29. Why does Yasuo try to ambush Hatsue as she gets water? What does he plan to do?…
Entering the season of Santa Ana winds, local residents brace themselves. Citizens become cautious and fearful with their lives when facing “something uneasy in the Los Angeles air…some unnatural stillness, some tension.” When the winds make their stealthy presence people become afflicted by it. Didion’s intellectual diction expresses exactly this. She uses these specific words; “uneasy”, “unnatural stillness”, and “tension” to describe the wind and stir up the reader’s emotion making them aware and awed by the situation. Didion draws one in by setting up the story with something abnormal that is bound to happen. These chosen words to depict air, ironically, are the opposite of how air is portrayed in society. Air is something calm and gentle that we routinely inhale; it is our life long companion.…
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation.”…
Brave words – Personification, the authors way of telling what he’s saying without writing it directly…
The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft and close embrace".…
The Civil War was a time of tremendous change and innovation. During the seventeenth and eighteenth centuries Americans witnessed the invention of numerous life changing machines. The 1800's brought the arc lamp, printing presses, photography, steam locomotives, telegraphs, revolvers, and the safety pin (About 1). The year of 1783 marked the invention of the air balloon. Over the next few decades scientists and adventurers modified and improved upon the original concepts of the air balloon. The air balloon, not to be mistaken with the hot air balloon, was often filled with helium or other light gases to get off the ground. The most primitive were even filled with smoke. During the early sessions of the Civil War we can see that air balloons played a major role in gathering battlefield information. Peter Jackson, a historian of air balloons has stated that "captive balloons were some of the first air balloons used during a period of war."…
The narrator shows this development by changing the way he describes the sea. Early in the story, the sea “seemed like a horse leaping over a high fence,” and the men thought that nature was intentionally against them. But later on in the story, the men realize that nature is indifferent. It “paces to and fro,” and is no longer a factor to the survival of the men. The men almost seem to think nature is beautiful by saying, “the shine of the light, lifting from the sea in the south, changed to full gold.” The sea does not change itself but the way the men view the sea changes. The gulls, clouds, and tides illustrate that nature does not behave any differently when men need it to survive. No matter the situation, the tide rises and the tide falls. Crane shows that nature is equally hurtful and helpful to man’s situations. For every tough break that the men face like the rough seas and the wind suddenly calming down, they catch an equal amount of breaks such as a favorable wind or calm night. The fact that the men almost seem to get assistance from nature proves that nature is not always hurtful. The correspondent’s final rescue is the best example in the story. The correspondent was saved by a freak wave, which may also be responsible for killing of the oiler, and he must accept the fact that even though nature put him into harm’s way it also saved his life in the end. But the…
In this poem, we have a lot of alliteration and assonance among other types of imagery and language. We see assonance in ‘deeps of the cedars’ and ‘fighting for whitefish’. We see alliteration in ‘saw the strong bulk’, ‘soft in the spruces’, and ‘far from the fort’, among other examples. There is also personification: the storm has a ‘voice’ and the day is ‘wild’. We see one simile: ‘roared like a fire’: the wind is howling through the cedar forest on an island. Finally, we find onomatopoeia in the word ‘hissing’. The alliteration and assonance emphasizes the words with the similar sounds: the strength of the fort, the distance from the fort, and the size of the cedars are emphasized. The personification makes the storm seem more ferocious,…
In this quote Bradbury really tries to personify nature into a more technological feature, giving it not only more humanistic quality but modernizing them to fit a radio in this futuristic era. By describing an electronic ocean of sound, Ray Bradbury uses the ocean as a leitmotif and defines the ocean as a ruthless, unstable, and uncontrollable power, controlled to a regulated rhythm. Readers then proceed to read Bradbury's entrance of silent command into the scene. These enter into her unsleeping mind while Mildred is unconscious. This translates into her subconscious altering her true thoughts and altering her opinions and state of mind. This idea further represents itself with music. Music symbolizes a way to express and release emotions. By controlling both Mildreds logical and emotional state of mind, readers observe technology's silent takeover upon the natural world. Bradbury refers to this device in the novel as a seashell. By labeling this device as a seashell, Bradbury uses irony to juxtapose the societies ideals. The seashell should be a natural object, yet this society relates it to technology…
