This case is about Groupon and LivingSocial, two organizations involved into the sell coupons business. Groupon is the largest and leader in the market; Living social is trying to catch up customers from Groupon. Groupon has more the 50 million subscribers and valuable in more than 6 billion dollars (turned down this offer from Google) instead Living social has 17 million members and the business is valuated in 1 billion dollars. One cause of this advantage is the success that Groupon had in 2010, when obtained a significant growth, in fact Groupon was in Q4 in 2009 and in Q1 in 2010.The rise was reflected in nearly all major sales per metric, from average buyers per deal (111%), average deal price (from 27,2 dollars to 38,36 dollars), average gross per sale (102 percent) and unique visitors (from 900 000 in September of 2009 to 3 000 000 in march 2010). In 2010 LivingSocial was the second group coupon site visited with a percent of 0,033 to 0,036 respects the first.…
The notorious drug war and wanton violence is taking over Mexico. The government and police seem to have no control over the situation as the drug cartels have the most power out of anyone in the country. However, there are a few who attempt to denounce the violence of the drug cartels that spreads across the country like a bloody wildfire through poetry, music, and painting. Javier Sicilia, a poet, denounces the drug violence that killed his son through his last poem and Marcos Castro painted a picture of the destruction of the Mexican culture and people, influenced by the lyrics from singer Lila Downs, who sang about death because of the drug trade in Mexico. Marcos Castro’s “La Reyna del Inframundo”, taken directly from Lila Downs’s lyrics, illustrates the control of violence over Mexico and its culture through the contrast between light and dark, referencing the battle between destruction and hope, shape, the spiral in the middle of the painting suggests a tornado of extermination, and scale and position of objects, namely the gun which exemplifies the emphasis on violence and death.…
1. In this picture the group responsible for it is called ASCO, their intended message was that they were trying to break away from the mold of Chicano muralist that just because they were Chicanos why did they have to paint murals, this action took place at LACMA.…
Orozco was, as an artist who chose "political commitment" such as Hidalgo, are themes that reflect change, tormented force and original expertise, tragedy and heroism that explain the Mexican history as well as defines a remarkable penetration that captures cultural or ethnic montage of portraits to his country.…
The mural art has progressed over time showing recent struggles, social issues, and to notify of the unity between the Chicanos and their country. The murals not only symbolize the Mexican Art but also are a public piece of art signifying the unnoticeable history and people. The most known muralists in the Chicano movement…
The demoralizing effects of graffiti are strengthened by the accompanying picture. The picture is dominated by disfigured tags and a suspicious looking man riding on a bicycle. This indicates a lack of consideration for the owners of the defaced wall. The ‘artistic’ elements of the graffiti are obscure and this suggests to the reader that the graffiti artists are not interested in how people perceive their work; hence they will continue to vandalize other properties at their own consent.…
“Painting isn’t an aesthetic operation; it’s a form of magic designed as a mediator between this strange, hostile world and us, a way of seizing the power by giving form to our terrors as well as our desires” this quote by Pablo Picasso allows the audience to delve deeper into his emotions and what has finally persuaded Picasso to enter the art world. Art reflects the social values of a particular time and place; this can be seen throughout many of Picasso’s artworks throughout time, and how he and his techniques have changed over the period of his career.…
Each form of art requires a specific skill set that takes time and practice to master. Whether the medium is watercolors, oil pant, or a spray can the artist must be able to use the medium to portray their message. Graffiti like any other…
For centuries, street art has been perceived all around us in subways, schools, building and even in the bathroom. Graffiti however, is a form of street art that most people are aware of and seen before. Graffiti is used as a form of expression for many young children all around the world, but society has many misconceptions regarding graffiti. People interpret graffiti as a form of vandalism and breaking the law, but it’s diverse style of art can create a beautiful way for an individual to express their emotions and bring other perspectives together. This form of expression is not a simple task to accomplish and yet it does not get the positive attention that it should just because society doesn’t understand the conception of graffiti. With…
Graffiti is the voice of the streets; an “underground” way of communication, though recently, it has become more mainstream. Some artists say it’s lost its meaning, and the newer artists are just in it for the money. ”It used to be about getting whatever was in your head out,” says SERVANT, another artist, “That’s what I want to bring back.”…
When graffiti first began to be done, it was very localized and homogenous. Graffiti was confined only to downstate New York. For example, in the documentary Style Wars one graffiti artist had been kept ignorant of graffiti while in upstate New York. When he came back to his home in downstate he was shocked to see this new form of art covering the trains “So when I got home I see writing on the train. I said ‘what’s this stuff here?’”. It was after seeing graffiti on trains that he decided to try it out himself. Graffiti was homogenous not in the sense that only a certain age group or ethnicity was doing it, but rather that all graffiti artists adhered to the same set of ideals when it came to graffiti. They all believed that graffiti was an art form meant for the artist, and that the more talent and creativity demonstrated in a piece the better. The wild, artistic type of graffiti that emerged from this ideal was later referred to by graffiti artists as ‘burners’. One young graffiti artist, Skeme, summarizes these beliefs in an interview with his mother “It’s a matter of bombing, knowing that I can do it... It’s for me. It’s not for nobody else to see. I don’t care- I don’t care about nobody else seeing it, or the fact if they…
This article breaks down the historical evolution, prevention method, and the stance of graffiti as art, as well as the voice to artists in the discussion. Iveson defines and discusses the idea of graffiti in both a historical and modern context. This source provides some bias towards graffiti and against the prevention methods targeting graffiti artists. This source provides examples and references to the changing prevention methods used to deter graffiti artists. For these reasons I will likely use this in my paper to define Graffiti and explore the methods of prevention historically used.…
From cave drawings to hieroglyphics to the streets of New York, graffiti and street art have made their marks as the most ancient form of resilient communication. Whether viewed through the lens of skeptics or supporters, the practice remains in the gray area of legality, despite it’s remarkable positive artistic and creative worth. Graffiti has many unsung beneficial traits, and encompasses an entire urban culture, as is highlighted in The New York Times article “Writings on the Wall (Art is too, for Now)” by Robin Finn.…
The artists use graffiti as a way of expression to society. They want to show the world reality and they want people “to acknowledge the absurdities of closely held preconceptions” (Kakutani) of what can and can’t be art. People deserve the freedom to show their beliefs in any perspective they choose. It’s the loss of the stuck up art critics of the street “who see graffiti solely as vandalism and urban decay” (Davich) when it is much more than mere child’s play and mischief. The transition from “gang related origins and a vandalism-pock marketed reputation” (Davich) to something’s that can be viewed as a form of restoration and new beginning is a…
The reasons and values for why one might engage in graffiti art are as varied as the artists who produce it. A chief reason is the prospect of fame and recognition of one's artistic talent. Graffiti is also a form of self expression. The art as "writing" is a creative method of communicating with other writers and the general public. What it communicates is the artist's identity, expression, and ideas. Judgments are based solely on one's artistic ability. This type of communication is of value because it links people regardless of cultural, lingual, or racial differences in way that nothing else can. In addition, producing graffiti art with a crew builds team work in that the crew works together for the accomplishment of a common goal. The feeling of this achievement in league with others is of value to the artist…