When the word “JUDEN” had finally been plastered onto the window of their bakery, Blima knew that her life was about to change forever. This book is called The Story of Blima: A Holocaust Survivor. The Author of the story is Shirley Russak Wachtel. The book is a true story of Blima’s experiences as a young, Jewish girl in Germany. She was taken to a concentration camp. Before the Storm is all about Blima’s life before she was taken, Darkness Falls shares Blima’s story of the horrors she experienced at the concentration camps, and Daylight is when Blima is finally reconnected with some of her loved ones and her life begins to turn around for the better.…
“Janie defines sexual communion through the natural process of reproduction—specifically through the image of a “pear tree soaking in the alto chant of visiting bees” (11). In contrast to this image, Nanny, Janie’s grandmother, forces her into a marriage with Logan Killicks, an old man with a home and sixty acres” (Miles…
One thing the movie tries to teach us is the struggle to come to one’s sexuality, Sometimes in life one’s sexuality is harder than we think. In the movie, “The History Boys”, the film showcases this reality in two different viewpoints. The first viewpoint would be through the perspective of a teenage boy. The teenage boy, Posner, exemplifies this quality by simply living in a world of social awkwardness while theoretically becoming a man. The second viewpoint would be through the perspective of an older man. In the story, two older men named Hector and Irwin reproduce this lesson by both repressing their desires due to social norms. One represses himself by touching inappropriately boys, while the other stays in silent. Both of these men…
This analysis will examine the following focal points, panopticism, scoptophilic instincts, and visual pleasure. First, the analysis will examine panopticism in relation to embedded “secret politics” within the film, The Day I Became a Woman. Second, the analysis will compare both scoptophilic instinct with visual pleasure.…
Documents A and G both show a side to society that was quite unheard of before the Roaring Twenties: women acting “unladylike”. Document A is a cigarette advertisement from the 1920’s, showing a woman in a skimpy flapper dress claiming the attention of a young man. The slogan on the ad reads “what is more irresistible than Murad?” Document G spectacles a scandalously clad woman, a flapper. The woman’s dress is sleeveless, and is short enough to show her knees. Both illustrations show how women were beginning to escape the shadow of their husbands, and to defy the standards that society had trapped them in for generations. Women were fed up with being the quiet, subdued housewife and were ready to make their mark on the world, no matter what it took to do so.…
Both authors examine how socially constructed concepts of gender and sexuality have brought forth a society that actively resists a part of their culture that is strange and does not fall under existing stereotypes that have been deemed normal. The reactions by the dominating culture to the new culture are repeated in both authors’ works: the vehement disgust and rejection of the new culture (the Spacers, or women-impersonating aliens) by the dominant culture. They present their argument through the medium of science fiction, which as mentioned in the introduction, gives an author the opportunity to manipulate pre-existing concepts into a new and unique way without causing an uproar within society. Instead the individual reader has the right to determine if the ideas presented in works of science fiction are purely fantastical or have some merit in real…
Latham, Don. "Melinda 's Closet: Trauma and the Queer Subtext of Laurie Halse Anderson 's Speak." Children 's Literature Association Quarterly. 2006. Web. 28 Nov. 2011. .…
Joyce Carol Oates’ “Where Are You Going, Where Have you been?” is a coming-of-age short story that depicts the virtually invisible barrier between adolescence and adulthood. Connie is a feisty fifteen-year-old girl that doesn’t intend to ride in the backseat for the duration of her younger years, unlike her older sister June, who her mother tends to favor throughout most of the story. Her mother causes most of the friction in the house between the two, mainly because “[e]verything about [Connie] had two sides to it, one for home and one for anywhere that was not home” (Oates 552). One critical attribute Oates gives Connie is her undeniable infatuation to sexual curiosity and her willingness to explore. Oates paints Connie identical to average…
[iv] Kern, Louis. An Ordered Love: Sex Roles and Sexuality in Victorian Utopias. Chapel Hill: University of North Carolina Press, 1981.…
The young single working women experienced time and labor similar to men’s rather than married women’s. They needed to, as Peiss puts, “carve a sphere of pleasure”, out of daily life in the harsh conditions of the shop floor and the tenement. These young women found pleasure in dance halls, amusement parks, and movie theaters. The young women were not content with recreation at home so they went for “organized entertainment”. Dressing up nice, strolling the streets and staying late at amusement…
There are numerous symbols in the story; I’m sure I missed some of them, so add any of significance that I unintentionally omitted that you would like to discuss. I’ve listed symbols in alphabetical order.…
In part three, The Leaky South, Courtney investigates the impact of Tennessee Williams and the Hollywood adaptations of his works on the formation of the image of the South as a “leaky” place with people who are psychosexually in crisis in 50s and 60s. Through a close reading of the movies A Streetcar Named Desire and Baby Doll, Courtney argues that such films define a specific model of gender and sexuality according to geographical codes of identity. This model, shows the complete decay of dream-like version of the Old South with its Big Houses and plantations, specifically depicted in Gone with the Wind, completely ignores the racial conflicts happening in South at the time and replace it with a new version, which describes South as a leaky…
Lydia Maria Child makes a strong point when she speaks of how men objectify women in literature and base women’s value on how much the women’s beauty appeals to men. The objectification of women that Child speaks out against is quite apparent within the selected paragraph from James Fenimore Cooper’s work The Pioneers. Within just the description of Elizabeth that Cooper narrates from the viewpoint of Remarkable Pettibone, a reader will note the issues that Child mentions.…
To some the 1950s were a time of post war bliss and happiness. At the close of the Second World War the United States was in a state of economic high. Suburbs were becoming a social norm and the number of babies being born in this year went up by 215 percent. The United States was the world’s strongest military power and the fruits of prosperity, cars and new technology were available to more people than ever. Although the 1950s weren’t all poodle skirts and Elvis, in some parts of the country different minorities like women and various ethnicities felt a strong power of discrimination. In A Street Car Named Desire, one very popular play in the 1950s, portrays the relationships of men and women and the differences of expectation versus reality. In the play a Streetcar Named Desire, Tennessee Williams attempts to convince his audience that 1950s American society is conflicted based on gender roles, societal behavior expectations comparatively, and how Blanche and Stanley fit into these sociably acceptable roles.…
Sexism, Womanism, sexuality and male dominance in Alice Walker’s The Color Purple and By the Light of My Father’s Smile…