The story “Woman Hollering Creek” is about a woman named Cleófilas, a lover of telenovelas, who married a man named Juan Pedro Martínez Sánchez. At first, Cleófilas thought her life would be perfect and follow the same structure such as the telenovelas she watched once she married a man. However, it was the exact opposite because she had married an abusive man who would cheat on her. When she was taken to the hospital with her second child, the nurses saw the signs of abuse and one of the nurses, Graciela, called her friend Felice to take Cleófilas back to Mexico to her father. As Cleófilas was on her way, she was fascinated by Felice and made her happy to be away from her husband.…
Miggles soon appeared at the house, breathing hard from running home. She introduced herself and explained who Jim was. She offered to feed the guest and everyone was willing to do their part in preparing the meal. Miggles began to tell how she came to know and care for Jim. He was someone she knew back six years ago and he spent plenty of money on her. One day Jim sat down on the sofa in Miggles room and he was struck with this illness and he’s been that way ever since. She was once a saloon girl but moved to the outskirts of town where the traffic and visitors are at a minimum.…
This memoir also examines the emotional and physical damage Pa causes for Lac Su. First, when he notices that Su steals money from the piggy bank, Pa whips Su as soon as they get home. Second, Pa forces Su to take all his clothes off until Su is completely naked. Next, Pa throws Su out in the crowded street to let him feels ashamed even though he insists Pa not to and cries.…
She works in a garden and farms and cultivates just as well as a man and never fails to amaze her husband of her skills. The story starts with her husband asking her to go into town for a nice dinner date night after he goes into the hills with their sun to look for some steers. As her husband goes off with the son, a stranger comes along their ranch and seeks for directions, as he is lost. His wagon cover reveals that he is a repairman for scissors, pans, and all other sorts of tools. He strikes a conversation and seems to be extremely interested in Elisa. However, there is slight tension within their conversation because it is obvious that he is looking for work to feed himself for the night, but she does not want to give in to his marketing scheme. He advertises that he can make any old tool or pan look brand new and it will be of an advantage to Ms. Allen; it is not until he asks for her chrysanthemums as a gift to an old lady friend down the road that Elisa begin to loosen up. Flattered by his praise to her planting work and feeling as if she should owe him something, Elisa digs out some old aluminum stove pots for him to fix. As he is repairing them, she asks him about life on the road and shows that she would love to live like a man despite his comments that it is dangerous for a woman to live like him. She pays him fifty cents and jokes that he might be coming along some new competition on the road because she too, can ring out the dents of any pots and sharpen scissors better than anyone else out there. They say their farewells and Elisa begins to get ready for dinner. She showers and…
She is a married woman that didn’t like her husband. That being said people marry sometime not only for love, but for other reason such as gaining a political power, or for wealth in order to live better. The woman in this story although is graceful but her eyes are always on the young men. Even if she didn’t make any action, but her mind is telling her what she wants to do. Want is the desire, in the example of Dante’s Inferno, I will show the story of Francesca and Paolo in the next paragraph. That describe how lust wants another led to tragic death. In the story of the woman she begin going to forest for picking fruit and found the bravest warrior and they both did not talk much and starts rolling on the ground. It is the attraction between two young bodies and especially at night her desire is on fire that she imagines him stroking her chest and legs. Day by day, her clitoris growing bigger to the size of a man’s cock. She was shame and tries to hide but she told her mother her story. To a point her clitoris grow to it dragged along the ground. It can not hide from the people in the village, until got cut off and threw it in a middle of the river. It turns to an electric eel. Her behavior affects the…
The House on Mango Street is the “coming of age” story of a Mexican-American girl named Esperanza Cordero. The story covers a year in Esperanza's life starting with when she moved to the house on mango street. As the year progresses Esperanza grows emotionally and artistically, as the novel roams through her experience of life. Esperanza, her friends (Rachel, Lucy), and her sister Nenny have many adventures throughout the book. Esperanza has many life experiences including the art of poetry and music also the downsides of poverty and shame. Although the novel includes unforgettable men it also includes women who a trapped in many ways. For Example, Mamacita does not leave the apartment b/c she is afraid of the English language. Rafaela who…
The occasion of this story is to be a part of the non-fiction novel. It describes the setting of the town in which the murder of a family takes place. This essay uses the appeal of pathos. It makes the reader feel empathy towards anyone that was close to them or knew them in anyway.…
Aparna is a traditional Bengali housewife that had been transplanted to the United States. When the story begins, the reader can’t help but to feel sorry for the loneliness that Aparna must be feeling. She is in a country which thrives on a culture that is very different from the one which she is familiar with. Her husband is engulfed by his work and Aparna is left to entertain herself daily. She has few friends in the United States and nothing to occupy her time. Lahiri writes “…I would return from school and find my mother with her purse in her lap and her trench coat on, desperate to escape the apartment where she had spent the day alone.” As the plot continues, the reader is given hope…
Mexican culture is an exceptionally broad subject, numerous customs and cultural values mix into it making it a remarkably wide ranging topic to discuss. To generalize, food and family are a two prime examples of important customs in Mexican culture. The novel Like Water For Chocolate, conveys the story of the youngest daughter of a family living in mexico, her name, Tita De La. The story takes place during the turn of the twentieth century. Throughout this twelve chapter installment, audiences are able to perceive Tita’s inner conflict towards gaining self independence and pursuing true love. Tita is held back by strict family traditions maintained by her uncompromising mother, Mama Elena, and her true love Pedro Muzquiz is forced to take…
