What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is not hazy. There is no hint of sffumato. It is very much unlike the Romantic works produced earlier in the century. Rather the edges of the figures and of other objects in the picture plane are clearly defined. The artist "renders every object in the painting with meticulous clarity" (Smith 1). To see this work in person is really quite impressive. The painter has achieved a great sense of depth in the painting, as well as a strikingly realistic quality. The picture taken for this paper from the Albright-Knox 's web page simply does not do this work justice. One 's experience of standing in front of this painting is that of awe. The artist has depicted everything in the scene so realistically, and yet has made it look better than it probably did in real life. Everything in the painting has a rich, glowing quality about it.…
able to grasp the concept behind the painting or the exact situation that was intended to be…
While the painting lacks the formal resemblance we recognize from photographs or our own perception, there is an overall…
The name of the book is " Black and White". It is written by Eric Walters. The illustrator of the book is Joe Baker. This book was published by the Penguin Group in 2009. The genre is fiction.…
In the article First Paper Assignment, Robert Bagley questions the rationality of Professor X’s assignment “just look carefully and describe what you see” (Bagley, 49) for college freshmen. He believes that an artwork is unable to generate meanings by itself, and therefore, the description of an artwork could only be supported by putting it in some sort of context. Such context can be gained by multiple ways, including but not limited to, comparing with similar artworks, analyzing the effect played by different features consciously, thinking of its cultural and historical context, and comparing across culture.…
The author suggest that we ask ourselves: “What is the purpose of this work of art (and what is the purpose of art in general)? What does it mean? What is my reaction to the work and why do I feel this way? How do the formal qualities of the work-such as color, its organization, its size and scale-affect my reaction? What do I value in works of art?”…
Have you ever had a painting that really spoke to you? When I visited the David Owsley Art Museum there was one painting in particular that stuck out to me, it was: Right Bird Left by Lee Krasner. Tis painting made me feel happy and gave me a lot of energy during the time I was at the museum. It caught the attention of my eye by using several different visual elements to depict an abstract representation art piece. Along with that it used principle of designs to help the visual elements play out and work in the painting so that things can be depicted to the human eye correctly. This piece might have looked like bird feathers but it used many different techniques to give me a bigger underlying meaning behind a such complex painting. This piece…
After a visual analysis it helped me look deeper into the painting itself. It helped me understand what the artist really was trying to show rather than just a random assessment of colors and shapes. The theme was addressed well because it managed to show a picture of the universe’s history. By understanding what the story behind the painting it helped me understand the meaning behind it more. Also because I visited it so long ago it reminded of how much I enjoyed the piece and it helped me remember it…
While all pieces of art have a purpose that represents the essence of the time period, some hold a larger grasp in the majority of the lives of others. For example, the catastrophic events that unraveled in the 1920’s have…
I didn’t even notice it at first, it hardly stuck out against its counterparts. Most of the other paintings at the museum were splashed with dazzling colors that seemed to lift their two dimensional images out of the frame. “Hoeing” by Robert Gwathmey, seemed to do just the opposite, it drew me in. It must have been its distorted figures that first captured my attention. Surrounded by beautiful paintings that almost seemed life like, “Hoeing” in comparison, was an abstract oil painting of oddly shaped workers. Berger said, “The way we see thing is affected by what we know or what we believe”. (167) Having rarely been to museums except on school trips my exposure to art has been very limited. In fact, most of what I know to be art is derived from a single drawing course I took in high school. Everything in the course was directed towards making your drawing seem life like; proper shading, three-dimensional drawing. In whatever case, I came to believe “good” art was the piece that looked the prettiest. Standing in the museum hall, I wasn’t disappointed, most of the paintings there were so realistic they bordered on the difference between a painting or photo. But “Hoeing” was not attractive, or at least not in the traditional sense. Even the frame looked like it had been chipped away over half century. Looking at the painting I was surprised at how an arbitrary piece could make it into a museum. The painting itself portrayed a group of African-American famers laboring at multiple tasks. The two-dimensional figures were either prominently dark black or brown and were continually bent over from either work or exhaustion. The sky was a dull gray mixed with tints of blue while the ground was a scorched red and orange. The colors didn’t add for detail but rather for mood. The dark undertones brought a “tiresome” behavior to the painting that was complimented by the painting’s simplicity. This painting did not stick out to me for its…
The second time around there were several more aspects of the painting I was able to detect. For instance,…
As I strolled the room, I took care to notice every piece of art that was displayed. The van Gogh caught my eye immediately, but, unfortunately, there were restrictions on my ability to write about it. There had to be about forty works in the room. No sooner than I had started to look around again, however, that a second painting caught my eye. I had never seen it before, but something about it looked very familiar. Possibly the brilliant orange glistening over the mind-numbing grays and blues. Or maybe it was the quick brushstrokes that seemed to want to move quickly enough to literally capture the light being emitted from the incandescent sun. Whatever the case, as I stepped closer to the work, I realized what should have been obvious the second I placed my gaze upon it. It was a Monet.…
By taking a virtual tour through the Cosmic Buddha exhibit, at the Metropolitan Museum of Art, I was able to observe and analyze the different pieces of artwork and sculptures. Through observing the similarities in the mediums and tones of the painting or sculpture, I was able to identify the various differences between certain pieces of artwork. All things considered, I found a new fondness for the elements involved to construct such astounding pieces of artwork.…
Many people deny the fact that global warming is real; that a lot of it is caused by man. Man made global warming has become worse and worse throughout the years, and more research has proven that. It isn’t exactly 100% man-made global warming, but with a mix of manmade and natural global warming. Although it might seem like it is not such a big problem, manmade global warming has played more than 90% of the global warming’s problems currently. It has a lot of conditions, problems, and the solutions are possible, but taking action will be the harder part as a world.…