String Quartet No. 14
Analysis of Beethoven’s String Quartet No.14 in C Sharp Major (1st and 2nd Movements)
Beethoven, String Quartet No. 14 in C-Sharp Minor
First Movement: Adagio, Ma Non Troppo E Molto Espressivo (Not too Slow and Very Expressive)
Second Movement: Allegro Molto Vivace (Fast, Very Lively)
The opening movement is characterized by a fugue; the melody was introduced and then taken up by the other strings to create an interwoven effortless piece of art. The texture is very similar to Bach’s fugues in that there is less improvisation but rather a theme and rules that are followed. The beginning starts off slow and soft, the tempo is consistently medium paced. After the beginning the sound rises sharply at some points to forte, a sharp contrast from the dominant piano dynamic. The tempo is not to slow and the piece is very expressive, as the piece transitions to the second movement the pace quickens and becomes “livelier”. The second movement, “allegretto molto vivace’ is a sonata form that is based on a single melody or theme. It is similar to Francesco Landini’s piece Ecco La Primavera in it’s that it's beat is danceable. In comparison to the first movement, the second movement is faster and invokes happier emotions than the first. The dynamic is predominantly forte.
Prompt 4 …show more content…
His pieces had internal conflict and were multi movement works with several themes. The two movements are different in terms of tempo,key, and texture. The first movement is ma non troppo e molto espressivo, unusual for the introduction of a musical piece from the classical era. In comparison, the second movement is allegro molto vivace. Beethoven was never truly categorized as a composer who fit in one genre, as his music was described by many as post classical and pre romantic. This was evident in his work as his style shows elements of
Beethoven, String Quartet No. 14 in C-Sharp Minor
First Movement: Adagio, Ma Non Troppo E Molto Espressivo (Not too Slow and Very Expressive)
Second Movement: Allegro Molto Vivace (Fast, Very Lively)
The opening movement is characterized by a fugue; the melody was introduced and then taken up by the other strings to create an interwoven effortless piece of art. The texture is very similar to Bach’s fugues in that there is less improvisation but rather a theme and rules that are followed. The beginning starts off slow and soft, the tempo is consistently medium paced. After the beginning the sound rises sharply at some points to forte, a sharp contrast from the dominant piano dynamic. The tempo is not to slow and the piece is very expressive, as the piece transitions to the second movement the pace quickens and becomes “livelier”. The second movement, “allegretto molto vivace’ is a sonata form that is based on a single melody or theme. It is similar to Francesco Landini’s piece Ecco La Primavera in it’s that it's beat is danceable. In comparison to the first movement, the second movement is faster and invokes happier emotions than the first. The dynamic is predominantly forte.
Prompt 4 …show more content…
His pieces had internal conflict and were multi movement works with several themes. The two movements are different in terms of tempo,key, and texture. The first movement is ma non troppo e molto espressivo, unusual for the introduction of a musical piece from the classical era. In comparison, the second movement is allegro molto vivace. Beethoven was never truly categorized as a composer who fit in one genre, as his music was described by many as post classical and pre romantic. This was evident in his work as his style shows elements of