paradox”, he introduces the idea that young girls find becoming a princess appealing, even if they are raised to be an independent woman. Poniewozik, who is a media critic for the Time magazine, seems intrigued by the evolution of princesses and how it uses feministic views to create a pleasing appearance to the younger generations who are being raised with feminist ideals. Poniewozik claims that feministic themes find their way into our culture and as a consequence creates the twenty-first century Cinderella, a strong woman who still enjoys her gown. So although some feminist may denounce Poniewozik’s assertion that independent women find comfort in being treated as a princess, evidence throughout his essay could point towards the idea that self-reliant women still want to be saved into sovereignty.…