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Jessie Pope
Jessie Pope
Born 18 March 1868
Leicester, East Midlands, UK
Died 14 December 1941 (aged 73)
Devon, UK
Nationality British
Period First World War
Genres War poem
Jessie Pope (18 March 1868 – 14 December 1941) was an extremely patriotic English poet, writer and journalist, who remains best known for her patriotic motivational poems published during World War I.[1] Wilfred Owen directed his 1917 poem Dulce et Decorum Est at Pope, whose literary reputation has faded into relative obscurity as those of war poets such as Owen and Siegfried Sassoon have grown.[2]
Early career
War poetryEdit
Pope's war poetry was originally published in The Daily Mail; it encouraged enlistment and handed a white feather to youths who would not join the colours. Nowadays, this poetry is considered to be jingoistic,[8][9] consisting of simple rhythms and rhyme schemes, with extensive use of rhetorical questions to persuade (and sometimes pressure) young men to join the war. This extract from Who's for the Game? is typical in style:
“ Who’s for the game, the biggest that’s played,
The red crashing game of a fight?
Who’ll grip and tackle the job unafraid?
And who thinks he’d rather sit tight? ”
Other poems, such as The Call (1915)[10] – "Who’s for the trench – Are you, my laddie?" – expressed similar sentiments. Pope was widely published during the war, apart from newspaper publication producing three volumes:
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Jessie Pope
Jessie Pope
Born 18 March 1868
Leicester, East Midlands, UK
Died 14 December 1941 (aged 73)
Devon, UK
Nationality British
Period First World War
Genres War poem
Jessie Pope (18 March 1868 – 14 December 1941) was an extremely patriotic English poet, writer and journalist, who remains best known for her patriotic motivational poems published during World War I.[1] Wilfred Owen directed his 1917 poem Dulce et Decorum Est at Pope, whose literary reputation has faded into relative obscurity as those of war poets such as Owen and Siegfried Sassoon have grown.[2]
Early career
War poetryEdit
Pope's war poetry was originally published in The Daily Mail; it encouraged enlistment and handed a white feather to youths who would not join the colours. Nowadays, this poetry is considered to be jingoistic,[8][9] consisting of simple rhythms and rhyme schemes, with extensive use of rhetorical questions to persuade (and sometimes pressure) young men to join the war. This extract from Who's for the Game? is typical in style:
“ Who’s for the game, the biggest that’s played,
The red crashing game of a fight?
Who’ll grip and tackle the job unafraid?
And who thinks he’d rather sit tight? ”
Other poems, such as The Call (1915)[10] – "Who’s for the trench – Are you, my laddie?" – expressed similar sentiments. Pope was widely published during the war, apart from newspaper publication producing three volumes: