Although Tom regards this as a mask of religious identity (pg. 256), he fears racial, not theological conversion. No longer would he have the face that would allow him to live freely in both American and European society. He begs the …show more content…
tattoo artist to take his arm, but to leave his face untouched (pg. 260). Granted Tom relished the privileged paradise, the prospect of having his white skin marked by ink would permanently take away his freedom.
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By reading Herman Melville and Fredrick Douglas jointly, we are bound to think about the social space both men shared.
Although there was never any explicit reference by one another, there is much evidence that Melville and Douglas influenced each other. In 1845, Douglass was delivering antislavery lectures, and passages from his Narrative were being reprinted in the Evening Journal at the same time that Melville was writing Typee (Kane). Also in 1848 Douglass reprinted a passage from Melville’s Typee, titled “Tattooing,” in his newspaper the North Star (Kane). This reprinting may have led him to ask after Douglass and conceivably seek out his
autobiography.
Kane, Brian. "INTRODUCTION." Journal of Music Theory 54.1, CAVELL'S "MUSIC DISCOMPOSED" AT 40 (2010): 1-4. Web.
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1. Tommo does express sympathy for the “savages,” while criticizing the missionaries’ attempts to civilize them. On the other hand, he eventually forgets the Typees kindness and condemns their ‘true’ culinary behavior. He is faced with a marking and is terrified of being absorbed into native society. Is the tattoo a mark of transgression for Tommo or is it something else? What is the importance of tattooing in the Typee society?
2. Does Typee reinforce or challenge racist assessments of Pacific culture?