In the Unites States over 400 newspapers showed the photos in their paper and the responses from the readers’ shows they were not pleased. The reader’s felt as if the photographs invaded the privacy of death. They wrote comments like “Assigning the agony of a human being in terror of imminent death to the status of a side-show act” (170). There was another comment that read “I shall try to hide my disappointment that Miss Bryant wasn’t wearing a skirt when she fell to her death. You could have had some award winning photographs of her underpants as her skirt billowed over her head, you voyeurs” (170).…
Mirkin’s article, “Aurora Reyes: ataque a la maestra rural,” was about one of the most iconic women in Mexican history. She was a very inspiring woman, she still found time to create her murals and fight for what she believed in all while being a single mother of two and having a job. Reyes was someone who fought for things that were dear to her such as education, children, and equality for women. I found it interesting but not surprising that her murals reflected her beliefs and illustrated the essence of their importance. Unlike the other artists who depicted the revolution, Reyes’ murals showed the unfortunate but somewhat inevitable side of the revolution.…
The notorious drug war and wanton violence is taking over Mexico. The government and police seem to have no control over the situation as the drug cartels have the most power out of anyone in the country. However, there are a few who attempt to denounce the violence of the drug cartels that spreads across the country like a bloody wildfire through poetry, music, and painting. Javier Sicilia, a poet, denounces the drug violence that killed his son through his last poem and Marcos Castro painted a picture of the destruction of the Mexican culture and people, influenced by the lyrics from singer Lila Downs, who sang about death because of the drug trade in Mexico. Marcos Castro’s “La Reyna del Inframundo”, taken directly from Lila Downs’s lyrics, illustrates the control of violence over Mexico and its culture through the contrast between light and dark, referencing the battle between destruction and hope, shape, the spiral in the middle of the painting suggests a tornado of extermination, and scale and position of objects, namely the gun which exemplifies the emphasis on violence and death.…
Orozco had every intention of being a plastic shell of the artist revolution, in Hidalgo as well as Orozco stood a monumental, deeply tragic portrait of art for its content and topics related to historical events. Orozco’s painting of Hidalgo reflected social and political issues that had prevailed in the country, providing always from the disappointment and a progressive leftist perspective, which as art should, explain his as well as current events with an extremely critical…
This photograph has two main purposes: to commemorate a loved man who was murdered and to point out the injustice of his murder. There is a painting of this man with clouds behind him signifying he was a great man who is now in a better place, however, the man is covered in red and there is a large amount of red underneath him on the curb representing the bloodshed of his unfair death. Right in the center of this photograph written very largely across the wall of the building is the phrase, "When you take someone's life, you forfeit your own." There are also flowers that people have placed in the surrounding area, somewhat like a grave site. These things represent the people's opinion about this man and the killing.…
Venegas witnessed police officers harassing a group of zoot suiters, she was arrested on disturbing the peace and was charged for carrying a concealed weapon, because she carried brass knuckles for protection. Instead the newspapers labeled her as a “Pachuca” girl, they labeled what she had done as gang affiliation. The protests that were made on behalf of the zoot suiters made Venegas the perfect target to be portrayed wrongly just for the media campaign. Venegas’s case resembles those of the people that have died due to police brutality. The reason why is because, in most cases that police brutality does occur the media usually always portrays the police as “innocent”, they turn the tables and make it seem like the person who is usually African American or Hispanic, they portray these people as these negative stereotypes.…
The piece by Castillo is a personal reflection that offers a peculiar and particular point of view from one person, and that represents how people permeates their surrounding reality, in this case the Mexican Revolution. These kinds of sources are extremely valuable in order to listen to the average voices. Especially in the case of underprivileged groups, such as indigenous populations and women, sometimes this is the only opportunity to grasp intimate daily moments, practices, and customs.…
