Richard Wilbur presents a peaceful and enchanting image of a meadow going through the natural changes of the autumn season. Not only does he allude to the peacefulness of nature but also the subtle changes a person goes through such as personality, physical, and emotional. Wilbur compares the beautiful changes the meadow undergoes to how “a forest is changed / By a chameleon’s tuning his skin to it,” revealing the uninterrupted natural order of things and the fine tuning people do every day to become the person they want to be. The peaceful connotation brought on by many phrases such as “Queen Anne’s Lace lying like lilies,” “wading,” and “glides,” reveals the unity and accord that nature has and experiences.…
First, the speaker opens the poem by saying “In this country there is neither measure nor balance” (l.1). This has a negative connotation and is the initial expression of how the speaker uses diction to display negative feelings to society. Another negative connotation is when the speaker calls the clouds “man-shaming” (l.3). The speaker also refers to people as “trolls” (l.6), insinuating that people are slaves to society. These negative connotations are directed towards the mundane city life with it’s “labeled elms” (l.9) and it’s “tame tea-roses” (l.9). Another portrayal of the speaker’s mockery of society is the use of sound devices. This is important when considering the diction because the plosive sounds give the reader a subconscious understanding of how the speaker feels. For example, the word “gesture” (l.4) presents the naturalistic view on how insignificant people are in comparison to the clouds. As seen in line six, “trolls” also is used for a sound device coupled with negative connotations. Another example of coupling plosive sounds with negative connotations would be “Public Gardens” (l.7). The plosive sound devices are purposefully placed by the speaker to create a more apparent dissatisfaction in his diction. More often than not the speaker makes blatant statements towards the harsh and confining life in the city. By stating “one wearies of the Public Gardens” (l.7) the speaker is deliberately pointing to the civilization’s tedious lifestyle. In line 17 the speaker says “It is comfortable, for a change, to mean so…
Nature is key to many aspects of life; one could even say that it is needed for survival. Humans were meant to interact with nature, so it is beneficial to periodically connect with the world. When analyzing the two writing pieces, Fahrenheit 451 and “Nature”, one can discover how Montag’s journey into nature reflects the one depicted by Emerson, and how there is “an occult relation between man and the vegetable” (Emerson). While applying what is known about Montag and his venture into the world around him, it resonates with Emerson’s explanation of nature. Both pieces of writing exemplify how nature is a safe place, and that everything in the world that is abysmal just becomes lost in the beautiful scenery.…
This is a brief section of the book that really goes into the detail of what the landscape looks like. It is an intense description of how desolate the landscape really is. It talks about charcoal trees as if they had been sketched across the land. This excerpt from the book is a great example of imagery and how it lets the mind depict how the landscape looks.…
For the early romantic writers and artists who first began to celebrate it, the sublime was far from being a pleasurable experience. The classic description is that of William Wordsworth as he recounted climbing the Alps and crossing the Simplon Pass in his autobiographical poem “The Prelude.” There, surrounded by crags and waterfalls, the poet felt himself literally to be in the presence of the divine—and experienced an emotion remarkably close to terror:…
Stretching in pensive quietness between; The vernal woods--rivers that move In majesty, and the complaining brooks That make the meadows green; and pour'd round all, Old ocean's grey and melancholy waste,-- Are but the solemn…
British poets during the nineteenth century, a period of great social, economic and environmental change, experienced an astounding shift in poetic style, in which many based their work on the ‘beauty’ of their surroundings, and how mankind affected this. Of this period, two of the leading nature poets in British literary history, Gerard Manley Hopkins and William Wordsworth became known, renowned as great figures in British literary history. Both adopted a ‘sacramental’ view of nature, that is they saw beyond the obvious features commonly associated with the natural world such as phenomenal features of the landscape. Writing during the Industrial Revolution, both poets considered the divinity and holiness at a deeper level and found that the world was imbued with spiritual influence. Not only did this event change their perception on a spiritual level, it also affected their general tone and outlook on life, which is evident in the way the poets write. In God’s Grandeur and The World Is Too Much With Us, the Petrachan sonnet form is used, a conventional style which became popular among English poets, in that they felt they could be more expressive using the Italian form, rather than the typical Shakespearean style. In this, they exploit the typical use of an octet or the first eight lines principally develop their argument or concern, while the sestet or the final six lines focus on the proposed solution offered by the poet.…
As one encounters dramatic experiences, the impacts those create may significantly alter that way in which that person views his surroundings. In Cormac McCarthy’s passage from his novel The Crossing, the main character is challenged with major obstacles that come to change his opinion of nature and its doubtful peacefulness. By employing techniques such as selection of detail, religious symbolism and sublime imagery, McCarthy paints the tragedy which has impacted the protagonist by infusing his journey with the presence of biblical elements as well as incorporating his longing for repentance and mourning. With the aid of such techniques, McCarthy identifies the protagonist’s underlying gratitude and respect for powerful, majestic creatures unlike himself while revealing his realization that nature’s serenity has the ability to destruct.…
