Social Issue
Hum112 World Cultures 2
Discussion 1: Spirit of Change
In Still Life with Plaster Cast, the viewer sees a painting-within-a-painting. Identify and describe another work in your text that uses a similar approach.
Following is the In Thomas Le Clear’s view of a photographer’s studio that the viewer sees a painting-within-a-painting:
As the scene ca seen as mundane, this has been really the whole flight of fancy. Figure posing for the photograph have been the Parnell and James Sidwell, the sister along with brother who have died as the adults prior painting had been commissioned through its surviving brother however who have been here showing as kid. Being Margaret Conrads has pointed out in essay she contributed towards American Stories catalogue; painting challenges idea, which photography has been much more truthful than the painting.
Only as painter fabricates scene, so does photographer at the right has used the backdrop for fabricating appearance of the nature. Inclusion of the “Old Master” canvases as well as plaster casts of the classical sculptures such as Venus de Milo in painting in addition concentrates its way in that images can be based on rest of the images for come in being. What has been actual and what has been fabricated, here, after all? While photographer can trust on the painted backdrop, painters also trust on some prototypes in the work done by them.
Explain why you think an artist might choose to re-paint a painting into his or her work. In what ways is it the same painting? In what ways does it become different?
Few artists may also choose to re-paint the painting in his and her work being the symbol of fondness for that work. This may be likening to the artistic technique, which the nowadays painters have been using for creating more stylistic appeal towards its individual products.
Cézanne returned again and again to paint his mountain. Explain why you think an artist might choose to repaint a subject. In what ways is it the
Discussion 1: Spirit of Change
In Still Life with Plaster Cast, the viewer sees a painting-within-a-painting. Identify and describe another work in your text that uses a similar approach.
Following is the In Thomas Le Clear’s view of a photographer’s studio that the viewer sees a painting-within-a-painting:
As the scene ca seen as mundane, this has been really the whole flight of fancy. Figure posing for the photograph have been the Parnell and James Sidwell, the sister along with brother who have died as the adults prior painting had been commissioned through its surviving brother however who have been here showing as kid. Being Margaret Conrads has pointed out in essay she contributed towards American Stories catalogue; painting challenges idea, which photography has been much more truthful than the painting.
Only as painter fabricates scene, so does photographer at the right has used the backdrop for fabricating appearance of the nature. Inclusion of the “Old Master” canvases as well as plaster casts of the classical sculptures such as Venus de Milo in painting in addition concentrates its way in that images can be based on rest of the images for come in being. What has been actual and what has been fabricated, here, after all? While photographer can trust on the painted backdrop, painters also trust on some prototypes in the work done by them.
Explain why you think an artist might choose to re-paint a painting into his or her work. In what ways is it the same painting? In what ways does it become different?
Few artists may also choose to re-paint the painting in his and her work being the symbol of fondness for that work. This may be likening to the artistic technique, which the nowadays painters have been using for creating more stylistic appeal towards its individual products.
Cézanne returned again and again to paint his mountain. Explain why you think an artist might choose to repaint a subject. In what ways is it the