In Streetcar Named Desire, Blanch uses illusion to shelter from reality. Blanche lives in a world of illusion. Fantasy is her primary means of self-defense, both against outside threats and against her own inner demons. But her deceptions carry no trace of ill will, but rather they come from her weakness and inability to confront the truth face to face. Blanch is a very visionary person, seeing the world not as it is, but as it “should” be. For example, she said “I don't want realism. I want magic!” (p. 145). Fantasy has a relieving kind of force that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's belief in realism and reality. But in the end it is Stanley and his realistic views that win. To survive, Stella must also rely on a kind of illusion. This forces her to believe that Blanche's accusations against Stanley are false, just so that she can continue to live with her
In Streetcar Named Desire, Blanch uses illusion to shelter from reality. Blanche lives in a world of illusion. Fantasy is her primary means of self-defense, both against outside threats and against her own inner demons. But her deceptions carry no trace of ill will, but rather they come from her weakness and inability to confront the truth face to face. Blanch is a very visionary person, seeing the world not as it is, but as it “should” be. For example, she said “I don't want realism. I want magic!” (p. 145). Fantasy has a relieving kind of force that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's belief in realism and reality. But in the end it is Stanley and his realistic views that win. To survive, Stella must also rely on a kind of illusion. This forces her to believe that Blanche's accusations against Stanley are false, just so that she can continue to live with her