Redness and blood is often connected to religious imagery. In All The Pretty Horses by Cormac McCarthy, the spirituality of blood connects man with the landscape, horse, history, and his destiny. Thomas C. Foster’s How to read Literature Like a Professor makes reference to the bible in chapter 6. The Bible states that wine is often symbolized for the blood of Christ and is thought to be a spiritual cleanser. At the end of Part III, after John Grady had lost a lot of blood while staying in Saltillo Prison, he continues his journey back to Don Hector’s ranch after being spiritually cleansed. Chapter one sets the scene of the main character, John Grady Cole, attending his grandfather's funeral. In the evening, Grady notices that “the sun sat…
All the Pretty Horses is the first volume of The Border Trilogy by Cormac McCarthy and it is a tale about two cowboys who decide to leave their hometown in search of a new life in Mexico. The two young men, John Grady Cole and Lacey Rawlins, are close friends that live in San Angelo, Texas; they decide to travel south on horseback.…
In “All the Pretty Horses” written by Cormac McCarthy the main characters have developed a secret relationship that they attempt to keep a secret from their parents. After Alejandra’s aunt exposed them their relationship began to crumble in the eyes of Alejandra. The fall of this relationship and in “The Bass, the River, and Sheila Mant” written by W. D. Wetherell are very different for many reasons. The first difference is how the relationships ended. This is shown when Alejandra says, “I cannot do what you ask.…
The author uses these types of rhetorical devices in order…
For centuries, society defined women using their generational stereotypes. According to Laurel Thatcher Ulrich, the woman’s social status progression and digression needs to be investigated. Her book, “Good Wives”, expands on what societal stereotypes created the ideal women in 17th and 18th century New England. Ulrich approached the topic with a virtually unbiased opinion and attempted to explore all socio-economic classes to relay deeper understanding of pre-modern gender roles.…
Within the novel All The Pretty Horses, Cormac McCarthy attempts to associate the appeal of the Wild West in comparison to its reality. A prevalent idea that concludes the book on a slightly somber note appears in the form of John Grady’s character going into the western plains. As the narrative comes to a close, it is the diction and imagery that ultimately show how John Grady lets the story end with his departure into his life as a cowboy, having completely bended into this unique lifestyle and having lost a piece of himself along with it.…
In Barbara Ehrenreich’s essay, she writes about the positions women adopt. A woman willing to be accepted must have a veneer of “niceness” with society, especially with men. Ehrenreich argues “The essence of ladylikeness is a persistent servility masked as niceness.” “Women tend to assume that it is our responsibility to keep everything “nice” even when the person we are with is rude and aggressive.” “Wherever we go, we are perpetually smiling”. This mask is what we are showing to people, constantly trying to convince of our “niceness.” Women are ladylike because of a lack of toughness. The way that we act with people is like some kind of disease. Women have to act this way because according feminist psychiatrist Jean Baker Miller, “woman’s…
Through deconstructing The Devil Wears Prada the goal of this study is to prove that fashion in relation to a woman’s appearance is inherent to society’s definition of femininity and perceived professional competency. As mentioned earlier the heroines of makeover films are often depicted as independent women that make a conscious choice not to conform to society’s standard of femininity, because they put their emphasis on their intellect rather than their appearance. In The Devil Wears Prada the protagonist Andy Sachs fits the academic and dowdy female protagonist archetype that makeover films typically perpetuate. Andy Sachs follows the makeover film formula in the sense that she starts out the film as an intellectual with a blatant disregard for her appearance and performance of femininity. When Andy realizes how feminine performance or lack there of effects her perceived ability to do her job efficiently she adjusts her appearance to fit societally accepted…
Not only the pressure, but we also don’t have any interest to be lady-like; “‘You want to grow up to be a lady, don’t you?’ I said not particularly” (Lee 79). I haven’t felt the need to be a lady in a long while, despite all of the prodding from my mom and grandma. Speaking of prodding from my mom and grandma, “Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches; when I said I could do nothing in a dress, she said I wasn’t supposed to do things that required pants. Aunt Alexandra’s vision of my deportment involved playing with small stoves, tea sets, and wearing the Add-A-Pearl necklace she gave me when I was born...that I was born good but had grown progressively worse every year” now, when I first read this segment, it gave me a huge sense of familiarity; my mom and grandma keep looking in disappointment upon my outfit choices, and sometimes I feel like I’m not being what they want me to…
When you look back at the earlier years women were looked at as having a low standard I life versus…
When I first entered college the look on woman was different than it is today. Lip Gloss, Apple Bottom jeans, multiple wrist bangles, and different sorts of colors all mixed in to one outfit. The rap culture didn’t have as much a hold on the woman today as it did then. At that time there was no Nikki Minaj and Beyonce Knowles was big but wasn’t as adored highly as she is today. Woman were looking for their modern look and looking for that one person to come into the main stream to give them the identity and answer the question woman had on their minds, what’s a Modern Girl to do?. Today a question can be asked what the modern girl is or what makes a girl modern? Is the modern girl considered to be light skin with long hair? Is the modern girl a woman who embraces her natural beauty with natural hair? Is the natural girl the woman with long weave? I don’t think there’s a definite answer on what makes a girl modern. As I have been reading the novel “The Modern Girl around the World” I see myself walking around the mall and looking at women and the way they are dressed from the hair all the way to their shoes. I catch myself from looking at them as if I’m trying to critique but more if what their wearing considered to be modern. Could what they are wearing be something marketed twenty years ago? or even five years ago. I struggled with that answer a little bit. Fashion and markets to sell to change and switch like a clock. One day top wearing belly button jeans are “IN” and the next week they can be considered a thing of the recent past. We as consumers rely on fashion markets and the trends being marketed to give us an idea of what’s being worn and what can be considered new.…
I agree that the dominant form of masculinity and femininity are changing, however, this change has been going on for several generations now. Women are becoming the breadwinners while a lot of fathers are becoming stay-at-home dads. Some of the changes that come with women taking on more masculine jobs is the way that they dress. Since many jobs require respect women have gone from wearing dresses and cute hairstyles to wearing pants and cutting their hair off short to appear more dominating. On page 296 in our book the author points out that our society today actually promotes “tough femininity” as a lot of today’s actresses are seen taking on the more masculine…
Post-feminism endorses rejection of practices that identify the differences between male and female. For example, the recent movements to refuse to shave legs or underarms as well as cosmetics. Post-feminism re-evaluates the relation between femininity and feminism, establishing a new subjective space for women. While there is a constant struggle to establish a cultural idea of femininity, fashion has a huge impact in bewilderment of this image. As McRobbie argues: ‘’Fashion is a tool of post-feminism for gender re-positioning. This is carried out through the idea of what she calls ’post-feminist masquerade’. This kind of ’re-positioning’…
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PBAS Proforma for Promotion under CAS for Teachers (To be submitted in ten copies along with four sets of the documents) PART A: GENERAL INFORMATION AND ACADEMIC BACKGROUND 1. Name (in Block Letters): 2. Father's Name/Mother's Name: 3.…