Such an action was a reflection of the perseverance and determination to cease power, not plainly for herself, but for her son, which was not a common action displayed by many Roman women at the time. This further emphasises how important, influential…
The poem is written in chronological order regarding the event. This helps the reader understand the situation better, as we understand the desperation and pain of the townspeople, and then we are taken on Godiva’s journey through the town. As a reader we feel the tension of every stride of her sacrifice, and therefore have a full understanding of the appreciation and respect the people feel towards Godiva.…
She believes that as long as she is a good wife and does what is expected of her, she will obtain her happily ever after. But by entering into a marriage where neither partner truly knows each other better than anyone else in the world, it is only to be expected when Cleofilas’s husband begins abusing her for logical reason. The first time he hits her, she could not respond because she was in shock. In response, she only consoled her husband by rubbing his head as he cried “tears of repentance and shame” (Cisneros 1590). Still clouded by her fantasyland of romance novels and soap operas, Cleofilas holds onto hope for true love and a happy…
In each of the poems, both Medusa and the Duke of Ferrara represent the fickleness of power and how it fluctuates in daily life. Duffy’s manipulation of a paradox within ‘Medusa’ displays the extent to which power plays a part in the Greek myth of Medusa. The extended metaphor of Medusa with “filthy snakes” that “hissed and spat” creates an impression of aggression and physical strength. The sibilance of “hissed and spat” creates an onomatopoeic which helps the reader to conjure a vivid image as well as presenting Medusa as bitter and angry about her life. In addition, the use of dynamic verbs “spattered”, “shattered” and “spewed” show the raw strength that Medusa’s power gives her. However, the paradox is in that Medusa is so powerful that she traps herself and cannot have a real life as a young woman, finding love and happiness, further reinforcing her bitter tone. Her vulnerability is highlighted by the fact that she tells her partner to “be terrified” and that it would be “better by far” for him to leave her, evoking pathos in the reader. The final line “Look at me now.” is ironic in that as much as she craves interaction and wishes that someone could see beyond the mask and recognise her for who she is, no one can ever do that. This creates a sense of isolation, and the reader is sympathetic to her because of this. The Duke wields a different form of power in ‘My Last Duchess’; that of a political and social form. He views everyone as his possessions, particularly his wife, which is shown through the repeated use of the personal pronoun “my”,…
“The Murder of Regilla: A Case of Domestic Violence in Antiquity” is a novel written by Sarah B. Pomeroy describing the life of Regilla, a aristocrat of ancient Rome who married the plutocrat Herodes Atticus during the Atoine Age. The primary purpose of the book to review the events that led up to her alleged murder and accusations against Atticus.…
The elderly nature and religious background of Margret enabled the uneducated ladies to gain a greater understanding of how to cope and respond to conflict in extreme situations. The qualities shown by Margret when in adverse situations clearly reflect greater composure and internal strength, without fear of emotions overriding her actions. An example clarifying this is the words of Margret at the place of Wing’s funeral; the peaceful but meaningful words help ease the shock and pain they feel.…
This paper presents The Aeneid Vergil, a book translated by Sarah Ruden. It will mainly focus on the books 4 and 6, in which the principal character Aeneas experiences important events: love and its arrival to the promise land. This analysis will consist in identifying how fate has impacted Aeneas’s life since the beginning of his journey. Also, it will discuss on whether fate goes along with one’s happiness or contradicts it.…
In contrast a seemingly passive narrator is presented in ‘Porphyria’s Lover’, with his twisted reflection on the situation being prevalently more dominate, adding to the air of ambiguity about his character. Alternatively, his narration follows his internal thoughts as he “debated” and “listened”.…
Throughout Rime of the Ancient Mariner, two of the many literary devices can be found in abundance. The importance of similes and metaphors give a greater degree of meaning attached to a sentence and conveys what he wishes his readers to acknowledge The first simile I put a finger on was,“The harbor bay was clear as glass.” (Part 6, Stanza 17) As the Mariner reaches land, he notices a bright, beautiful bay and compares it to glass; smooth and clear. Next simile identified, “No voice; but oh! The silence sank like music on my heart.” (Part 6, Stanza 23) The Mariner sees apparent sailors approaching, but is unable to communicate with them, as though he is still in another world. Closure is sunk towards the Mariner and dead sailors. Last but…
Malouf begins his novel by demonstrating the overarching significance of death, and the emotional turmoil it causes, especially to those close to it. Achilles is first displayed not as a mighty warrior, as one would expect from The Illiad, but as a ‘man’, looking out to the shore, with his mind as ‘the most active part of him’. Malouf immediately signals his own interpretation of the text, as he details emotional transformations…
Publius Vergilus Maro (Octocber 15, 70 B.C- September 21, 19 B.C), called Vergil, is known as the Rome’s greatest poet and the father of many famous nation epics. His work has a wide and deep influence on Western literature. One of the best inspirational masterpieces of Vergil is “The Aeneild”, with the main character is Aeneas, a hero Trojans. “The Aeneild” is considered as a splendid seminal epic from ancient Rome to the present. Throughout “The Aeneild”, Vergil successfully describes many different characters; several of them are women, each with a unique perspective. Dido, the reader’s favorite female character, plays crucial role in Aeneas’ life.…
For example, both the first and the last line of the first (and most prolonged) paragraph of the passage, display the ironic situation of “The Millere, that for drunken was al pale,” (line 12) who wants to tell a story to “…quite the Knightes tale” (line 19). This paragraph illustrates the Miller through a variety of formal and rhetorical features. In the three lines that follow the first line’s description of his drunkenness contain a variety of calculated language patterns. For example, alliteration of the consonant “h” is used in the phrases, “his horse he sat,” and “neither hood ne hat” (lines 13-14). This alliteration gives focus to the his primary physical description. Also, the phrases, “nolde avalen neither” and “[n]e abiden no,” stand out because the repetition of the first consonants create an A-N-A pattern, that creates an auditory extraction of the phrases from their surrounding words (lines 14-15). Like the alliteration phrases, these stand out as a set to describe the Miller, as well as allude to the Miller’s selfish nature. Line 16 compares the Miller to Pilate, who according to the footnote, is referring to a “harsh voice associated with the character of Pontius Pilate in the mystery plays.” Here, the word Pilate could take on two meanings. The denotation of the word suggests the Miller having a harsh voice and implies the mystery about the…
Before taking a closer look on the identity of the protagonist and murderer, and having in mind that Oedipus the King is a very spacious and difficult to analyze play, including opportunities for discussion on quite a few topics, I have chosen to briefly focus on the dramatic irony used by Sophocles to disclose the characters’ identity throughout the play.…
ADMIRABLE is the preparation, so truly and peculiarly Shakspearian, in the introduction of Roderigo, as the dupe on whom Iago shall first exercise his art, and in so doing display his own character. Roderigo, without any fixed principle, but not without the moral notions and sympathies with honour, which his rank and connections had hung upon him, is already well fitted and predisposed for the purpose; for very want of character and strength of passion, like wind loudest in an empty house, constitute his character. The first three lines happily state the nature and foundation of the friendship between him and Iago, the purse,as also the contrast of Roderigo's intemperance of mind with Iago's coolness,the coolness of a preconceiving experimenter. The mere language of protestation…
Yet for the author, this seemingly senseless display is preferable to docile submission to the “close of day”. The son is seeing his father slowly wither before him, and he mourns the loss of vibrancy in the old man. Thomas knows that death is unavoidable, even “good”, but he does not concede that…