Some people may think that New York is always this big busy city with a lot of traffic all the time, which could be true, but in the city you will always find someone sitting in Central Park during their lunch hour, enjoying the scenery and all the action going around. This is exactly what Louis Dienes is trying to portray in the poem "Lunch Hour in New York", which is why I chose to analyze this poem. Though it is a very big and busy city, there's always someone who is ignoring all of that and enjoying the calmness of nature while having their…
500 days of summer, a romantic comedy, written by Scott Neustadter and Michael h weber, puts us in the life of a man named Tom Hansen in his mid-twenties, who meets a girl named summer Finn, who he believes is the love of his life. during their time together she gets him out of his comfort zone and gives him a different perspective on life. Summer becomes close with Tom, but in the process takes him on a roller coaster of emotions, and makes him question everything he thought about love, life, and the true meaning of happiness.…
Australian actor and director Chris Lilley, is famed for his directing of mockumentary, especially for gaining world-wide success while filming Summer Height’s High, and We Can Be Heroes. Although Lilley’s mockumentaries partakes of both the pleasures of humour and the moral confidence of social critique, Lilley utilises another device in the critical arsenal of satire.…
The first line contains an image of a “bronze butterfly” sleeping on a trunk. This stagnant description of such a beautiful creature demonstrates a slowly moving life, one of which hasn’t achieved much. The trunk that the butterfly is sleeping on is colored black, representing the man’s missed opportunities to leave the farm. The next line portrays a leaf blowing down a ravine found behind an empty house. Obviously the empty house and the later heard cowbells in the distance (implying that the cows are leaving the farm) are clear images of the man’s loneliness. The speaker moves on to spot some horse manure. This dung, after being left for over a year, has dried and is turning into stones. The changing of this manure symbolizes the man’s changing into an old, lifeless man. Just as the manure does, the longer the man sits there and waits for something, the more prone he is to dry up and waste his life. Before the last line of the poem, the speaker mentions the setting sun and the evening that approaches as he lays back in his hammock. A chicken hawk, a well-known hunter, flies by the man and looks for his home, just as the man is looking for his home — or the place where he belongs. As the evening envelops the man, all of these apparently “beautiful” images (yet symbolically depressing messages) pushes the man to realize that his life has become…
In the poem Summer Day, by Sarah A. Kettler, she seems to be essentially describing a summer’s day. She uses many descriptive words, such as softly, dance, model, and more, to illuminate the feeling of freshness and a sort of beginning. One might describe her use of diction as joyful, relaxed, bright, and jubilant. Through these words, she seems to try and just get across how a summer day might feel and how swiftly it might pass by. Although the words may portray freshness, there is a feeling of laziness as well, which also complements the idea of summer. “While the grass reaches up towards the sky, The water hums a sweet lullaby”. The use of lullaby really illuminates laziness. Because a lullaby is one thing you might listen to or sing to a small child if you’re trying to put them to sleep. Since it is during the day in which “the water hums a sweet lullaby”, then it portrays the idea of a lazy summer’s day. In the poem, they also bring across the feeling of how quickly a summer day can pass. “The moon suddenly awakens to say hello, and all to soon, goodbye, And the day comes to life once again”. This quote shows how quickly the night may pass during the summer through just saying “hello, and all too soon, goodbye”.…
The poem is told from the narrator’s perspective. It begins with the narrator building a house, but nothing was aligned, as it should be. The wood even began to rot and maggots infest his hard work. He claimed that unlike Christ, he is no carpenter, but went on to build his dream home with only his needs in mind. At times, he hammered his own thumb and cursed while he worked; but in the end, he celebrated his own hard work with his favorite whiskey. For a short time, the house was strong and all that it should have been, but then it “screamed,” settled and was anything but what he had…
The summer solstice marks a shift in the year: everyday gradually becomes shorter, and closer to winter. In some religions, the summer solstice represents enlightenment, and new beginnings. The image of nature as pure is repeated throughout “Summer Solstice, New York City” by Sharon Olds. “Summer Solstice, New York City” relates the story of a man trying to commit suicide, but choosing life and finding comfort in the police sent to rescue him. Initially, the title seems irrelevant to the rest of the poem; however it reveals contrasts throughout the poem between nature and technology or corruption that display the reason for the man wanting to take but ultimately saving his life.…
As the poem went on, it seemed to shift from youthful optimism to the realities of being an adult and crushing their youthful optimism. From line ten to the end it takes about the speaker’s home life and it seems like they aren’t aware of the reality around them. Their father had gotten out of the hospital and they didn’t seem sympathetic towards him, the speaker seemed to focus on the fact that they got to move into a new house and didn’t have to live in an apartment anymore. “We’d moved / from the apartment over the store / into a house with a front door. / I wanted people to ring the bell / and I’d answer it like on TV.” (ll 16-20). The speakers father has just been brought home and all they can focus on is opening the door like the people…
