Bibliography: aker, Carlos. "The Slopes of Kilimanjaro" Ernest Hemingway A Life Story. New York: Scribner 's, 1969. Baker discusses Hemingway 's determination to produce as much quality work as possible. Hemingway after suffering from insomnia and wild mood swings decides to write less, but more quality. Hemingway also had a fear of dying without finishing a work, and could well express the feelings of Harry in "The Snows of Kilimanjaro." Nahal, Chaman. "The Short Stories" The Narrative Pattern in Ernest Hemingway 's Fiction. Madison: Fairleigh, 1971. 80-119. Chaman points out that in "The Snows of Kilimanjaro" the different uses of writing style. Harry the dying hunter has flashbacks describing exciting events that have happened to him in his past adventures. Chaman goes on to point out that although these seem like flashbacks to the reader, they are "very real moments" to Harry.Plimpton, George. "An Interview with Ernest Hemingway" Hemingway and His Critics. Ed. Carlos Baker. New York: Hill, 1961. This interview, conducted by Pilmpton with Hemingway, discusses some Hemingway 's influences on his writings. Hemingway states that in "The Snows of Kilimanjaro" that he was drawing on his knowledge and memory of his last hunting trip to Africa, and trying to convey the feelings felt while on his trips. It is evident in this interview that Hemingway is extremely dedicated in trying to make his writings as enjoyable and meaning as possible.Shuman, R. Baird. "Ernest Hemingway." Magill 's Survey of American Literature. Ed. Frank N. Magill. Vol. 3. New York: Marshall, 1991. Baird discusses the life of Hemingway, beginning with his birthplace and ending with the taking of his own life. Hemingway was well versed in the finer things in life with his mothers teachings but much preferred hunting and more masculine activities with his father. Another important influence in his writings is his experiences on great expeditions to Africa.Watts, Emily S. "Iconography..." Ernest Hemingway and the Arts. Chicago: Illinois P, 1971. 51-95. Watts explains that Hemingway does not write much on the topic of suicide. One might think this would be a large subject in his stories, but he mentions suicide only briefly in one story. Although Harry in The Snows of Kilimanjaro does die, he has little choice in the manner.Works CitedBaker, Carlos. "The Slopes of Kilimanjaro." Ernest Hemingway A Life Story. New York: Scribner 's, 1969.Hemingway, Ernest. "The Snows of Kilimanjaro." The Snows of Kilimanjaro and Other Stories. New York: Scribner 's, 1970.Nahal, Chaman. "The Short Stories." The Narrative Pattern in Ernest Hemingway 's Fiction. Madison: Fairleigh, 1971. Plimpton, George. "An Interview with Ernest Hemingway." Hemingway and His Critics. Ed. Carlos Baker. New York: Hill, 1961. Shuman, R. Baird. "Ernest Hemingway." Magill 's Survey of American Literature. Ed. Frank N. Magill. Vol. 3. New York: Marshall, 1991. Watts, Emily S. "Iconography and technical expression: the agony of man." Ernest Hemingway and the Arts. Chicago: Illinois P, 1971. Word Count: 2024
Bibliography: aker, Carlos. "The Slopes of Kilimanjaro" Ernest Hemingway A Life Story. New York: Scribner 's, 1969. Baker discusses Hemingway 's determination to produce as much quality work as possible. Hemingway after suffering from insomnia and wild mood swings decides to write less, but more quality. Hemingway also had a fear of dying without finishing a work, and could well express the feelings of Harry in "The Snows of Kilimanjaro." Nahal, Chaman. "The Short Stories" The Narrative Pattern in Ernest Hemingway 's Fiction. Madison: Fairleigh, 1971. 80-119. Chaman points out that in "The Snows of Kilimanjaro" the different uses of writing style. Harry the dying hunter has flashbacks describing exciting events that have happened to him in his past adventures. Chaman goes on to point out that although these seem like flashbacks to the reader, they are "very real moments" to Harry.Plimpton, George. "An Interview with Ernest Hemingway" Hemingway and His Critics. Ed. Carlos Baker. New York: Hill, 1961. This interview, conducted by Pilmpton with Hemingway, discusses some Hemingway 's influences on his writings. Hemingway states that in "The Snows of Kilimanjaro" that he was drawing on his knowledge and memory of his last hunting trip to Africa, and trying to convey the feelings felt while on his trips. It is evident in this interview that Hemingway is extremely dedicated in trying to make his writings as enjoyable and meaning as possible.Shuman, R. Baird. "Ernest Hemingway." Magill 's Survey of American Literature. Ed. Frank N. Magill. Vol. 3. New York: Marshall, 1991. Baird discusses the life of Hemingway, beginning with his birthplace and ending with the taking of his own life. Hemingway was well versed in the finer things in life with his mothers teachings but much preferred hunting and more masculine activities with his father. Another important influence in his writings is his experiences on great expeditions to Africa.Watts, Emily S. "Iconography..." Ernest Hemingway and the Arts. Chicago: Illinois P, 1971. 51-95. Watts explains that Hemingway does not write much on the topic of suicide. One might think this would be a large subject in his stories, but he mentions suicide only briefly in one story. Although Harry in The Snows of Kilimanjaro does die, he has little choice in the manner.Works CitedBaker, Carlos. "The Slopes of Kilimanjaro." Ernest Hemingway A Life Story. New York: Scribner 's, 1969.Hemingway, Ernest. "The Snows of Kilimanjaro." The Snows of Kilimanjaro and Other Stories. New York: Scribner 's, 1970.Nahal, Chaman. "The Short Stories." The Narrative Pattern in Ernest Hemingway 's Fiction. Madison: Fairleigh, 1971. Plimpton, George. "An Interview with Ernest Hemingway." Hemingway and His Critics. Ed. Carlos Baker. New York: Hill, 1961. Shuman, R. Baird. "Ernest Hemingway." Magill 's Survey of American Literature. Ed. Frank N. Magill. Vol. 3. New York: Marshall, 1991. Watts, Emily S. "Iconography and technical expression: the agony of man." Ernest Hemingway and the Arts. Chicago: Illinois P, 1971. Word Count: 2024