She would be so much better off if she kept walking past her abusive household and to a place where “nobody could make [her] sad and nobody would think [she’s] strange because [she] likes to dream and dream”(83). Next, Marin, Esperanza’s neighbor, stands “under the streetlight…waiting for a car to stop, a star to fall, someone to change her life”(27) instead of going out into the world and making changes herself. The way the women of Mango Street live dissatisfies Esperanza. They have either accepted the way their lives played out, knowing that they cannot escape, or simply wait around for a miracle to take them out of their situations. Her own family is no exception. Her mother “could’ve been somebody” with her “velvety opera voice that speaks two languages” but instead, became a housewife after her “shame [kept her] down because [she] didn’t have nice clothes” (91). Her great grandmother, and namesake, was once a “wild horse of a woman” before her husband threw a sack over her head and “carried her off…as if she were a fancy chandelier”(11). Esperanza has inherited her relative’s name, but does not want to inherit her place by the window, where her great grandmother “sat her sadness on an elbow”(11) and looked out, watching her life pass her…
Throughout history male dominated societies have been prevelant. The primary structure of the household has been patriarchial for the most part. Some women have accepted this condition; others women, however, find strength and pride in their sex and have thus ignored the norms of male domination. In her nove, Like Water for Chocolate, Laura Esquivel comments on feminism and society’s instated role for women. Through the story’s protagonist, Tita, Laura depicts a women in her traditional role and shows shows how she deters from what she is expected to do and how she is expected to act and embraces life in the manner she wishes to do so. Ultimately, Laura Esquivel utilizes Tita’s role as a women, cooking, and her nience, Esperanza, to depict the triumph of feminism.…
The movement has become stronger and the government wants to contain the progress. People are getting arrest left and right. Patrias family starts to become imprisoned, her sister, husband, and child. Patria quickly becomes frantic and trys to think of ways to get her soon out of prison. As time goes on and her son is still in prison, this man from the SIMs starts to stop by at the house. In the beginning, Patria despises him coming by the house. He talks to her about her husband and attempts to anger Patria. Over time Patria and Pena became acquaintances and nice with each other. Still all Patria wants is to get her son out of prison. She decides to use her acquaintance with Pena to ask for help, “I had planned to make an impassioned plea, but no words came out of my mouth….Suddenly, it all came out, along with the tears. How I had read in the papers about El Jefe excusing minors, how my baby boy had just turned eighteen in prison, how I wonder if there was anything at all Pena could do to get boy pardon,” (Alvarez 216). All Patria wants is to get her son out of prison. That she goes as far as to ask a person who was part of the government that is imprisoning her family, but the thought of her son in prison for anymore time is too much for Patria. Patria has courage to go to a member of the SIM, risking her own life to save the life of her son. Every action as its own outcome. The outcome of Patria asking Pena to see if he can get her son released from prison payed of in the end. Pena was able to make a few calls and get Nelson released from prison. A few weeks after Patria asks Pena for help. Pena stops by and tells her news about Nelson. As soon as Pena leaves Patria goes to her families and tells them, “Nelson is coming home,” (220 Alvarez). Pena was able to pull of getting her son released from prison. Patria is getting her son back. She can now stop worrying that she…
Through Juana’s story, Reyna, impersonates the journey and struggles that many people have to endure to get to the United States so they can have a better life for them and their families. Juana’s main motivation to cross over to the other side is to find her father that “abandoned” her and her mother when she was still a little girl, but she is also driven by harsh living conditions, oppression by a corrupt government, and hunger. Throughout her youth in Mexico Juana encounters many problems, both emotional and physical and these later encourage her to look for a better life in the United States. When she is twelve she is left in charge taking care of her baby sister in a flooded house while her mother goes out and looks for her father who still hasn’t returned from work. The next day as her father wakes her, she sees that her sister is missing and the baby is found drowned in the depths of the water of her flooded house. Juana has to deal with the guilt of her sister’s death, causing her great emotional and physical pain. As if things were not bad enough, this is not the only thing that Juana has to endure throughout her youth. After her sister’s death, her father leaves for “el otro lado” in search of work, leaving behind the debt of her sister’s funeral. No money…
(Alleydog.com). When all her fantasies were not materializing into reality she begins to channel her resentment to Candido, her loving and innocent nature gives way to strong will and prideful trait which she exhibits in her way of communication; ‘What right did he have to tell her where she could go and what she could do, he could barely get up to pee on his own’ (America). Her rage towards his underachievement was evident as she believed her dreams was achievable because she sees the cars, the houses on daily basis so what was Candido excuse, she tried taking matters into her own hands by going out to work but when things get though the child in her arises yearning for a mothers love, touch and presence. Her contradicting behavior can be attributed to youthful exuberance and frustration which has pushed her to an intolerant…
At the core is Esperanza’s struggle to define herself. As Esperanza learns to define herself as a woman in a community that lacks strong female values, her perception of her identity changes. For example, Esperanza learns about sexuality and her identity as a women. Marin represents naivety in sexuality. Though Esperanza is first curious and holds Marin in high esteem because she “knows lots of things [about] sexuality” (27), her perception of sexuality in relation to her community changes. Similarly, though Sally seems to represent the “beautiful and cruel,” Esperanza realizes Sally is not like the women in movies. Sally is an independent but a dependent of love. As Esperanza observes other women in the neighborhood and the marriages that bind them, is realizes that women cannot be both “beautiful and cruel” in a male-dominated society; Marin and Sally are both trapped by the naivety of love. Furthermore, even though Nenny rejects the stereotypical notions of escaping through marriage or getting pregnant, Nenny still chooses to make the best of Mango Street. Esperanza, in contrast, wants to leave Mango Street all together. Esperanza is determined not to become a woman sitting by a window, choosing to “ not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (90). Unlike her mother who “could’ve been somebody” (90), she chooses to be somebody. She chooses to not be passive. Though most women choose to be either trapped in marriages that keep them on Mango Street or tied down by their children, she chooses autonomy over sexuality, and through poetry and writing, Esperanza gains a sense of…