The most widely-used and accredited outline of the hero’s journey was created by Joseph Campbell in his The Hero With A Thousand Faces. Campbell, a seminal figure in the world of mythology, plots out the points through which every heroic character of literature has trodden. The women of film noir can be found to place their feet in these holes. Taking one for example- the quintessential femme fatale of Double Indemnity, Phyllis Dietrichson. According to Campbell, the hero begins in the ordinary world, then has a call to adventure that brings him to the extraordinary world- he may rejects the call and has to ask a mentor for assistance. After this optional meeting, the hero crosses to the threshold of the extraordinary world, then descends into it where he finds tests, allies, and enemies. After this, he approaches the innermost test, after that is the ultimate boon- when he has succeeded. After this, any of a few stages may happen, but the hero sometimes comes to an untimely death after they return to their home, or otherwise comes to a feeling of failure (Campbell.) Phyllis starts out as a typical married woman, and the call of money brings her to the realization that it will be necessary for her to kill her husband in order to collect his life insurance money. She finds an ally in Neff, an insurance adjuster who agrees to help her kill her husband and scheme the system in order…