Somethings Coming Bernstein

Introduction - bars 1-3
Section a - bars 4- 39
Section b - bars 40 - 105
Section b1- bars 106-140
Section a1- bars 141- 157 outro - bar 158 slow fade out
Introduction - bars 1-3
Section a - bars 4- 39
Section b - bars 40 - 105
Section b1- bars 106-140
Section a1- bars 141- 157 outro - bar 158 slow fade out

Theme B at its first appearance. The mood is much more confident with a loud dynamic and accented notes.

Theme B at its first appearance. The mood is much more confident with a loud dynamic and accented notes.

The song is sung by Tony, a tenor
The song is sung by Tony, a tenor
The music is busy and energetic from its opening, with short phrases ending on the ascent that alternate with ones concluding on the descent. The anxious main line is halted for occasional sustained notes while the rhythm drives insistently on
The music is busy and energetic from its opening, with short phrases ending on the ascent that alternate with ones concluding on the descent. The anxious main line is halted for occasional sustained notes while the rhythm drives insistently on
Theme C the use of long sustained notes, legato phrases and rising intervals. C at its first appearance. Notice the lyrical melody and the optimistic mood.
Theme C the use of long sustained notes, legato phrases and rising intervals. C at its first appearance. Notice the lyrical melody and the optimistic mood. theme C the use of long sustained notes, legato phrases and rising intervals. C at its first appearance. lyrical melody and the optimistic mood. theme C the use of long sustained notes, legato phrases and rising intervals. C at its first appearance. lyrical melody and the optimistic