Encompassing the commonalities between individuals while revealing both the ‘beautiful’ and the ‘terrible’ aspects of humanity, the Human Condition illuminates the ontological journey of the search for purpose and identity. However, comprehending the nature and scope of life in itself presents a challenge; outlining that understanding is crucial to the development of the self. Robert Frost explores all aspects of humanity, good and bad, by determining the effects of urbanisation through his ballad Stopping by Woods on a Snowy Morning, rejecting technological development as a necessary advance for humanity. This extends to his examination of the realisation of the fragility of human life, in his dramatic poem Out, Out the recount of a young boy’s gruesome death. Frost’s ideas are reiterated in Sean Penn’s drama film Into the Wild, which exhibits both the fragility of life through Christopher’s unwitting journey to death and the rejection of industrialisation resulting in his impetuous plunge into nature. Ultimately, these texts serve as searing examinations of the totality of humanity, revealing the complexities of the human race.…
The poem ‘Driving through Sawmill Towns’ describes the people and the scenery of a rural town. In the poem, Les Murray writes from the perspective of a person driving a car through a rural town. Throughout the poem Les Murray uses imagery such as ‘glide’ and ‘speed away through the upland’ implying the elite are people who don’t pay attention to or care about the countryside. In the poem, Les Murray purposely slows down the pace of the poem so that he could describe the town in more detail and to let readers see it in the way that the ‘elites’ never would. Les Murray successfully creates this slow pace through the use of words and alliterations such as ‘trickle, distant, calendared kitchens and tilting road’ which all emphasise the slow passing of time. Throughout the poem Les Murray describes the country as a place which is living through imagery. For example, “a little sidelong creek alive with pebbles”. Personification is also apparent in the text, which contributes to the liveliness of the country. These include “the houses there wear verandas out of shyness”, “the half-heard radio sings” and “as night comes down, the houses watch each other”. With the combination of these word techniques, Les Murray creates a tranquil image of the rural town.…
One of the finest qualities in most of Frost's poems is the liberal use of nature for setting. Along with the use of seasons for backgrounds, he also utilizes trees and leaves to transfer human feeling onto them. Frost delivers his poetry in the easily comprehensible, conversational style of New England inhabitants of the twentieth century. The use of simple English metrics is admirably suited to the subjects and themes Frost presents.…
Within “Stopping by Woods on a Snowy Evening”, the narrator illustrates the surroundings with such clarity; the reader could almost feel like he was standing in the woods with the speaker. The narrator expresses the solitude of the woods by commenting “To stop without a farmhouse near” (6). They illustrate for the reader that they are between the woods which are “lovely, dark and deep” (13) and a lake that has frozen over with the arrival of winter. The only sounds the narrator hears, other than the shaking of their horses harness bells, are the wind and snow falling. This strengthens the poems tone of isolation within the surroundings, as well as the narrator.…
In this colorful and passionate essay, "Down the River", Edward Abbey depicts nature as a mysterious and majestic place in order to encourage his open-minded readers to embrace all that it has to offer. He also expresses how both nature and our everyday lives are very similar in that they are mysterious and only understandable in small fractions. His tone of admiration leads the reader to recognize that we as humans tend to not see the reflection of mankind in nature; therefore we stunt our ability to fully appreciate and experience its mystery and beauty. His use of parallel structure and imagery provide the reader with a multitude of reasons to appreciate and adore nature.…
The playful boy in Birches is imaginary, he represents a younger version of Frost himself. The boy enjoyed swinging on the trees by “riding them over and over again / until he took the stiffness out of them”(30-31). This visual image illustrates the victory of the poet in moving to his own imaginary world where “you’d think the inner dome of heaven had fallen”(13). In a study guide on Birches, it is claimed that “this line (13) signals the beginning of a retreat from reality” (Poetry for Students, Vol. 13). In addition, comparing the birches in the ice storm to “girls on hands and knees that throw their hair” (19) symbolizes the captive position of the speaker who is getting older as the Birches, year after year. Even though the poet feels free when he is a swinger of birches, he reached a statement that “Earth is the right place for love” (53); climbing the trees and knowing about coming back again is an example of escape and transcendence towards heaven. Identically, the speaker in “Stopping by Woods”, is watching “the woods fill up with snow” (4), the “frozen lake” (7) in an unfamiliar location. With a feeling of sadness, he wants to keep on contemplating the nature but many objects prevents him to do so; the farmhouse in the village where he belongs and the confused little horse. In fact, the speaker concluded in that wintery location that his horse must thought it was strange to stop there, so the animal shake his harness bells. Frost, in this image creates an auditory imagery to explain the soothing silence that made the speaker fleetingly forget about his…
The child’s imagination allows them to form an intense bond with nature. In Tintern Abbey, Wordsworth has several boyish encounters where his emotions are prime as opposed to intellectual endeavours. As a boy, he thought of and imagined the mountains and woods. Their appearance manifested to him as “an appetite” or “a feeling and a love” (line 80). These raw emotions, which Wordsworth experiences is not due to external influences but because of the child’s imagination. Having “no need of a remoter charm” (line 81), nature appears to Wordsworth solely based on his youthful imagination and senses. It is an ecstatic exchange, in which all of nature seems holy and sacred to Wordsworth. This allows him to immerse himself in nature and truly become one with it.…