As the two main protagonists Bridie and Sheila describe their first sightings of each other as they desperately float at sea, Bridie describes her multiple attempts of saving Sheilas life as she “nods off”, Bridie hits her with her shoe-horn, as Sheila describes “whack, whack, whack” and “tap, tap, tap”. Through the use of repetitive hyperbolized onomatopoeia and the heroic symbolism of the shoe-horn, Misto has cleverly juxtaposed these characters to show such heroism as Bridie realistically saves Sheila by such an emblematic item being the shoe horn. Also to create realism throughout the moments of this scene the use of distant sounds of lapping waves play in which this assists in creating a sense of immediacy and puts forward the notion of heroism that needed to be displayed to overcome such horrendous condition in which these girls went through. Overall Misto manipulates the responder to evoke the heroic images, as he enables the audience to empathise with the characters on such a heroic journey.…
In the first text City of the Beasts by Allende, sound devices are conveyed through the line “The sound that burst from his throat was the same he had roared before,” (p.234). The onomatopoeia burst grabs the reader’s attention and indicates a breakdown of strength. The onomatopoeia roared also gains attention by allowing them to imagine the sound of a jaguar roaring. Allende seems to agree with the opinion of Akhmatova in the line “He remembered his totemic animal, he did not have to do anything, the transformation happened quickly and easily” (p.234) by again showing that she believes there is only a fine line between the spiritual and living world. In the second text ‘Requiem’ by Akhmatova, sound devices are conveyed through the line “Mary Magdalene beat her breast and sobbed.” (p.113) the alliteration of ‘b’ in this line draws attention to the words beat and breast. This allows the author to emphasise her vivid image of Mary Magdalene beating her breast, therefore grabbing their attention and forcing readers to notice how Akhmatova uses Mary Magdalene to represent herself and portray the way she feels about the fine line between religion and…
The wave was murky coming towards like a rigid and supreme barrier. It began to coil over, he looked up the wave loomed over him. His father’s words came back to him giving him an urge of determination “a true mariner never deserts a sinking ship.” It heaved itself onto his boat. The boat shredded apart, jagged pieces of timber where floating and he was left sinking. His boat had plunged into the depths of the enigmatic ocean. The salted sea pricked at his delicate eyes and his spectral face white washed. He was crawling for breath kicking his feet neurotically. He managed to clench onto a residue of his boat his naked fingers scratching the plank and splinters dashing up his finger nails. For him time felt suspended. His clothes saturated with water clinging on and sticking onto his skin. He was wrinkling like a prune. He had a vacant expression, solitude was conquering him. He had to overcome this despair as the turbulence of the storm…
Emily Dickinson's poem “1593,” describes an intense storm similar to a hurricane. The subject initially appears to be a “Wind” as presented in the first line of the poem, but the by looking at the poem as a whole this wind appears to be only one part of the larger storm, which also seems to present the powerful and destructive force of nature. The language of the poem presents a certain amount of ambiguity concerning the perspective of the speaker towards this storm. Through diction and connotation, personification, and form, the speaker’s fear for the storm and its destruction become clear, yet at the same time the speaker appears to be awestruck and mesmerized by the sheer power of nature in relation to humankind.…
Tone is very similar to mood and often both are connected to one another. This is definitely the case in these two poems since both share very similar moods and tones. The mood of peace and tranquility is basically how the author feels about both settings, but his feelings in “The Ocean” are different when compared to “Address to the Moon”. In the “The Ocean” the author views the ocean from varying perspectives, which is evident from the text from how he describes the ocean as “Though there be fury on the waves, Beneath them there is none.” He clearly views the ocean as being furious and crazed from the surface but the deeper you go, the calmer and more relaxed parts are shown. This is quite different from “Address to the Moon” where…
The Big Wave by Pearl S. Buck is a short novel about two young boys who live in Japan. When the big wave comes and takes Jiya's family, Jiya is raised by Kino's parents, but he must make a life decision when people begin rebuilding the fishing village on the deserted beach. The Big Wave is a heartwarming story that exemplifies the theme that life is stronger than death…