This “repeatable formula” that television prefers confirms Gritlin’s notions of purposed hegemony in American entertainment. TV programs prefer to stock characters set who don’t develop supporting the idea of complete social stability. He even comments on the timing of these programs how they mimic the times of the society reinforcing the “naturalness of clock time”. Programs beginning once school ends and once you clock out of work, the normalness of clock time is reproduced in through the TV format while introducing the capitalistic undertones of “free-time”; advertising ways to break the routine and escape the assembly-line of life for those who can afford it. An example of how even contradicting positions, of ‘clock-time’ and ‘free-time’ are still both brought into the culture conformed into hegemonic …show more content…
Gritlin interestingly points out the way television is formatted -with its ‘assembly-line’ characters, perfectly timed commercials, predetermined genres, subliminal slants, and ready-made solutions- in a hegemonic aspect. . Gritlin urges the masses to recognize the hegemonic implications set in television formatting; to regain our power as an active society and engage in social conflicts while resisting the hegemonic ideology. Now after understanding what the programs actually mean, can we begin to ask the question of what are the true effects this programming has had on American