The three opening stanzas are spoken by a narrator-type voice. This speaker sets the scene and tone of the piece: that of Petrarchan love, with the topos of an unattainable beloved, whose love burns and pains the Lover. He introduces the characters: Damon the mower, and Lover; and Juliana, the cruel beloved. The narrator expounds Juliana 's character and Damon 's perception of her, she is one to behold, “Like her fair Eyes the day was fair;” (3). However, the short-lived compliment of her eyes is accompanied with words like stung, complaint, scorching, and fear that exemplify Juliana who is scornful and one to be feared, and scornful.…
He uses many commas in the middle of lines to show his reluctance, as shown in line 3: “I found, or thought I found,”. This usage of commas brings pause to the poem and sets up the tone to become reflecting and sincere. Enjambment occurs twice in the passage, and each time contributes a longer burst of lines in contrast to the reluctance to it’s previous short, fragment like segments. One example of enjambment is at line 6-7, where it happens at “well might show how far a modern quill doth come too short”, contrasting with short and fragment like segments such as “That you yourself, being extant,” just previous. The effect of this is to imply a sense of confusion Shakespeare might have had about why this beautiful person required praise as he makes out his words. In conclusion, William Shakespeare uses figurative language, imagery, as well as punctuation accompanied with enjambment to communicate the idea that poetry is unworthy to illustrate this one person's…
The poem goes from a dark tone to a light tone. The poet evokes a sad, melancholy mood in the early stanzas of the poem ‘Clouds spout upon her’ ‘Had shivered with pain’ and in the late stanzas of the poem the poet evokes a somewhat prosperous mood ‘Love beyond measure – With a child’s pleasure – All her life’s round.” There is a gentleness tone to the poet’s reflections upon his thoughts of his wife in the poem. The poem has a bittersweet feel to it.…
This new era is superbly by The Faerie Queene. The models which Spenser used when he embarked upon the difficult task of composing this poem, the most important and popular of all that he ever wrote, were Ariosto’s Orlando furioso and Tasso’s Gerusalemme Liberato. Conceived in the midst of the uncanny beauties of the Irish landscape, The Faerie Queene is far from indifferent to them, finding in them an important source of inspiration for his natural background; as important as medieval English and Celtic poetry were for the narrative. The chief task Spenser set himself was to amalgamate all these poetical elements and, by deepening the moral content of court poetry and by fertilizing it with the new humanistic ideas, to write an impressive…
I give you all my love, even though I lack any self love. Sonnet 88 presents to us a warped view of love. A love that lacks maturity and self respect. Love that dwells in the dark recesses of a skewed mind. Shakespeare’s sonnet 88 uses rhyme, grammar, diction, meter, figurative language, and tone to suggest that to actually love someone you have to love yourself first.…
This shows that Shakespeare still loves the woman that the poem is about. Even though in the rest of the poem Shakespeare highlights all of her bad points.…
A sonnet is a form of a poem that originated in Europe. One of the best known sonnet writers is Willliam Shakespeare because he wrote 154 of them. In sonnet 18, Shakespeare used numerous literary elements in order to prove his thesis. This sonnet is a comparison to nature and a woman who will never lose her beauty. In sonnet 18, different literary elements such as personification, metaphors, and an anaphora are used in order to prove that nature is never constant, but her beauty is constant and will last forever.…
The three quatrains of the poem employ three different forms of sensory imagery: the first is sights; the second, smells; and the third, sounds. These images are interwoven with other literary devices to paint a more complete picture of the lady. Shakespeare did not rely merely on her looks to characterize his ladylove, but proposes a contrast to the bombast of pedestal poetry. The diction has a simple elegance that suggests the same qualities are exemplified in the woman who he holds in such high esteem. Parallel structure contributes to the meaning of the poem without overwhelming the natural flow of the verses. His smooth transition from single to double line comparisons serves to capture the reader’s attention as the contrasts are further developed.…
William Shakespeare, in his sonnet, “Sonnet 97” laments about how being separated from his lover feels like winter, no matter what season it may be. First, to reveal the feeling of loss caused by the separation from his lover, Shakespeare employs simile: “How like a winter hath my absence been/ From thee”; second, Shakespeare uses visual and tactile imagery to reiterate the sense of winter already established by stating, “what freezings have I felt, what dark days seen!” ; third, Shakespeare compares “this time remov'd”: the time he and his lover were apart, to “widow'd wombs after their lord's decease” in order to amplify the grief he is experiencing and indicate that this is no regular loss; next, Shakespeare uses descriptive details to describes…
