He uses his analysis of the two media, the book and the film, to make his final argument that filmic novels are not good for screening. While the influence of film in these books, whether fiction or non-fiction novels, justifies in their story telling and development, the vice versa is not true for film (Murray 132-137). Filmic novels are no easier to adopt for film than the traditional novels of the past times. While non-filmic novels give the filmmakers room for interpretation and creativity in their redesign, filmic novels give a framework for the redesign. Creating a film adaptation of such books requires the filmmaker to either create an exact translation of the original or to conceive a new piece of artworks, none which is a hard job as Murray shows in Brooks’ failure to create a great film adaptation of a great book. He ends the article by explaining that filmic novels are not easy for film redesigns due to their complexity (Murray 132-137). Sub-literary novels, he writes, whether filmic or not, make better film redesigns than distinguishable…
In recent years, it has become popular for many of America's great literary masterpieces to be adapted into film versions. As easy a task as it may sound, there are many problems that can arise from trying to adapt a book into a movie, being that the written word is what makes the novel a literary work of art. Many times, it is hard to express the written word on camera because the words that express so much action and feeling can not always be expressed the same way through pictures and acting. One example of this can be found in the comparison of Ken Kesey's novel, "One Flew Over the Cuckoo's Nest, and the film version directed in 1975 by Milos Forman.…
The film I picked for my critique is Red Tails, a historical World War II drama. The movie starred Cuba Gooding Jr., Terrence Howard and Gerald Mcraney, was written by John Ridley and Aaron McGruder, better known as the creator of the comic strip “the boondocks”, from a book by John B. Holway, directed by Anthony Hemingway and produced by George Lucas . In this paper the author will show how all elements of filmmaking come together to make Red Tails a memorable experience and a great American movie.…
* Themestolerance; good and evil; isolation; nature of love; conflict; traditionalism; individuality; tradition; reality & appearance; violence & nonviolence, justice, freedom & commitment.…
While most of us love watching films, those of us who have read the book in which a film was developed from, will most likely feel uneasy when the film does not match exactly what we read. In most cases, we feel disappointed to not see our own interpretation of the book on the screen. A film made from a book or inspired by a book is called adaptation. Many people who have read Cornell Woolrich's short story "It Had to Be Murder" and then watched Alfred Hitchcock’s film, “Rear Window,” were disappointed that the adaptation did not reflect exactly the story. That’s because, we lack the understanding that a Literature–Based film although called an adaptation is indeed a translation of the story.…
Before there were movies and films there were stories and books. Many film creators will base their movies on written stories, and although they tend to keep the main premise of the plot, setting, characters, point of view and theme the same, sometimes the details will differ. To elaborate on these subjects we can compare the short story written by Albert Camus called The Guest published in 1957 to the short film production created by Michael Williams for his film school thesis project that depicts the story in a slightly different light.…
Sarris, Andrew. "Actors vs. Directors: The Actor as Auteur" The Movie Star. Ed. Elizabeth Weis. New York: Viking Press, 1981. 69-76…
“When making a movie from a popular, 400-page mystery/thriller novel, the success or failure of the film production often relies more upon the quality of the adaptation than any other single factor” (Berardinelli, 2011, para 1). This statement has never been truer than with the film The Lincoln Lawyer. There are a lot of stories that try to make the transition from the pages of a book to the big screen, and most lose vital parts in this transition usually due to time constraints. However, director Brad Furman does an outstanding job in bringing this thriller from the pages of Michael Connelly’s novel to the moving medium. In this paper we will analyze several different aspects of the film including: Storytelling, acting, cinematography, editing, sound, style and directing, societal impact, genre, and film criticism and analysis. Finally I will end with my thoughts and conclusion.…
When creating a movie based on a story, some things may change and others may be kept the same. When comparing “The Landlady” and “Tales of the Unexpected”, one can notice several similarities and differences between both. “The Landlady”, by Roald Dahl, is a fictional story. “Tales of the Unexpected” is a series of fictional stories that involves mystery, horror, and suspense. When comparing both the story and the episode, one can notice many similarities and differences.…
Dating back to the 1920’s, the term ‘auteur’ was debated over, claiming to describe an “author of script and film-maker as one and the same” versus the view of scripts being appointed from authors or scriptwriters (1996, p12).…
These elements create a provoking influence improving the film over the short story. Despite the stories attempts to overcome the film’s ability to succeed in creating an impact in elements including setting, characters and plot, the film created a greater impact in comparison to the stories mediocre impact. Clearly throughout both works, the film shined brighter than the story when it comes to the impact that they unleashed upon the…
Bibliography: Field, Syd. The Screenwriter 's Workbook: Exercises and Step-by-step Instructions for Creating a Successful Screenplay. Ed. Delta, 2007…
Billy Wilder’s work today remains masterful and memorable. From his skilled screenwriting to his directing, Wilder holds a key position in cinema history. Wilder’s stylistic and thematic elements are recognizable and give off a complex reflection of his American and European cultural influences. I think that Billy Wilder should be considered an “auteur” even if he is not already considered one, for his personal film style and the mere fact that his cynical vision allowed him to create many admirable films across a number of genre boundaries throughout his career. However, film critics tend to disagree and believe that Wilder was too cynical, while also complaining about the lack of conviction in his films.…
Chapter One: IntroductionThe purpose of this thesis is to explore the field of literary adaptation within a literature/ film context with a view to answering the question of whether the critical stance taken against the adaptive process can withstand scrutiny in light of the operational practices at work within both industries. This introduction serves to provide an outline of this stance and identifies some of the most prominent reactions to adaptation.…
How a screenplay works – “making the audience want to know what happens next” E.M. Forster…