The Battle of 73 Easting was a battle fought in Iraq approximately 50 miles east of Al Busayyah between United States Army’s 2nd Armored Cavalry Regiment and the Tawakalna Division from the elite Iraqi Republican Guard during the Gulf War period. The battle occupied the date of 26 February, 1991. The battle didn’t last very long but compared to the intensity it seemed like days. The main unit involved on the U.S. side was Eagle Troop, 2nd Squadron, 2nd ACR, but other 2nd ACR Troops, Iron, Killer, and Ghost Troop, had joined the fighting at 73 Easting as well. I chose this battle because Major General H.R. McMaster then Eagle Troops Commanding Officer is Fort Bening, GA’s Commanding General and he personally came and spoke to our Tank Company about this battle and its importance in the future. I will give an analysis of the battle, describing the conditions the battle was fought in, the mission, the action of the battle, and lessons learned from the battle.…
Summary: In Nora Ephron’s essay, The Boston Photographs, Ephron talks about three pictures that were taken in Boston outside of an apartment. The first picture is of a fireman, a woman, and her child standing on a fire escape as the building behind them is on fire. The second photo is of the fire escape breaking from the building, and the third picture is of the woman and child falling from the building. Ephron describes in her essay the negative response the editor’s received from the public about publishing these pictures in newspapers across the nation. She feels that these pictures deserve to be printed and are a perfect example of how photojournalism is often more powerful than written journalism. She also argues that the press tends to only print the good news so it would only be realistic for the press to show the unfortunate news as well. In the actual story of the woman and child, the woman died on impact but the child lived because he landed on top of the mother. Ephron also argues that if the both the woman and child would have survived then the public wouldn’t have any complaints about the photos. It is the fact that she died that some say her privacy of death was unfairly taken away from her. Ephron feels that if people are dying in the world everyday then it shouldn’t be that big of a deal for the public to see pictures similar to the ones in this essay.…
“But never showing these images in the first place guarantees that such an understanding will never develop. ‘Try to imagine, if only for a moment, what your intellectual, political, and ethical world would be like if you had never seen a photograph,’ author Susie Linfield asks…” (Deghett, 82) . Photographs help people understand and see issues on a newer level. It changes the atmosphere once people have a picture with a story. Today an issue does not catch anyone attention when a photo is revealed on that issue.…
In today’s society war and peace is put on display for the mass public to be seen more than ever. War is glorified through movies, videos games, comic books and many more. Horrific images of war were first seen in the Civil War in North America of a “Dead Confederate Solider with Gun” this photograph no longer “romanticized” war but bought the reality of war through a black and white photograph. The video game “Call of Duty” is another display of war, it…
Moreover, the connection that I made with the essay by Franklin is that photography plays an important role in warfare because it allows people to view how war really is, and the impact that it has on the public. War is brutal, repulsive, and violent and that is just what war photography depicts. I connect with this essay because unlike the death of an individual photography of war does provide a purpose. It provides a purpose by allowing individuals to picture war as a mean to understand it and even avoid…
Imagery is an effective technique used in the by the poet in “War Photographer”. As well as feeling pity towards the photographer, we also feel pity towards the victims of war. “...running children in a nightmare heat” The word nightmare suggest that the victims of war are having to live out their worst tribulation. Also, the fact that children are mentioned makes us feel compassionate as children are associated with innocence. The children had no involvement in the starting of the war yet they must live out the inferno of war. Another example of imagery being used to create a sense of pity towards the…
Is a taking eight human lives worth it to make a point that you are a strong striker? These angry workers showed no mercy during this riot at Haymarket, and the author expresses the true horror of the events that happened.…
In fact human beings in those instances become goods, products, models for filling the photographer’s purpose, to have a sense of achievement in the middle of hot dangerous zones. The camera becomes an excuse to focus on the shot and finding the right moment instead of remembering that these victims whom the photographer is ‘concerned’ about are human beings who need help not another ‘shot’ aimed at them. Here Azoulay’s description of the power of the camera in Death Showcase book helps to explain my point “[s]hooting a camera may not be different than shooting a gun. The photographer, like the assassin, is in control of the image and the event.” (Azoulay, 2003)…