In the play, Lysistrata, the women of Athens learn of Lysistrata’s plan to withhold sex in an effort to bring her husband back from war. The Athenian women decide to unite and implement Lysistrata’s plan in an effort to regain their own husbands and sons. In Aristophanes’ work he demonstrates his view of women as being cunning and resourceful beings yet at the same time comedic without even trying: The women make meeting to conspire plans, the women make themselves luscious to attract the males of the community, and the women work together as one to achieve a common goal. The Athenian women are seen by the males of the Greek society as stay at home mothers: cooking, cleaning, and offering sex. The stay at home mother is not considered to possess the…
‘Women’s roles are often tokenistic in dramatic comedy.’ To what extent do you believe this to be the case in relation to the play you are studying?…
Perhaps the most visible example is that of Dionysus as the ‘stranger’ who visibly is feminine in appearance. Pentheus’ reaction to the stranger seems to be a conflict of hyper-masculinity against – his very first words to the strange are “you are attractive” (Euripides 172.453) followed by a series of complimentary jabs at his masculinity. Pentheus’ seemingly contradictory response to the stranger – part compliment and part disgust – could be seen as a paradox of hyper-masculinity – whilst he denotes the stranger for his effeminate features such as his “fair skin” (456), he does so in a way that could be viewed as sensual as could be inferred from his reference to Aphrodite . In fact, his frequent reverting to concepts of sexuality (especially when relating to the Theban Bacchae) could be argued to indicate a contrast between the supposedly ‘rational’ men and the lustful woman being somewhat inverted to highlight the dangers of attempting to remove the feminine. The cross-dressing chorus may also have served to juxtapose gendered values and the “problematic relationship between the exclusively male community of Athenian citizens and the ‘tribe of women’ who are simultaneously insiders and outsiders”…
Recently I had the opportunity to attend to a Greek comedy called the lysistrata at Whatcom Community College. The show really connected to similar themes in our curicculum of IDS 161. In the opening scene of Lysistrata, it enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this clichéd, housewife character. Lysistrata is not only angered because the women won't prioritize war and the peace of their country, but she is ashamed that the women won't stand up to the stereotypes and names that their husband's give them. Lysistrata tells Kleonike, "I'm positively ashamed to be a woman", and Kleonike proudly admits, "That's us!" As the play procedes and lysistrata puts her mind to work, she requests that the women use their attractiveness to make the males want them sexually, Lysistrata encourages the women to play to their stereotype and exploit the sexual, idealized female. Like a man, with her plan for a sex strike in mind, Lysistrata examines women for their sexual potential.Therefore, women not only begin to see each other with male…
“Men are free to roam outside, but the women must stay inside.” (Unknown Athenian), this was true for most of human history, and Ancient Athens was no different. However in Ancient Sparta it was much different from the rest of Greece, and for that matter a majority of civilizations. Usually when people think of Athens they think of the Golden Age of Athens (480-322 B.C.) and think that men and women are prospering throughout Attica and it was more like the Roaring 20s of the 20th Century. And when people think of Sparta they see a society hell bent of taking over Athens and crush anyone who stands in their way. In either case nobody really takes much time to ask what were the women doing during this time period…
Have you ever wondered what the roles of Athenian men, women, and children were? Well, let’s start with the role of men. The men were into politics, and public events. The Olympic games were for men only, and while the men were entertained, the women were expected to stay home and watch the children. In Athens, pale skin was in style for women, showing that they were wealthy enough to stay inside while the men were in public. Next, let’s talk about the role Athenian women. The wealthy Athenian women were inside most of the time, while the men were outside dealing with the public. While they were inside for the whole day, they took care of the children, watched the slaves, prepared the meals, they sewed items like clothing, blankets, and more.…
Response to Question 4 After reading Judith Butler's quote, what I think she is essentially saying is that drag is when one gender dresses and acts like the other; copying the characteristics of that gender. Drag is typically the "male" emulating an overdone "female,” almost satirical. It is not done out of spite but rather as a celebration of both genders. She also touches upon the fact that gender is nothing but an impersonation. Our gender is ultimately decided by how we act, dress and live our lives.…
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.…
Each of the sources suggests certain aspects about the roles that women played in Ancient Greek society. Three things it suggests about women are that not all women were of the same social status, women were generally used as slaves or laborers, but were still a vital part to Grecian society.…
In many literary works from the times of the ancient Greeks, women have played a relatively minor role. This is particularly due to how women where viewed during this time period and in this particular culture. In the stories the Odyssey and Orpheus and Eurydice the female characters are examples of how women were expected to behave during the time period.…
There are common issues explored in The Bacchae by Euripides and As You Like It by Shakespeare. These issues include gender roles within certain places. In both plays women and men are assigned roles for which they are expected to respect and live by. Men are highly respected and viewed as the dominant beings. They are the ruling voice of society. Women are depicted as weak and inferior. They are categorized by gender; men are masculine while women are feminine. However, within these plays every gender stepped out of their role. In The Bacchae the men used cross dressing to portray woman. On the contrary Shakespeare used the women to represent men in As You Like It. Gender defines your social status which keeps order within a place.…
Gender Roles varied a great deal in both Greek and Rome. In Greece, the gender roles were defined differently then how Rome defined them. Men were treated differently then the women, in both cultures. Women were more or less the keepers of the house and to tend to the slaves and make sure everything ran smoothly; whereas the men worked and tended their people that they ruled over. The men in Greece and Rome had more freedom then the women of that time, meaning they could come and go as they please; whereas the women were kept sheltered.…
Women in Athens were different than Spartan women. But how is this so? Women in Athens were disrespected as a person and served only a few purposes to the community. Athen’s city-state suggested that women were either slaves, prostitutes, or straight up slobs.…
Women’s weren’t allowed to be playing a woman role for the plays because others thought it wasn’t very “lady like”. Women who wanted to act was seen as a very low job for them and what society wanted for women is to be at home taking care of their family and be obedient. Also, women couldn’t even be part of being on the Elizabethan theater stage because they were very poorly educated, So they wouldn’t be able to know what to do. Women didn’t had that much many rights back then, Men had more freedom through that time, for women it was very limited. Older women who decided to be acting on stage would shave their heads and make sure no one finds out about…
In this assignment, intertextuality will be employed to analyse drag performance and culture. Intertextuality was first introduced by the French semiotician Julia Kristeva in the late sixties, and describes how texts can be understood with references to other texts- often associated primarily with poststructuralist theories. Kristeva referred to texts in terms of two axes: a horizontal axis connecting the author and reader of a text, and a vertical axis, which connects the text to other texts (Kristeva, 1980). Uniting these two axes are shared codes: every text is dependent on prior codes. The continuous interplay between these texts and codes defines the cultural context in which meaning is communicated.…