"The Weary Blues" and "Lenox Avenue: Midnight" by Langston Hughes are two poems written as scenes of urban life. Although these poems were written more than seventy years ago, it is surprising to see some general similarities they share with modern day city life. Dilluted down with word play and irrelevant lines such as "And the gods are laughing at us.", the underlying theme is evidently urban life. "The Weary Blues" and "Lenox Avenue: Midnight" approach the general topic of urban life from two different aspects also.…
In the first two stanzas, the black tenant, the main voice of the poem, complains to the landlord about the leaking roof and the broken steps at his rental house needed to be repaired. The house is in a life-threatening…
As a WW1 correspondent, Hurley becomes forced to rediscovered himself as his old perceptions towards life become shattered by the general disregard for human life, re-inviting the pessimism that once consumed him. Nasht justify this change in perception through Hurley’s archival photography and footage of the gruesome scenes of war. Such horrors of war, could not capture the full extent on how he wanted to theatre the discovery of this loss in humanity, as Hurley states “One photograph is not enough to capture the bloody effect of this war.” Such hostility within his high modality language and desire for innovation, led to him achieving his motto “near enough, is not good enough” pioneering reality with his super imposed composite images which combines “the notion of cinema, photography and…
“Summer Solstice, New York City” uses juxtaposition to describe details while “Death of a Window Washer” did not. In “Summer Solstice, New York City,” the poet uses words relating to manufactured elements and words relating to natural elements side by side, in order to bring hope to the audience. For example, Olds uses some harsh adjectives to describe the edge of the top of the building where the man was going to commit suicide: “to the edge, put one leg over the complex green tin cornice" (27). This line contains two unnatural elements: “tin,” and “cornice,” which connote the man-made city and shows the cold elements of the city. However, Olds uses natural elements to describe the net: “stretched as the sheet is prepared to receive a birth" (27). In this line, Olds uses the word “birth,” to contrast the birth of the children to the man’s life by comparing the end of the man 's life to a new "life" in the city. Because of the contrast between the words, the gentleness and hope of the man-made city emphasizes the harsh reality of the man 's extreme decision to end his life. On the contrary, “Death of a Window Washer” does not use juxtaposition and describes the detail more harshly. The poet X.J. Kennedy shows the coldness of the city. Kennedy describes the scene inside the building when the window washer is falling: “Machine…
The Summer Solstice is known as the longest day of the year, and in placing the setting on the Summer Solstice, Olds presents the reader with a lengthy period of time. In the first line, when Olds says that “he could not stand it” (1) anymore, it presents the concept of a long day, or in the case of the man, a long life and a long time coming. We do not know what has been happening in the man 's life, but whatever it is has led him to desire to commit suicide.…
“Anyone Lived in a Pretty How Town” has a complexity of superimposed sensuous and mental impressions. The most striking pattern is obviously the revolution of the seasons, which is indicated by the rotating list of the names. With each of the abstract terms E.E Cummings associates a natural phenomenon characterizing the particular season on the sensuous level of human experience so that one may stand symbolically for the other; the sun represents summer, the moon represents autumn, the stars represent winter, and the rain represents spring. The vertical sequence in the poem corresponds to our expectations and desires. The poet echoes his unequal impression by referring to it insistently in the following lines: “snow”, “died”, “buried”, “was by was”, “deep by deep”. The shift from single words to pair of words announces rhythmically the return of movement of life. “Earth by April” contrasts identical elements and associates two opposites, death and spring; the block of repetitiveness is falling apart, a movement in time and away from the harsh element. After this reference to spring, the text moves on directly to summer, pointing forward to autumn, however, through the association of “reaped-sowing” and the synonymous “went their came”. The final emphasis remains on “summer” and “sun” at the beginning, “spring” and “rain” at the end of the lines. Thus, spring opens the cycle in the first stanza and it concludes two lines in the last. Life has come full circle, but the end is also a beginning.…
Neighbors complain of me never leaving the house. They think I’m crazy because I only appear out in the frost bitten air of winter. Every few weeks a man in uniform will appear at my door seeing to it that I still breathe. They worry a lot about me, for one women’s “sad, pathetic” life that they should have no business in. But I fret not (not that I could care even if I tried), I simply holler back at the policeman “I’m live, sir. See you in November.” November: when climate gets chilled and the sky turns gloomy. That is when I can go out and do things that normal people do. All the people’s delights have been turned down a bundle of notches and I can blend in. The ordinary people seem almost like me when it is dull and cold out there. But for now the large yellow globe shines softly on their skin, and they all look so genuine; they don’t need to put any effort into what they are doing. They just live. I envy the little people for that. I envy them for what I am not and what I cannot do.…