Both Nash Kevanyu and Liselle Sant response to the short story “The Yellow Wallpaper” written by Charlotte Gilman, sheds light upon the symbolism and underlying theme displayed in Gilman’s story. In fact, both essays share common ideas regarding the theme of the story. The common idea that both essay writers have is that the architecture of the house represents some sort of oppression or way of thinking that women are held up to. In Kevanyu’s essay, he describes the wallpaper as being “a mould into which all women are supposed to fit”.…
Hospitals often elicit surprising emotions from incoming patients; feelings of dread, mortality, and a loss of control. These emotions come contrary to the goal of a hospital: to heal, to help, and to provide a general sense of positivity. Of course the former emotions are valid, but they are seemingly over-dramatic with the goal of a hospital kept in mind. The author of this account carefully crafts his writing using diction, strong details, and a specific tone, to paint his hospital visit in a negative light, and to remind us all of why hospital visits are so terrifying.…
The narrator and her doctor husband, John, have leased a house to those mid year thereabouts that she might recover from a “slight insane propensity. ” In spite of the storyteller doesn't think that she is really ill, john is persuaded that she will be enduring starting with “neurasthenia” Also prescribes those “rest cure” medicine. She may be limited with cot rest for a previous nursery room and will be taboo starting with attempting alternately composing. The spacious, sunlit space need yellow wallpaper – stripped off clinched alongside two puts – with An hideous, riotous example. The storyteller detests those wallpaper, Anyway john declines will transform rooms, contending that those nursery is best-suited for her recuperation.…
Charlotte Perkins Gilman’s story of a woman who goes mad while fixating on a bizarre wall-covering has been used as an early example of post-partum depression. In the latter part of the 1800’s women were seen as inferior subordinates to men who could not be trusted due to the effect of the female organs on their brains. The narrator is almost certainly a victim of the lack of medical knowledge of the day, while the prevailing attitudes in the medical field of women as childlike and the social pressure of male domination contribute to the narrator’s illness. The husband’s role as spouse and physician enable his benevolent manipulation of the narrator by isolating her and removing her societal roles as wife and mother in an effort to help her cure herself of her hysteria. Placed in a vacuum of selfhood in which the nanny and sister-in-law are allowed to usurp her identity, she is left no other choice but to create a new existence using the unhealthy stimulation of the yellow wallpaper.…
The demoralizing effects of graffiti are strengthened by the accompanying picture. The picture is dominated by disfigured tags and a suspicious looking man riding on a bicycle. This indicates a lack of consideration for the owners of the defaced wall. The ‘artistic’ elements of the graffiti are obscure and this suggests to the reader that the graffiti artists are not interested in how people perceive their work; hence they will continue to vandalize other properties at their own consent.…
The short story, “The Yellow Wallpaper” by Charlotte Gilman, concentrates on the narrator’s deep depression and her struggle to get better. The narrator spends her summer vacation confined in a nursery on the top floor of a mansion. This is in an attempt to cure her illness by her husband John, who is a doctor. The room has barred windows on all sides and yellow wallpaper with “sprawling flamboyant patterns” (514). The narrator at first is in disgust with the wallpaper and thinks it is an artistic sin. Then with nothing to do, and her imagination running free, she turns her imagination onto the wallpaper. She uses the wallpaper as a form of entertainment and tries to figure out the pattern. The central symbol of the short story is the wallpaper. The meaning behind the wallpaper represents the narrator’s entrapment and her struggle with depression. This essay will describe her descent into a maddening depression in a chronological manner.…
On a humid summer day in Chicago, my family and I decided to take a long journey to visit my distant family/friend in the Upper East Side of Chicago. Although, the car ride seemed peaceful and smooth, little did I know this was a journey to the most horrific town I’ve ever seen.…
In “The Yellow Wallpaper”, Charlotte Perkins Gilman skillfully uses a simple wallpaper to display as a symbolic reference to the domestic lifestyle many women live on an everyday basis. The main character Jane is depicted as a sickly housewife who has been ordered to bed rest by her husband John and is slowly loses grips with reality in the fantasy of her “Yellow Wallpaper”. During the story Gilman allows Jane to share with the audience through a journal her everyday life, which consist of her being confined to a nursery painted yellow. Throughout the story Gilman displays the wallpaper through a variety of analytical symbolic ties to the struggle of subordinate domestic housewives.…
