The monument depicted two young people, a young man and a girl, they are both standing in a profile view, and are looking off to the sides. The young man is shown as an athlete with an aryballos (oil flask) suspended from his wrist.. Also, his holding a pomegranate- a fruit associated with both fecundity and death in Greek myths. 2 The little girl seem to be the younger sister of the athlete, and she’s holding a flower. The young men and the girl are shown in a very strong and immense powerful form that give us a feeling that they are gone from us and head into another world.…
Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess, protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon l. entrance gateway m. sculptor of the Discobolos n. female figure used as column o. storage jar with and egg shaped body p. sculptor of Hermes and Dionysus q. ornament from Ionic capital resembling a rolled scroll r. painting method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3.…
Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…
He laments how Athens "allowed itself to become very dirty and polluted," resulting in the erosion of the remaining sculptures. This imagery evokes a sense of empathy and urgency, compelling readers to confront the tangible consequences of neglect and exploitation of cultural…
This Greek sculpture carved with parian marble was found on the island of Paros in 1775 and consists of a young girl wearing a woolen garment with her head bowed giving her farewell to two pet doves. The young girl’s facial expression is strong, yet somber while she holds one dove close to her serene face, while the other dove rests on the young girl’s left hand (The Metropolitan Museum of Art, 2000). This sculpture would have been established in Greek cemeteries in memory of the deceased and symbolizes a young girl’s love for her pets and expresses emotion. The surface of the marble used to carve this sculpture is smooth and has a visual quality that is a representational illusion (Sayre, 2007). This particular work of art fits into the context of the time period primarily because the sculpture was carved at a time when decorated gravestones did not appear in Athens and parian marble was highly prized in antiquity (The Metropolitan Museum of Art, 2000). This Grave monument of a young girl depicts her as she would have been in life, which during the 5th century; the deceased were able to be identified by more than their gender and occupation, but also by their age.…
Few characters in literature have ever ventured into the underworld and returned back to earth. Odysseus’ trip to the underworld offers the reader an insight into Ancient Greek society and religion. The advice and requests made by the people he encounters show us how the people of the time viewed the afterlife…
The Minoans, like many other early communities, had set ritualistic practices for burying their deceased. Inhumations were given as respect to the dead. They were placed in the foetal position, maybe so they could be born again. The bodies were often buried with their possessions so that they could take them to the afterlife and be supplied for a new life. However they believed that once the flesh had gone from the body then the possessions were worthless and were often cleaned out or moved to storage. Once a person died, they were laid out to be viewed for 2 days, in which this time people came to pay their respects. Women sung and grieved while men prayed to the gods. On the 3rd day the cart was taken by cart to the tomb.…
When looking throughout ancient mythology, each story has unique characteristics that make them their own. By looking deep into the myth, and analyzing its qualities, society can get a greater grasp of what the author was trying to portray through each God. One myth in particular is the journey of Odysseus as he traveled from the city of Troy, to his homeland in Ithaca. This story represents various interpretations such as gender sexuality, nature myth theory, and rationalism.…
Death is a very mysterious topic that is still debated to this day. Many different cultures have many different theories, including one that the ancient greeks favored. In this essay, I will be exploring the greek underworld, particularly the ruler, Hades, through his myths, symbols, and worship.…
Greece is a beautiful Mediterranean-bordering country. People revel in its beautiful mountains and beaches. One would think that nothing bad could ever occur in such a beautiful paradise. However, in the grand epic The Odyssey, written by the Greek poet Homer, a gentleman named Odysseus is put into troubling scenarios which he must surpass in order to be reunited with his love, Penelope. As “People need heroes and epics provide heroes who fight against injustice and immorality” (Baker, 9), Odysseus had to spend years of his lifetime “Fighting monsters, avoiding the Sirens, consulting the dead and even falling into the lily-white arms of Calypso” (Lacarriére, par. 17). Another identifiable potent force in the epic is the aquatic and terrestrial features of Greece and his home, Ithaca. Although the geography of Greece is currently known for its beauty and tranquility,…
In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…
As you may recall from high school, The Odyssey is a book-length poem purportedly transcribed by Homer some 2700 years ago. It tells the story of a famous Greek warrior returning home from the Trojan War. The war began when Paris kidnapped the beautiful Helen and brought her back to Troy, inciting her Greek husband and his countrymen to lay siege to the city. After a decade of violent warfare, the Greeks finally win, and Odysseus begins a ten-year voyage home to his long-suffering wife Penelope and their son Telemachus. During his absence, Odysseus’ kingdom has been invaded by hoards of greedy suitors hoping to marry Penelope to acquire his wealth. His son has grown into manhood without a father’s guidance. It is a desperate and deteriorating situation. Odysseus’ travels take him to many lands and peoples. He battles men and monsters, makes many foolish decisions, finds and surrenders paradise several times, and eventually loses everything — his ships, crew, belongings, clothes, and nearly his life before the gods ordain that he is ready to reach home. All along his harrowing voyage, however, Odysseus is guided by the whispered instructions and shape-shifting intercessions of the goddess Athena.…
Years and years later, in 1622, a sculptor named Gian Lorenzo created the sculpture Pluto and Proserpine. This sculpture represents the story of the capture of Persephone by Hades. Hades, the Roman Pluto, is depicted holding Persephone, the Roman Proserpine, by her waist and thigh. Persephone is turned away from Hades, pushing his face away. She attempts to squirm free of his strong grasp, a look of horror and fear on her face. It would seem this represents the moment Hades brings her to the underworld and tells her she is to be his queen.…
" I don't remember touching her, but the next thing I know, Nancy is sitting on her butt in the fountain, screaming" was said by Percy Jackson the protagonist in the lightning thief.…
To inspire is to instil the importance of confidence in others’ lives. In Theseus and the Minotaur, Theseus grows up without his father and does not know his identity. His mother, who is a princess, inspires Theseus by telling him that “only on the day that [he] can lift [the] rock, [she] will tell [him] who [his] father is” (O’Rahilly 1). As a result, Theseus is able to gain confidence in knowing that he has a purpose in life. It is only when his mother instils in him the power of confidence; Theseus is able to gain the stamina to begin his perilous journey and kills the Minotaur. Similarly, in Orpheus and Eurydice, Orpheus is content to stay in his palace and play music with his lyre. When Eurydice dies, her death inspires him to enter the underworld in the hope to save his wife. In fact, he ignores his dad’s warning: “Those who go to the Underworld can never return” and he “sets out [with] his lyre slung on his shoulder, his mind full only of Eurydice” (Gibson 32). Again, Orpheus’ courage stems from his grief over Eurydice’s death. His decision to risk his life to save his wife and his confidence in undertaking this perilous journey are inspired by Eurydice. Through women’s inspiration, men like Theseus and Orpheus are able to transform into adventurous and courageous individuals who become admirable…