Prufrock is in-love with a woman or being in-love about his experiences in life. In the first stanza, “Let us go then, you and I, When the evening is spread out against the sky”, Prufrock, wants us to believe that he is with a woman but the third line, Prufrock he talks someone that is sick. In addition, the stanza that I like is in line 26 - 29, “There will be time, there will be time…” this is the time for Prufrock to think and start meeting new people or new woman. He works hard for himself and but he doesn’t have family to leave all his things…
In "Sonnet 73", the speaker uses a series of metaphors to characterize what he perceives to be the nature of his old age. This poem is not simply a procession of interchangeable metaphors; it is the story of the speaker slowly coming to grips with the finality of his age and his impermanence in time.<br><br>In the first quatrain, the speaker contrasts his age is like a "time of year,": late autumn, when the "yellow leaves" have almost completely fallen from the trees and the boughs "shake against the cold." Those metaphors clearly indicate that winter, which usually symbolizes the loneliness and desolation, is coming. Here the reader would easily observe the similarity between the season and the speaker's age. Since winter is usually considered the end of a season, it also implies that the speaker is aging gradually, and he may die very soon. <br><br>Moreover, the speaker compares his age to the late twilight, "As after sunset fadeth in the west," and the remaining light is slowly extinguished into the darkness, which the speaker likens to "Death's second self." In the poem, the twilight emphasizes the gradual fading of the speaker's youth, as "black night" takes away the light "by and by". Once more, the poet anticipates his own death when he composes this poem. But in each of these quatrains, the speaker fails to confront the full scope of his problem: winter, in fact, is a part of a cycle; winter follows spring, and spring returns after winter just as surely. Age, on the other hand, is not a cycle; youth will not come again for the speaker. In the third quatrain, the speaker resigns himself to this fact.] <br><br>Finally, the speaker compares himself to the glowing remnants of a fire, which lies on the ashes of the logs that once enabled it to burn. In contrast, the love between the speaker and his beloved remains strong even though he may not live long. Here the speaker employs another kind of figurative language, the paradox, to emphasize that their love,…
This poem rejects all theories that romantic poetry must relate a woman’s beauty to natural allure. Shakespeare compares what is commonly considered appealing breasts with his lover’s by saying she does not bear them. He says he knows what white a red roses look like together and that is not what her complexion holds. This is quite interesting because in romantic poetry there are main things that tend to be covered. Such things are nature, music, allusion, and weather. Shakespeare takes these classical items and destroys them in their natural…
Throughout the poem the poet makes frequent use of the senses. Sounds are very prominent in this poem, as they bring the place to life. For example, ‘ringing shrilly’, or ‘clashed on the shore’. In the former example, at the start of the second stanza, this phrase is significant, as it effectively kills the jovial, relaxed mood from the first stanza, and creates a rather more eerie one. This mood does not last long however, and with the phrase ‘a veil of purple vapour flowed’, the jovial mood is restored. This image is one of several, along with ‘like sapphire glowed’, and ‘the saffron beach, all diamond drops’, which contain royal and rich connotations, emphasising how special this place is for the poet, that he would go as far as to compare it to expensive, valuable things like diamonds or saffron. The tranquil mood is upheld throughout by words of gentle movement such as ‘flowed’, ‘trailed’, or ‘wagged’. These all bring the place to life and give it a peaceful, tranquil atmosphere.…
William Shakespeare is well known for his unique style of writing, and really changed the tone of romantic poetry with his sonnet “My mistress’ eyes are nothing like the sun”. He wanted the readers to see a different side of what beauty was he wanted them to see a more realistic view of a women. In the 1600 time frame the writers made women seems so prefect and angelic; which is not at all the way most women really look. Shakespeare seems to want the reader to look at the true mean of love not the physical aspects of beauty which will fade in time. Shakespeare’s use of sarcasm, imagery, and satire brings a twist to his theme, which points out not all women are as beautiful…
In both second stanzas of the poems, the speakers portray different attitudes toward Helen and the voyage she created among the men of Greece. The enchanted speaker illustrates a sense of isolation and loss in “On desperate seas long wont to roam”(Poe, line 6) until however, her “hyacinth hair” and “thy classic face”, have “brought [him] home”( Poe, line 7 )which establishes a sense of comfort to the speaker in which he glorifies. However, the unimpressed speakers tone differs as he insults Helen stating that “All Greece reviles [her]” (H.D., line 6 ) as she remains as the reason behind Greece’s suffering and the war in which it ravaged. The images of beauty that the other speaker praises are used for an ironic effect. The “face when she…