Ending his piece, Grey argues that it is ‘us’ that will have to pay for when these ‘reckless’ teens require a rescue operation due to their ‘inexperience’. Inclusive language is used such as ‘we’ and ‘us’ to appeal to the reader’s hip pocket. This last argument provokes a sense of anger in the readers, that they will have to pay for such exhibitions due to young people’s…
The Yellow Wallpaper” is, on its surface, about a woman driven insane by post-partum depression and a dangerous treatment. However, an examination of the protagonist’s characterization reveals that the story is fundamentally about identity. The protagonist’s projection of an imaginary woman — which at first is merely her shadow — against the bars of the wallpaper’s pattern fragments her identity, internalizing the conflict she experiences and eventually leading to the complete breakdown of the boundaries of her identity and that of her projected shadow.…
Instantly shocking readers with a large bolded title reading “Driving the Highway from Destruction!”, Hart claims that there is indeed a growing trend of unsafety on our roads. By using the word “destruction!” with the commanding exclamation mark, the writer not only draws our attention to extract a sense of immediacy, but more importantly it implies an apocalyptic image which is indeed, responsible for the “road deaths among young drivers”. By affirming that she, “like many other drivers”, have become cognisant of such a contentious issue, the writer unintentionally implores readers to step up and join her as she places herself and her stance on the issue on a higher moral ground. Complementing this idea is also the centered graphic. Depicting hazardous signs which are all too common to drivers, the image attempts to evoke a sense of responsibility in viewers. Portraying an array of safety signs, the triangular warning of pedestrians in similarity with the octagonal sign commanding for drivers to “STOP” invokes in readers an obligation to take greater care when driving. Furthermore the use of the image is then augmented further, as by placing the cumbersome image in the middle of her article, the writer suggests that these signs cannot be…
Although an analysis of Frazier’s photograph and the artistic elements she manipulates can be made without any background information, the viewer’s understanding would be enhanced if certain points were brought to light. In regards to her mother’s condition, she suffers from cancer, migraines, and seizures. With this information, I began to believe the building on the left was the aftermath of an earthquake, and was placed beside a picture of Frazier’s mother to symbolize her medical history of seizures. It was only after I looked into her the significance of her hometown to her artwork that I fully understood what Frazier wanted to relay all along. The building on the left was the remains of Braddock’s main healthcare facility. This photograph opened my eyes to injustice and inequality faced by many like Frazier and her family and also contributed to my appreciation of this…
Although, some people might think the pedestrian image manipulatives and deceits. Some people might think that because the image shows a stroller knocked over with the message “I was looking out for other cars. I didn’t see the mother and child in the crosswalk.” The image deceits because it unclearly depicts whether someone was injured. The image might manipulate someone by making them feel irresponsible. However, this image showcases a more civil and effective image than a manipulative and deceptive image. The image relates to ordinary citizens concerns about hitting someone in the street while driving. The image would then make drivers more aware to stop for pedestrians.…
This report anticipated findings of majority of users surveyed would hold a greater knowledge of safer practices within this growing subculture. These findings suggest the PIEDs communities are under equipped with an awareness of harms and issues associated with their current practice and while admirable they actively seek information to protect their health. However are misguided in their approach to where they seek this information which is often unreliable and inaccurate which places this community under threat of unintentionally engaging in risky behaviours.…
" We can, and we should, express our passions, take ownership of our space, and create displays of honesty. So the next time you see an image on the street, think about what it's saying. And think about what you want to say. Then get a can, or a brush, or a sticker, or something, and go say…